I Feel The Post Is Meant For A Different Target Audience But Anyones Whos Seen 10 Things I Hate About

I feel the post is meant for a different target audience but anyone’s who’s seen 10 Things I Hate About You knows about Joey “eat me” Donner

I need to see something.

Please reblog this and put in the tags if the surname "Donner" means anything to you (without looking it up first), and if it does, give one or two words that describe what you know. Please also include where you grew up, including the state if you grew up in the US.

SEQUEL TO SLIP

hey peeps i'm in an oversharing mood but i don't have enough brain to write a drabble. so pick one of my (non-prioritized) wips and i'll share an excerpt from whichever has the most votes in the next 20 mins!!

how to keep people in character: a guide

I have gotten some requests for advice on how to write specific characters, but the underlying principles to keeping characterizations canon-compliant can apply to writing anyone in any series. Better yet, this advice may help you come up with character interpretations that feel both canonical yet original (and distinct from mine!).

You can reduce characterization to three basic principles:

1) Habits and speech patterns

Habits and speech patterns serve as “shortcuts” that immediately connect the character to the canon. The audience recognizes these cues and will associate them to the actual character.

Speech patterns are particularly important to keeping a character recognizable. As soon as the speech pattern of a person deviates from canon with no explanation, the suspension of disbelief will break for an audience. A common issue I see in shipping fics is that people will make a character give the love interest a pet name that just would never leave their mouth in canon-compliant situations.

Habits can be verbal tics (e.g. they say “babe” a lot), bodily motions (e.g. touching their hair or pushing up their glasses), behavioural trends (e.g. eating a lot), or even phrases that come up often. The latter I find is underused but very effective. Here’s the thing about people in real life: they will repeat phrases and stories, sometimes even verbatim, to different people! If you lift a line out of the show or book and re-contextualize it, it’ll immediately feel like the canon.

Habits come with two caveats:

Do not overuse the tics. It can be annoying and intrusive, especially when used more frequently than in canon! 

Do not rely too much on these habits for characterization. Your character may come off as a shallow imitation of canon without “substance” if so. 

The next two tips will help give your characterization substance and originality.

2) Drivers in decision-making and thought patterns

People in real life often have patterns in the decisions they make or the thoughts they have because of some kind of underlying motivation, whether or not they are cognizant of it. The same will apply to well-written characters in fiction. Try to think about any significant decisions the character makes in canon and why they might exist. (Hot tip: If these motivations are not explicitly stated in the canon material, this is where you can come up with some extremely juicy headcanons!)

Understanding the fundamental drivers behind the character’s actions will allow you to extrapolate and write what they’d do in the situations in your fanfic. These non-canon situations can include relationships! It’s a common issue for romantic relationships in fanfic to feel OOC because the characters act inconsistently with their canon decision-making and thought patterns solely for their love interest.

Examples of common drivers in fiction:

Abstract values such as freedom, revenge, survival, self-preservation. (If you’re writing anything political, try to figure out how they value conservatism vs liberalism, anarchy vs authoritarianism, etc).

Baggage and trauma relating to familial issues or past relationships, which can often result in maladaptive trends in behaviour or hard-lined moral codes and ideals.

Significant relationships that affect their needs, goals, etc. Pay attention to platonic, familial, or romantic bonds that are strongly featured in the canon.

All these examples are interrelated. Often our abstract values will arise from baggage, which then influence relationships, which in turn influence our values. Try to think about how each of these types of drivers may relate to one another for your characters.

Stories tend to have the most layered characterizations when the author has identified two drivers that are in conflict with one another, or one that leads to opposing behaviours. This can also be the starting point for character growth, whether it’s a hero’s journey or descent into a villain role.

3) Cultural context

Cultural context is a subcategory of drivers that I often find is overlooked. 

The culture in which someone was raised will often influence their decision-making habits, whether they conform to it or outright reject it. Recognizing the cultural context for a character can be very useful for figuring out cool little headcanons or extrapolating behaviour/opinions in the absence of canon material.

Some examples of how culture contributes to behaviour:

The kind of art and hobbies they enjoy, or at least are on their radar. 

Knowledge they would have about certain topics—even mundane things like musical instruments, certain skill sets, etc.

Their judgments on themselves and other characters, as well as the values they’d project onto their relationships.

The actions they would take when trying to conform to social norms of the time period—or even the set of actions that might occur to them!

