Alana-k-asby - Unforceful

Dress, c.1892

Wow, it really is!

Credit: Backroad-life

if you’re ever in doubt about what pov to write a scene from, a good rule of thumb is to pick the person who knows the least about what’s going on. lots of pros!

you automatically have some level of tension in the scene, as they either struggle to figure out what’s happening or completely fail to notice it

if they know as much or barely more than the reader, the reader is learning things alongside them, which will help make exposition feel more natural

if they know less than the reader you now have dramatic irony! great for humor and/or agonizing tension

helps you keep secrets from the reader longer, since your pov character doesn’t know them either. (I mean you could also just carefully omit major info and pretend you thought it was obvious. see the Queen’s Thief series for several examples that span a whole novel!)

helps add a fun little mystery for the reader as they try to figure out those secrets (fun little mysteries are great attention hooks!)

“what’s going on” can mean anything btw, it could be the plot or the worldbuilding or another character’s motivation or the location of the buried treasure.

for best results, think about what each character in the scene wants to get out of this scene, and then pick the pov of the person who has least control over/knowledge of whether they get what they want. failing that, figure out which character has the most important secret that’s affecting the course of the scene, and write from the pov of someone who doesn’t know the secret. (the secret can be stuff like “I’m in love with you,” “I’m a spy for the spider queen,” “I’m the one who stole the muffins,” just whatever’s adding an undercurrent of tension to the conversation.)

this rule won’t be right for every occasion and you should trust your gut, but it’s served me well for years, so I encourage all you writers to consider it when figuring out how to approach a scene :)

If you could care less then you'd better have an 80's hairstyle, be loudly chewing gum, roll your eyes, and say it with overblown sarcasm.

You couldn’t care less. Couldn’t. If you could care less that means you do care.

Speculative Faith

Storytelling With Faith and Free Will

Fantasy novelist R. J. Anderson shares her conversation with author and artist Stephen McCranie.

This is sooo good!! (AND it’s with our very own @rj-anderson ! :D )