You Walk To School With Jrs Brother, Stopping By Jr To Talk. Jr Rolls His Eyes, "Hurry Up And Go To School.

You walk to school with Jr’s brother, stopping by Jr to talk. Jr rolls his eyes, "Hurry up and go to school. You're gonna be late." His brother nods, tugging on your shirt. You frown, "I just wanted to say hi..." "Hi. Now go away." Jr crosses his arms uninvitingly. You huff and walk the rest of the way to school. Why does he have to be so difficult. Just yesterday you were helping his brother together with his homework. Getting along just fine. Now he won't hardly even look at you. You sigh and sit at your desk. Maybe it'll get better. Maybe he'll slowly start being friendly more often. Maybe you can teach him to be more friendly. You rest your chin in your hand, thinking about what you can drag him along to do next....

You glance at the boy on your way to school. You stop when you see his brother standing next to him, talking. It's been a week since you started your project with his brother. You've managed to make him your grudging friend, which you're excited about. You walk over to them and his brother breaks off whatever he was saying and looks at you. You smile, "hey. What's up?" He shrugs, "nothing. Just saying by to Junior." You blink, "Your names Junior?" Junior glares at his brother, who immediately shrinks, cheeks burning red, "s-s-sorry...." Junior looks at you, "So? It's none of your business." You shrug, "There's nothing wrong with it. I was just surprised." Junior glares, "it's still none of your business." You sigh and look at his brother, "Come on. We're gonna be late." He hesitates, glancing at Jr. Jr nods at him and he hurries over. You walk to school, shaking your head. Why does he have to be such a jerk?

Had to reblog because I love this so much

My favorite thing about seeing non-Americans online is how they’re so shocked by things that you just take for granted and don’t even think about.

Like that whole restaurant post explaining how portion sizes aren’t a reflection of how people typically eat every day and that you’re practically expected to take leftovers home. It’s because between things like the Great Depression and coming off of having to ration our meals there was a big deal about being hospitable and giving guests lots of food that they could save for later thanks to the invention of refrigerators.

Or how non-Americans just shrug their shoulders at the idea that “Oh that house is old and haunted SOMEBODY DIED IN THERE!” because the U.S. has only been around a few hundred years and ghost stories like that are a common occurrence because we don’t have still-standing homes dating back to the Renaissance era and we have very different ideas of what is considered “old” because we really are such a young nation.

You dont’ quite realize that America does have its own cultures until you start exposing it to people who aren’t surrounded by it. And I think it’s important to realize that America does come with a culture but most people don’t see it as a culture because they’re so used to that whole “Melting Pot” thing but see that’s just it. The fact that there is a history and people who’ve been shaped by that history and those experiences is how culture is created and you can’t stop it. But it’s kind of like how if you’re a fish you don’t really know what’s “wet” because there’s water everywhere. If you’re American you don’t really know there’s an American Culture because you live and breathe it every day.

You're on your way home with Jr’s brother when a ruckus breaks out in the crowd. You stop and Jr's brother cranes his head. You freeze when you see the wolf. Its massive and pure white. Brown eyes flash angrily as a group of officers fight it to the ground. It snarls and fights, thrashing violently and snapping at them. Its claws flash in the afternoon light. It's no use. The officers are wearing protective gear. The crowd scrambles back. Jrs brother goes sheet white and rushes forward, then, seeing Jr in the crowd unharmed, relaxes. A sense of relief rushes over you as they cage the wolf and fight a collar on it. Other cities have been wiped out by werewolves before. Especially ones that change so early. No one expects it, and so are left defenceless. This city stays alert and rounds as many up as they can. They're taken to a seperate community, where they can live their lives without accidentally harming others. The collar snaps closed and the wolf jerks, snarling and thrashing, then goes limp, turning into a man. He looks about in his thirties or forties and is naked. You look away, then find yourself being rounded up along with the entire crowd. One by one they're checked for bites. You don't have any, but you still feel nervous. Jr goes up. Hes stiff, jaw ticking, fists clenched. They check him over and he hisses, "I’m clean..." You watch as they give him the go ahead and he storms off. You frown. It's not THAT bad that he had to get checked over... You shake your head. You'll never understand his flaring temper. But his brother is tense too, watching him leave. He goes before you, letting them check him over and then hurrying off after his brother. They check you and give you the go ahead. You look around for Jr and his brother, but they had disappeared before you were announced "clean". You sigh and walk home, jumping at every noise, imagining wolf eyes staring out at you from the allies, wet noses bumping your ankles. You shiver and slip inside.