It’s a pet peeve of mine when characters behave in a way that ignores their cultural context, simply because it won’t feel realistic! Since I’ve been relating this to shipping, I will make this point: what time period and country (or coded culture) is this character in? What are courtship norms like? And, if we’re going to go the nsfw route, what “interests” (haha) would exist?

Here are some quick examples of this analysis applied to two different characters: Hakuryuu Ren (Magi), Daryl Dixon (TWD). These are characters I’ve gotten requests for—let me know if anyone is interested in others!

Keep reading

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ANDY U CANT LEAVE US HANGING I NEED MORE DRAGON SHOUTO?,!?.!. please… i think ill die if u dont elaborate WHAT DO U MEAN WE’RE FACE TO FACE WITH HIM… what does he say… what does he DO… i need to know more omfg

Riffing off of @mhathotfic's tags, which I absolutely loved.

It happens on a cold January evening, just a few months after you've reached your majority.

You escape out into the frosty winter evening to join Shouto, unable to bear your family's increasingly-regular discussions of your marriageability now that you're of age.

Once you dragged home a dragon fledgling, you'd always sort of imagined that the question of your eligibility would be somewhat moot. Not many men wanted a wife who came with little dowry, and even fewer might want one who came with an enormous fire-breathing lizard who barely let her out of his sight.

You thought Shouto would sooner burn down your husband's house than listen to any sounds of discomfort on your wedding night—you didn't think many men would be willing to consummate a union with that threat lingering just beyond the window.

Not that you wanted to be married to any of the village men. Ever since you were little, you'd always had this feeling—a feeling like there was someone out there for you, just out of reach, like they were just a step beyond the next corner. Close, but somehow impossible to catch. So you'd never wanted a husband from the village, and you certainly don't now.

So once the discussion turns towards the topic of your being married yet again over dinner, you excuse yourself, and go out into the night to find Shouto, who is never more than a few hundred meters away.

You find his enormous form easily, his red-and-white patterned scales glittering in the light of a fire he's set, out in the fields you'd found him in as a child, as if he'd somehow anticipated you'd be coming out to him.

He cracks open a fiery blue eye, watching your approach, and lifts a wing as you near him, crowding you between the fire and his warm scales, creating a sort of tent with his wing to keep the heat in, and keep you close to him.

You absently pat his side, sinking down against him, sticking your hands out to the fire.

"They're talking about husbands again," you say, and Shouto cranes his neck around so that he can rest his head across your lap, nearly as large as you are, heavy and warm. You reach out to rest a hand across his snout, petting the glittering scarlet scales there.

You've always known he can understand you, given his reactions to the questions you ask, the way he sometimes watches you with knowing eyes. But how much of what you say to him he truly understands will forever be a mystery, as you'll never be able to ask him.

You think he understands enough, though, to know you're displeased.

"A husband," you repeat in disbelief, scratching over his scales again, listening to the rumble that builds up in his chest almost like a purr. He always likes to be petted, though you get an intentionally blank look from him whenever you dare to bring it up, as though he does not like to be made fun of.

"When they should know you're the only boy for me," you tell him, teasing.

Shouto's eye blinks open again, and you lean back to watch him watching you, something curious in his gaze. You begin to recognize the look for what it usually is—the precedent to some type of mischief—whether that be digging up a garden when he was still the size of a particularly fat cat, to accidentally setting a man's pant leg ablaze when he'd whistled after you, the evening of your sixteenth birthday.

You make a curious noise, and you're just about to ask him what he thinks he's up to when there's a crackle like lightning, and the hot, burning scent of ozone reaches your nose.

There's suddenly a rush of cold air over you, Shouto's massive form gone from around you, and the weight in your lap is suddenly much smaller and lighter.

When you look down, Shouto's head is no longer across your legs. Instead, your gaze meets the perfect pale skin of a very strong, very naked back. You realize belatedly that there is a stranger in your lap, a man with a mop of red-and-white hair, scarlet and snow, who has one warm, muscular arm curled around your waist.

You let out a scream, scrabbling backwards, but the stranger's arm locks around you, and the man's face tips up to yours, blinking curiously.

You freeze, your gaze meeting eerily familiar grey-and-blue eyes, set into the most utterly perfect face you have ever seen. The man's features are careful and exact, the slope of his nose blade-straight, his jawline strong, his mouth pretty and plush and weirdly captivating in the flickering firelight. You cannot help but feel you know him, though you are incredibly certain you have never seen him before.

