Fellchaser

Fellchaser

Hi my sweets, I bring to you some freshly baked Solavellan yearning. Also posted on Ao3, if you prefer. As always, thank you for reading. 💕

This is how he remembers it, the first night Solas knew that he loved her. 

He cannot say with any certainty, after all these lonely years, what had happened directly before or directly after, cannot make out the finer details in the grand tapestry of things. But he knows by heart the shape of that hour, the way she had come to him after a victory, flushed with wine and the chill of the evening, her hair curling up in the damp autumn air.

*****

He declines, as he always does, their invitations for a celebratory drink, preferring the relative quiet and solitude of his own quarters.

For many hours, he can hear them– Bull and Sera and the rest– their cheerful noises bouncing off the castle walls like skipping stones. It annoys him for a time, disturbs his solitude, his study, until he hears (or thinks he hears) her voice among them. 

Solas can picture her then, in the tavern. Bright mind, bright eyes, bright laughter. Vibrant even in the dimness of the room. And there’s a flicker of a thought he can’t keep smothered– that he should’ve gone down there with her, despite his judgment. 

It makes no matter how he tries to keep his distance. She seeks him out, as she always does, as he knows she will. When he doesn’t stop her, he tells himself that it’s because she’s their Inquisitor. He tells himself she can go where she likes, that duty alone compels his counsel. 

He knows a lie when he hears one. 

He’s nearly talked himself into making an appearance when she shows up in his doorway, hazy and loose with the aura of drink, the tips of her ears and her cheeks turned rosy. 

He does nothing to discourage her entering. He says nothing to send her away. 

“Hello,” she says simply, when he sees her. Her head tilts against the frame, her gaze fond and unfocused.

“Hello.”

“You never joined us.” An accusation. Lightly leveled, lightly slurred. The syllables tumble in her mouth like stones in a river.

He wants to say, I could not bear you being so close and sweet and real. He wants to say, You are a distraction I cannot afford.  Instead he says, “I was preoccupied,” knowing that answer is insufficient.

She makes her way into the chamber, weaving an unsteady path to the table where he has laid out all his books, his quills, his ink. 

“With what?” she murmurs, curious even in her state.

Solas knows he should excuse himself, conjure a reason to stay at a distance. But he finds himself wanting to– what? Talk to her, tell her, keep her close?

“Translating a record,” he says at last. “Of ancient practices in Arlathan. Ritual offerings to the gods in exchange for their…favor.”

Solas stumbles on the last word, something bitter in its taste, and where she would normally probe him further she takes no notice. She’s busy poring over the largest book, its contents all in Elvhen, the ink and vellum faded by the centuries. “I can’t make out any of this,” she frowns. “Perhaps I’m worse off than I thought.” “Perhaps,” Solas huffs out a laugh. “Although the language has shifted with time. Some words may yet be familiar, if not–”

“Oh, here!” She gasps delightedly when she finds a phrase she knows, though she says the syllables slowly, as if they are new. “Sa-lath. One’s love, one’s only love. Something like that.” 

“In the modern parlance, yes. But here,” he says– and he leans over her to tap the page for emphasis– “Here it means something like ‘beloved.’ The words come together, see. Salath.”

It’s the wine he smells first, that rich, warm scent that floats from her up close, but there’s something different, something distinctive hiding beneath. He wants to taste it and find out, to slip his tongue into her mouth, and– 

“They would offer something beloved, then?”

Solas clears his throat.

“Or someone,” he nods, breathing deeply. “A high price for favor.”

She goes quiet for a moment, tracing the small shapes of the letters with her finger. Such a fine movement is made imprecise by the drink, but she repeats it as if she is carving it into her memory. “Salath,” she whispers, tasting the word. “Salath, ‘beloved.’ I will remember that.”

He very much doubts that she will, come morning. But it stirs something inside him all the same. Beloved, beloved.  

“What would you demand?” She says, sweeping the thought from his mind. “If you were a god.”

If, he thinks, that one word louder than all the rest. 

“I suppose it would depend what was being asked of me.”