Jr still looks angry on the way to school the next day. He's got his arms crossed and is glaring at the ground. You walk over to him, "Hey..." His brother slips out from behind you, but retreats quickly when Jr lays his seering gaze on him. "Could you not bother me for one day?", Jr says shortly. You frown, "Why are you upset? Did it almost get you last night? That woul-" "HE." "What?" You frown. "He," Jr repeats, "It was a he, not an it." You blink, guilt creeping up your spine, "O-oh... Yeah, sorry, I know. I- did he almost get you?" Jr runs his hands through his hair, "NO. God damn it can you just LEAVE ME ALONE?" You take a step back, "What's your problem?" Jr snorts, "Nothing. You wouldn't care. Just go to school. You're gonna be late." You open your mouth and he snarls, "Get!" You jump and scurry off, his brother hot on your heels. You wait until you're a safe distance, then turn to his brother, "What's his problem?" He looks down, "He just.... Doesnt appreciate how werewolves are treated..." You raise an eyebrow, "JR, the snobby, full of himself, I'm better than you boy, is a free animal advocate?" Jr's brother shrugs, "Yeah, so?" You frown, "Does he not realize they could WIPE OUT THE CITY?" He looks down, uncomfortable, "Not ALL werewolves are bad..." You stare, "Maybe they're not bad PEOPLE, but they can't control themselves! Come the full moon they become killers!" He glares, "I KNOW! Why dont you argue with my brother about it?!" You flinch, "Sorry... You're right. I shouldn't be taking my frustration at him out on you." He nods and you go to your seat. You'll have to talk to him sometime about it.

Also! As you're studying creative and professional writing: do you have any writing advice? Anything you picked up along the way that's incredibly helpful with your original fiction and fanfic?

alright, i’m gonna try and culminate the last three years of my degree into the most helpful advice i received that i can remember and it might be completely useless to you all but who cares:

adverbs are the enemy. if you can say she smiled prettily you can sure as hell take another four words to describe what was pretty about her smile instead. (if you gotta keep 1 or 2 adverbs in, fine, but purge the rest.)

kill your darlings is usually relevant but only because that one sentence you love so much is usually only loved because it doesn’t actually fit in with everything else. if your darling fits and works, don’t go killing it - raise everything surrounding it to that standard.

when posting articles/content online (especially on websites like medium), post towards the back end of the week, in the second half of the day. wednesday and thursday are the best ones for it. the algorithms of medium and other websites will make sure the article ends up trickling into friday, when bored employees go online during their breaks, and if enough of them read it, it’ll be especially popular over the weekend. (case in point, i did exactly this for this essay on depression.)

be warned though, popularity can be down to your tagging system, your title, any featured image and subtitle. just because you post at the exact right time doesn’t mean you’ll get the reads. here’s a masterlist of free stock images you can use, just because i’m nice.

read everything you can

read where we came from as much as new books. i don’t like classics but even i have to admit that reading ray bradbury can provide important and helpful tips and tricks, as much as reading the hunger games can.

try as many genres as you can, but if you know what genre you want to write in, focus your energy on that. a teacher of mine once said that he regrets dividing his energy between literary fiction and horror. he reads and writes both, but because he spent his time split, he never mastered either of them. if he had focused on one over the other, his talents with it would be much more than they are. (though, note, if you want to focus on multiple genres, do it anyway. i can’t decide between sci fi and fantasy, so i’m willing to master neither so i can enjoy them both.)