There would be no forgetting a man as beautiful as this.

"Who the hell are you?" you demand, shock rendering you frozen and dumb.

The man blinks, slow and catlike and so hauntingly recognizable. His eyebrows scrunch, as though something's confused him, and then he speaks, slowly and carefully, as if he's just getting a feel for the shape of words in his mouth.

"I am...Shouto," he says, his voice so deep and smooth. It reminds you so much of the deep, rumbling purr Shouto had just been letting out moments ago—your mouth drops open, disbelieving.

"You're Shouto?" you echo, thrown. Though you're beginning to realize that this devastatingly handsome, distractingly naked man is horribly familiar in hundreds of different ways—from the timbre of his voice to his eyes to his hair to the way his arm suddenly curls even more possessively about your waist, the way Shouto's tail sometimes does to keep you pressed close to him.

And with Shouto the dragon suddenly gone...

"You're my dragon? My Shouto?" you demand.

The man blinks, shifting in your lap so that's he's fully turned towards you. He props up on one hand, his face drawing alarmingly close as his other arm presses you into him. He looks very much as if he likes the sound of that.

"Yes, your Shouto," he purrs, pupils going darker. Your heartbeat suddenly kicks back to life in your chest, stuttering and tripping over itself as his large, hot palm presses proprietarily at the small of your back, as he leans in to bring his mouth close to yours.

"And you..." he says, his tone going rich and smoky and dark, like dragon fire. "You have always been mine."

Master List: Plot & Story Structure

Guide: How to Turn Ideas into a Story Guide: Starting a New (Long Fiction) Story Guide: Filling in the Story Between Known Events Guide: How to Outline a Plot Basic Story Structure Beginning a New Story How to Move a Story Forward Plot Driven vs Character Driven Stories Understanding Goals and Conflict Literary Fiction vs Genre Fiction Scene Lists Making a Timeline for Your Story The Main Timeline, Back Story, and the Prologue Story Arc (Main Plot) vs Subplot Subplot Shouldn’t Come Before Main Plot (and Why Structure Matters) Plot Before Subplot Fleshing Out Plot Ideas What is a Story Outline and Why Do I Need One? Creating a Detailed Story Outline Turning a Barrage of Ideas into a Plot How to Turn Ideas into a Story How to Move a Story Forward Finding a Story in Characters and Setting Finding a Plot to Go with Characters/Setting Where to Find Story Ideas Coming Up with Ideas and Plot Coming Up with Plot Twists How to Refocus a Plot Can Come Up with a Back Story but No Plot Avoid Revealing Back Story Too Soon Want to Write but Can’t Come Up with a Plot Deciding How to Open Your Book Figuring Out You Story’s Literary Themes Theme vs Thematic Statement: Deeper Meaning Turning Romantic Main Plot Into Subplot

GAHHHHH ANDIE THANK YOU FOR THE TAG

Last Song: Never Ending Song by Conan Gray

Currently Watching: Tangled, quite literally turned it on a bit before I got the notification

Currently Reading: Lead Me Into the Light by third_crow on Ao3 (Tangled was put on for background noise while I scrolled through the Jegulus tag)

Current Obsession: Truthfully I’ve been reading a ton of Jegulus and Drarry these past few days for no good reason other than I got a fic rec and it sent me full throttle back into the Harry Potter universe. Other than fics I’ve recently been very taken by Abbott Elementary.

No tags since almost all of my mutuals are people I already know irl :(

tag nine people you would like to know better: thank u for the tag @kedsandtubesocks!! 🥺

last song: over some wine - rini ft. maeta

currently watching: realistically just a bunch of tiktoks lol.

currently reading: into thin air by jon krakauer. i am reentering my everest era. 🗻

current obsession: mount everest!! some of you might remember i went through a weird everest phase last year and it's resurfacing bc someone at work brought it up. everything about everest is fascinating; from the drive to go up the mountain, the commercialization, the environmental impact, the impact to the sherpa community, and the sheer psychological horror of what happens in the death zone.

no pressure tags: @ofmermaidstories @cat-slippered @kimkaelyn @potionpeddlerpatchy @honeycombdumbass @procrastination-artist @confused-red-head @bokutos-biddys @oooohno @shoutobrainrot @adimelymanner @bobawithpomegranate @restwellsoon (plus anyone else who wants to do it, especially if u tag my nosy ass so i can see what ur readin 👀)