aestheticwax - random thoughts
random thoughts

37 posts

Ballet

Ballet πŸ’•

Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything
Under The Sea Is The Most Complicated Production Number Weve Ever Done. There Is One Live Actor And Everything

β€œUnder The Sea is the most complicated production number we’ve ever done. There is one live actor and everything else is digitally created. We thought, how do we do this? How do we begin? And I remember thinking about Fantasia (1940). I thought of Walt Disney and I remembered when he did Fantasia, the Nutcracker Suite sequence, he used the Ballet Russes as a template. He used their bodies to help him create the dancing flowers or the snowflakes or the mushrooms. I thought we should work with a dance company. So we brought the Alvin Ailey company over to London to work with them to create this musical number and we asked them to actually replicate these different sea creatures and how they moved. So that our CGI artists would have a body to work from and to mold from. It was insanity in a way. But I will say, at the end of the day, having that beautiful dance company there with us and being able to work with actual dancers was really the key. I think that was the key to getting into this [musical number] and figuring it out.” - Rob Marshall THE LITTLE MERMAID (2023) Dir. Rob Marshall

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More Posts from Aestheticwax

2 years ago

Sculpting #gwendolinechristie #lucifer of #thesandmannetflix

This is on 1/3 scale and i will use some raw materials, so no mokding and casting process...ugh this is going to be heavy 😹

Sculpting #gwendolinechristie #lucifer Of #thesandmannetflix
Sculpting #gwendolinechristie #lucifer Of #thesandmannetflix
Sculpting #gwendolinechristie #lucifer Of #thesandmannetflix
2 years ago

Favorite Xtina Era πŸ’•πŸ’•πŸ’•πŸ’•

Christina Aguilera By Miranda Penn Turin For Stripped, 2002
Christina Aguilera By Miranda Penn Turin For Stripped, 2002
Christina Aguilera By Miranda Penn Turin For Stripped, 2002
Christina Aguilera By Miranda Penn Turin For Stripped, 2002
Christina Aguilera By Miranda Penn Turin For Stripped, 2002

Christina Aguilera by Miranda Penn Turin for Stripped, 2002

1 year ago

😻😻😻

aestheticwax - random thoughts
1 year ago

My favorite part πŸ’•

Eric And Ariel Working Together To Save Max
Eric And Ariel Working Together To Save Max
Eric And Ariel Working Together To Save Max
Eric And Ariel Working Together To Save Max

Eric and Ariel working together to save Max

2 years ago

Your thoughts also has to go deep...

Ctto

#fun #skindeep

Your Thoughts Also Has To Go Deep...