
Aro/don’t talk to me about classes I’ll die/22/I write sometimes
63 posts
Its Time
It’s time
-
bokutos-biddys liked this · 1 year ago
More Posts from Bokutos-biddys
hc that shinsou is one of those boyfriends who’s an absolute menace in bed. the only commands he respects are your safe words, otherwise he goes out of his way to do the exact opposite of what you ask him to.
when you beg him to to go faster, harder, he just smirks and deliberately slows down, his touches becoming feather light. when you ask for it slow, he gives it to you hard and fast, holding you down when you try to pinch him for it.
he operates in little shit mode 100% of the time in bed, just loves riling you up, and he’s unbearably smug about it when whatever he does invariably makes you come anyway.
I need a Bakugou Katsuki x reader but The reader really hates that they fell in love with him.
Not in a bad way just once they realize that maybe they see Bakugou as more than a friend they just let out a long sigh and whisper “oh god damnit”
They love him but they’re also really concerned about their taste in men
Speaking of banners, how do you make yours? They are so nice!
Lmfao thank you!! It's not my strong suit but I try!! 🥺 I usually grab images from unsplash and then throw them in pixlr! I am too cheap to pay for any of the fancy fonts or anything tho lol, so I just use the free pack.
how to keep people in character: a guide
I have gotten some requests for advice on how to write specific characters, but the underlying principles to keeping characterizations canon-compliant can apply to writing anyone in any series. Better yet, this advice may help you come up with character interpretations that feel both canonical yet original (and distinct from mine!).
You can reduce characterization to three basic principles:
1) Habits and speech patterns
Habits and speech patterns serve as “shortcuts” that immediately connect the character to the canon. The audience recognizes these cues and will associate them to the actual character.
Speech patterns are particularly important to keeping a character recognizable. As soon as the speech pattern of a person deviates from canon with no explanation, the suspension of disbelief will break for an audience. A common issue I see in shipping fics is that people will make a character give the love interest a pet name that just would never leave their mouth in canon-compliant situations.
Habits can be verbal tics (e.g. they say “babe” a lot), bodily motions (e.g. touching their hair or pushing up their glasses), behavioural trends (e.g. eating a lot), or even phrases that come up often. The latter I find is underused but very effective. Here’s the thing about people in real life: they will repeat phrases and stories, sometimes even verbatim, to different people! If you lift a line out of the show or book and re-contextualize it, it’ll immediately feel like the canon.
Habits come with two caveats:
Do not overuse the tics. It can be annoying and intrusive, especially when used more frequently than in canon!
Do not rely too much on these habits for characterization. Your character may come off as a shallow imitation of canon without “substance” if so.
The next two tips will help give your characterization substance and originality.
2) Drivers in decision-making and thought patterns
People in real life often have patterns in the decisions they make or the thoughts they have because of some kind of underlying motivation, whether or not they are cognizant of it. The same will apply to well-written characters in fiction. Try to think about any significant decisions the character makes in canon and why they might exist. (Hot tip: If these motivations are not explicitly stated in the canon material, this is where you can come up with some extremely juicy headcanons!)
Understanding the fundamental drivers behind the character’s actions will allow you to extrapolate and write what they’d do in the situations in your fanfic. These non-canon situations can include relationships! It’s a common issue for romantic relationships in fanfic to feel OOC because the characters act inconsistently with their canon decision-making and thought patterns solely for their love interest.
Examples of common drivers in fiction:
Abstract values such as freedom, revenge, survival, self-preservation. (If you’re writing anything political, try to figure out how they value conservatism vs liberalism, anarchy vs authoritarianism, etc).
Baggage and trauma relating to familial issues or past relationships, which can often result in maladaptive trends in behaviour or hard-lined moral codes and ideals.
Significant relationships that affect their needs, goals, etc. Pay attention to platonic, familial, or romantic bonds that are strongly featured in the canon.
All these examples are interrelated. Often our abstract values will arise from baggage, which then influence relationships, which in turn influence our values. Try to think about how each of these types of drivers may relate to one another for your characters.
Stories tend to have the most layered characterizations when the author has identified two drivers that are in conflict with one another, or one that leads to opposing behaviours. This can also be the starting point for character growth, whether it’s a hero’s journey or descent into a villain role.
3) Cultural context
Cultural context is a subcategory of drivers that I often find is overlooked.
The culture in which someone was raised will often influence their decision-making habits, whether they conform to it or outright reject it. Recognizing the cultural context for a character can be very useful for figuring out cool little headcanons or extrapolating behaviour/opinions in the absence of canon material.
Some examples of how culture contributes to behaviour:
The kind of art and hobbies they enjoy, or at least are on their radar.
Knowledge they would have about certain topics—even mundane things like musical instruments, certain skill sets, etc.
Their judgments on themselves and other characters, as well as the values they’d project onto their relationships.
The actions they would take when trying to conform to social norms of the time period—or even the set of actions that might occur to them!
It’s a pet peeve of mine when characters behave in a way that ignores their cultural context, simply because it won’t feel realistic! Since I’ve been relating this to shipping, I will make this point: what time period and country (or coded culture) is this character in? What are courtship norms like? And, if we’re going to go the nsfw route, what “interests” (haha) would exist?
Here are some quick examples of this analysis applied to two different characters: Hakuryuu Ren (Magi), Daryl Dixon (TWD). These are characters I’ve gotten requests for—let me know if anyone is interested in others!
Keep reading

Me when Fingerprints by Andypantsx3
i never post fic in the evening but should i??
last chapter of fingies tonight??