write everyday if possible. my teachers all recommend morning pages - you write a page in the morning before you get up and leave. do it during breakfast or when you’re still in bed. it can be about anything - word association, prose, poetry, whatever. it also does not have to be good. here’s a good book we were recommended on the subject if you want help with this.

for fan fic specifically: write in third person. unless you’ve got something super Artsy and Forward Thinking going on, your readers will only find themselves uncomfortable with first person, as we’re already trained to consider these characters as outside ourselves. putting first person in makes us the same person as the character, and whether readers are aware of it or not, that’s not the experience they came to fan fic for.

try to observe the trends of fan fiction when you can. i did this when i wrote for the 100 (i noticed that more people wrote during the hiatus between seasons, but more people were reading during the season airing and immediately after it finished) - you’ll find you’ll get more reads than you expect.

on tagging, just because it’s relevant to me: tag however you want on ao3, but tumblr only pays attention to the first 5, so make them the most important ones that are most likely to be read. from 6 onwards, tumblr won’t put your post in that listing when searched, so don’t bother.

don’t make the same mistakes i did with the prose around dialogue. it’s not:

“Hey there,” Jackson said. Emily smiled.

“Hey!”

as soon as your prose stops relating to the dialogue and jackson, you gotta start a new paragraph. even if you’re going into exposition or description - it doesn’t belong on the same line as the dialogue and it’ll start confusing the reader. especially when you stop saying things like “jackson said” and the reader starts attributing the dialogue to incorrect characters. try:

“Hey there,” Jackson said.

Emily smiled. “Hey!”

be as economical in your writing as possible. seriously. i love purple prose but we don’t need it everywhere. sometimes the reader just needs the facts and not three paragraphs of adjacent information. (sometimes, however, the reader wants that information, so it’s about being economical with how often you’re economical.)

for correct formatting for scripts, use the BBC writer’s room. they also have contests and open submissions. very occasionally, the people who submit can get hired to the BBC.

let yourself be shit at writing. it’s nothing to be ashamed of.

Reading List:

here’s the best books i can offer you for writing. some may be helpful, some not so much for you - but these are the books my teachers recommended and i connected with.

The Writer’s Journey, Christopher Vogler is a staple, okay? it was the first book we were told to buy, because it breaks apart a story into so many pieces and shows you how they’re to be employed. it’s not an enjoyable read, but it’s a really good place to be starting from.

The Elements of Style, Strunk and White. Another staple. Very short and apparently, very important.

if you want help with novel writing, Thomas Emson’s How To Write a Novel in Six Months is my go-to. he came in and delivered a lecture, the book takes only 40 minutes to read, and it comes with a lot of great advice you can pick and choose from. i reference him every time y’all ask for writing advice and it’s because the things i took from his book are the most helpful to my process.

Stephen King’s On Writing is pretty good. I was bored as heck through the first half, where he writes his life story, but the second half is all writing advice and super helpful.

as mentioned in the morning pages point: The Artist’s Way, Julia Cameron.

The Definitive Guide to Screenwriting, Syd Field.

The Ode Less Travelled, Stephen Fry. if you’re interested in writing poetry, this is a very good one to use.

On Writing Well, William Zinsser. if you want to write non-fiction, this is the one for you. get the most recent edition you can, the edits are worth it. (for example, zinsser originally wrote ‘he’ when talking of the writer, and eventually changed to ‘they’ and ‘he or she’, because he learned feminism lmao.)

my playwriting teacher recommends The Art of Writing Drama, Michelene Wandor which i haven’t actually read yet but i plan to.

Heussner, Tobias, et al. The Game Narrative Toolbox is good (though a lil expensive) for when it comes to writing for games.

so is Rusch, Doris C. Making Deep Games: Designing Games with Meaning and Purpose, but again, recommended for games.

sources: i’m a third year creative and professional writing undergrad, consistently top of my class, taught by professional writers in fiction, experimental literature, poetry, non-fiction, playwriting, young adult and children’s literature and game design.