Akemi Miyano Embodies The Song 'Can't Catch Me Now' By Olivia Rodrigo In The Most Perfect Way.

Akemi Miyano embodies the song 'Can't Catch Me Now' by Olivia Rodrigo in the most perfect way.

Oh, you think I'm gone 'cause I left But I'm in the trees, I'm in the breeze My footsteps on the ground You'll see my face in every place But you can't catch me now

The Black Org might’ve killed her but she left pieces of herself in the people that would take them down. In her sister, in Conan, in Akai. Her ghost embraces Haibara, smiling at her through Ran’s familiar self-sacrificing kindness. Her blood stains Conan’s hands, the little detective that carries too much on his shoulders. Her touch haunts Akai, his love for her genuine despite the fact that he had used her for his own purposes.

And I think that's what makes her such a compelling character despite the little screen time she had. They thought she was a mere pawn, someone that was easy to throw away and forget but she haunts the narrative while the people who loved her fight to destroy the very thing that took her away from them.

if i don't pass this next week istg i'm flushing my diploma down the toilet

Little My causing chaos.

““The mannerisms that help define gender - the way in which people walk,swing their hips, gesture with their hands, move their mouths and eyes when they talk, take up space - are all based upon how non disabled people move…The construct of gender depends not only upon the male body and female body, but also on the non disabled body.””

— Eli Clare, Exile and Pride: Disability, Queerness, and Liberation