Update:
update:
digitalised mini comic from earlier, featuring Ao'nung's face the first time he sees Sa'eyral

how he thinks he looks (softboy babygirl awe)
vs.
how he actually looks (acustic seawolf deathstare)
@torukmaktoskxawng
first time posting here. I'll figure out my way way through this place eventually.
For now, I will be uploading the first of my fanart series (hopefully); where I upload fanarts and imagines/headcanons of my fav fictional characters from all sorts of media and their respective fandoms.
To start, my latest obsession: ✨James Cameron's Avatar✨
Character study of aged up! Ao'nung and Original Character Sa'eyral from the fanfic 'Sunset on your skin' by the amazing AelysC on AO3


bonus: mini comic draft of Ao'nung's face the first time he sees Sa'eyral


how he thinks he looks vs. how he actually looks
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More Posts from Barelyfunctioningchaos
gonna show u guys a little opalescent highlight hack i threw together today

rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS

THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!
in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:

more granular rambling beneath the cut!
u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.
example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.
anyway, back to rambling about this specific method:
i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.
since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.
also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao










Phantom of the Opera book Illustrations by Greg Hildebrandt
My name is HAMDI AHMED, and I'm a disabled Palestine queer. Tragically, my family's evacuation plans from Gaza were thwarted by the loss of my father, our breadwinner, during the genocide. Recently, my mother fell victim to an airstrike in Deir Al-Balah, leaving me without a home. With no income and relying on the kindness of friends, I urgently need to evacuate to Egypt for safety. Any donation, no matter how small, would make a world of difference. Thank you for your support.
Scam
update:
fanart of a scene from Chapter 14.
early sketch vs. final (?) result


first time posting here. I'll figure out my way way through this place eventually.
For now, I will be uploading the first of my fanart series (hopefully); where I upload fanarts and imagines/headcanons of my fav fictional characters from all sorts of media and their respective fandoms.
To start, my latest obsession: ✨James Cameron's Avatar✨
Character study of aged up! Ao'nung and Original Character Sa'eyral from the fanfic 'Sunset on your skin' by the amazing AelysC on AO3


bonus: mini comic draft of Ao'nung's face the first time he sees Sa'eyral


how he thinks he looks vs. how he actually looks
first time posting here. I'll figure out my way way through this place eventually.
For now, I will be uploading the first of my fanart series (hopefully); where I upload fanarts and imagines/headcanons of my fav fictional characters from all sorts of media and their respective fandoms.
To start, my latest obsession: ✨James Cameron's Avatar✨
Character study of aged up! Ao'nung and Original Character Sa'eyral from the fanfic 'Sunset on your skin' by the amazing AelysC on AO3


bonus: mini comic draft of Ao'nung's face the first time he sees Sa'eyral


how he thinks he looks vs. how he actually looks