Save For Yourself And For Future Generations

save for yourself and for future generations

The live action writers hate Aang

I have given myself a lot of time to think about the live action, and reached the conclusion that the writers hate Aang. I dare you to read read this and tell me I'm wrong.

Let me start this by asking you a question? What's the most badass scene Aang has in the first season of the OG show? No matter what you answer is, I know for sure, that scene doesn't exist in the live action. Aang does absolutely nothing to prove the audience he is the right person to be the Avatar, he learns absolutely nothing throughout the show, he doesn't need to look into himself and change his way of thinking. Nothing. Most of the fundamental lessons Aang learns throughout the first season are gone.

The first mistake Aang does in the OG is staying at Kyoshi island too long, letting the attention go to his head, getting too comfortable. He realises he brought destruction to the island and tries to fix his mistakes by jumping onto the Unagi to help the village. That's how he learned the responsibly he holds as the Avatar and finds a unique way to help the village. Well that doesn't exist in the LA. Instead, Kyoshi takes over Aang's body to fight the whole fire nation for him. Aang, himself, does literally nothing.

The spirit world. In the OG show Aang is forced to face his Avatar duty for the first time by trying to save the village that's beeing attacked by Hei Bai. This is his first test as the Avatar and he fails. Not only that, he loses his friend. So Aang has to figure out himself how to get Sokka back from Hei Bai. He figures out who her bai is, himself, understands why Hei Bai is angry and gives him hope, the way Katara gave him hope. So we see that even though Aang failed at first, he kept trying and was smart and compassionate enough to realise what the problem is and solve it. This does not exist in the LA. Aang sees Hei bai in the spirit world, within a second realises who he is and just gives him the Acorn, without having to face him at all!

Another reason I'm convinced the writers hate Aang is the way all the avatars + Bumi treat Aang. Everyone is mad at him for disappearing for 100 years. And look, I get that, you can be mad at him if he ran away from his duties...but he never did! He went to clear his head on Appa and got caught in the storm. And if he hadn't run away he'd be dead, so why are you all so mad at him?! Bumi being mad at Aang could make sense, because in the OG show Aang did spend a significant amount on time of goofing around before he finds out about the comet. But here, it makes no sense! Bumi is mad for no reason. As soon as Aang got out go the ice he took his duty seriously, so please, make it make sense! And the show just glosses over the fact that if Aang hadn't run away he would be dead with the rest of the air benders. Instead of letting Aang feel guilty himself, which he does in the OG show, they just get these characters to hate on him, because they're incapable of making their characters have any emotional depth.

Aang doesn't learn water bending. At all. And there is no logical reason for that. I guess they thought it wasn't that important but please explain to me how you want to make Aang more serious and focused on the Avatar duties but not make him learn water bending? The literal next step Aang has to take to becoming the Avatar?? That is the only clear goal Aang has from the second episode of the show - to find a master and learn waterbending! Make it make sense!

Taking away Aang's talk with Koh. So I assume if most people didn't answer my question above with the Koi fish, they probably said Aang's journey into the spirit world and his meeting with Koh. In the OG show, Aang has to find a way to figure out how to save the water tribe. He does so by going into the spirit world and talking to Koh the face stealer. So Aang had to talk to Koh showing zero emotions so he doesn't have his face stolen. That scene is so creepy and so badass and shows that Aang is really capable, even though he is a kid, he is facing the creepy ass spirit and is doing an excellent job. So when Aang finds out who the moon and the ocean spirits are, it feels deserved, it feels like an accomplishment. In the live action he doesn't have to show zero emotions because Koh is not stealing faces, he's just stealing random people for whatever reason. Koh tells him exactly what to do, bring me a MacGuffin so I can release your friends, Aang just goes to see Roku, no problem, no obstacles to overcome, brings the McMuffin to Koh and he just releases his friends. Wow, really shows us how resourceful Aang is by making him...get an object and give it back to Koh...

And the very last point that I absolutely hated in the show. When Aang goes into the Avatar state and becomes the giant koi fish and wipes everyone out, the live action show goes out of its way to emphasise that that is not Aang in there. Aang is gone. The Koi fish is just rage. and that's that. Taking away ANY agency Aang ever had. Look, I know in the OG show Aang is not in control of the Avatar state either, but we know that's still Aang in there, that's his power he's showcasing. He might not be in control but that's him doing it all, being all powerful. But in the live action, they tell us Aang is gone, that's just his body the spirit is using. Plus Aang does no watebending himself, no gestures like the original where you can see aang in the sphere water bending, controlling the giant Koi fish, showing us how far he's come as a water bender. But in the LA he's just in the sphere...doing nothing because he never learned water bending so of course that's not him doing all this cool shit.

I am so angry over all of this. This is you MAIN PROTAGONIST. and you made him nothing but a vessel to progress the plot. You gave him no character, no growth, no struggles, no power! So no, you cannot convince me, at this point, that the writers of the live action don't hate Aang. Probably as much as they hate Katara.

Sokka may not be a misogynist, but the Netflix live action ATLA is:

There really is no cartoon/anime for female empowerment like the OG ATLA and LOK cartoons.

The creators of ATLA wrote the manifesto on how to create a masterful series on female empowerment and equality that is not cheesy or hocky.

In this show, women and girls are not a monolith but immensely diverse. There's no correct way to be a powerful, talented and bold woman or girl within the avatar universe.

You can be hyper-feminine like Ty Lee and Asami.

You can embody more traditionally masculine qualities like Korra and Toph.

Or you could just be a typical woman or girl falling more in between like Azula, Mai, or Suki.

You see the exact same thing for the male characters. There's no right way to be a man. There's many ways to be a man, and this idea flies in the face of patriarchy.

I say that the Netflix version is misogynist, because it's not enough to be a powerful woman. One must be allowed to be unapologetically, unabashedly and boldy powerful.

Which is what happens in the OG ATLA. Sokka's misogyny was actually a part of his character arc, because every time he was misogynist his misogyny was met with the answer that women and girls are phenomenal, that women and girls are living their lives and largely unconcerned with the opinions of men.

If you read the Kiyoshi novels, you learn that surprisingly enough, the least patriarchal amd misogynist nation in all of Avatar is the fire nation, and the misogynistic nation in all of Avatar is the northern water tribe.

The reason I say that the women in these shows are unabashedly powerful is because aside from Sokka and the master from the Northern Water tribe, no one ever questions why or how they are powerful. They expect it.

Zuko is Ozai's first born son, yet Azula is his pride. When Ozai imagines the future, he imagines it with Azula as the fire lord. He names her after his father. He trusts her to go find the avatar once he knows the avatar has returned.

Sokka and Katara effectively lost both of their parents, but Katara the youngest steps up as the mother and becomes the glue of the group. She's the one who becomes both an immensely powerful bender and healer.

Suki loves Sokka, but when we are introduced to her. She is unconcerned with him. Her and the other Kiyoshi warriors are the protectors of the village who go out into the world to do good into the world.

We see the revseral of all of these tenants in the Netflix show.

Ozai has hope for Zuko at the expense of Azula who he sees as a nuisance. She is no longer am obvious prodigy.

Katara is seen as a child who will not grow up by her brother who is now behaving as a father figure.

Suki is infatuated with Sokka and she follows him around Kiyoshi island when he arrives.

These woman are powerful but restrained and undermined in this power. Suki becomes concerned with the opinions of a man, and a random man at that.

What the OG ATLA taught to all women, girls, boys and men is that you never have to apologize for being powerful, intelligent, kind empathetic.

This is a very critical point that cuts to the heart of the OG ATLA that Netflix has missed.

happy stab a roman senator day