“Your favor,” she tells him. “Your love.”

“Ah.” There’s a twist in his chest, like an arrow wrenched free, pain and relief all at once. “The heart of a god is not easily won. I would require yours in return.”

She laughs a little, as if he’s jesting. “That hardly seems equal. A mortal heart for a god’s?”

“Your heart,” Solas says, in a gentle correction. “For mine.” He does not kiss her, like he wants to. He does not stop her kissing him. 

The press of her mouth is a summer fruit, warm and sweet and bruising lightly beneath their wanting, their mutual hunger grown apparent. 

Only once has he kissed her before this. A dream, an impulse, he’d told himself then. A mistake that he wouldn’t repeat, no matter how tempting. 

So he’s grateful, now, that she’s been drinking, that she’s given him an out. He can call this her impulse, even as he takes more, tastes more. He can call this next part chivalry. He knows a lie when he hears one. 

“We can’t,” he says, when they come apart. “You are not yourself, and the hour is late. You should get some sleep.”

She’s disappointed, he thinks– and is it cruel to hope she is? To hope she still wants him as he wants her, even as he turns her away? 

Best not to dwell on it.  

“I will help you upstairs,” he tries again, and she brightens a little. “Can you manage the walk?”

There’s a part of him that wishes she’ll say no, give him an excuse to lift and carry her to her quarters, to feel the weight of her pressed against him. But she says, “Yes,” and, “I’m not so far gone,” and Solas breathes out another laugh. 

He knows a lie when he hears one.

All the same, he takes her hand in his, lets her lean on him as they make the long walk to her quarters, each step its own little feat. She stumbles more than once; more than once, he catches her gently. 

It is worth being gentle for her. 

In her room he removes her boots, knelt at the floor as if an altar. He hardly knows the last time he knelt, only knows that now he wants to.

When he rises she says, “Thank you,” and the following word may be his name, or another entirely. Solas tries to ignore it, tries to let the sound be lost in the lingering silence but he needs to know, as he always does, needs to be certain. “What did you say?”

“I said, ‘thank you,’” she hums, laying back on the bed, and this time he leans in close to hear the rest. 

“Salath.” *****

The walk back to his quarters is longer, somehow. 

He thinks of her all the way, her hair in a dark spill across the pillows, the way she rolled the old sounds of his language around in her mouth. He thinks of her when he undresses, when he slips into his own bed, when he indulges in the fantasy of feeling her under and around him. Just this once, he thinks, as his hand begins to move beneath the covers, slow at first and then more desperate. Just this once won’t hurt, won’t hurt, won’t– 

Ah.  

He is in love, he knows it now, as he shudders and gasps out her name. How tragic it is, and how lovely. How foolish, how sweet. His love for her could level cities. It could grow flowers.

A mortal heart for a god’s. Beloved, beloved. 

He imagines what he would sacrifice for her, if he has to, when he has to. The answer surfaces in his mind like something dredged up from unfathomable depths, some unknown factor which demands to be accounted for, and which fills him with dread.

“I would give everything,” he says aloud, to himself, to no one. 

The words hang in the air like ghosts, the same lament in all their mouths.  Beloved, beloved. Tags by request (thank you, angels!): @meg-does-art, @lavellanart

i love in we are lady parts s2 episode 5 saira is trying to sing about issues affecting the Muslim community but the story itself, the show itself, censors her and the censorship is portrayed as physical force from beyond the narrative but also inherent to it. when marginalised people are given platforms, the usually white people who own those platforms will not let marginalised people use them to openly speak about issues that aren't palatable or marketable. these talented Muslim women are inherently political, but what they make cannot be seen to be in an obvious way. on a totally unrelated note, I love that season 2 of we are lady parts heavily features the music of Palestinian artist, Rasha Nahas who also appeared in the finale and you should go listen to her music ❤️🇵🇸

WE ARE LADY PARTS

2.06 | Glass Ceiling Feeling

I should do it. I should do it like, I should be the change, you know. Confront our Muslim parents. But I like them. And I like being close to them. And I don't want that. People are so obsessed with coming out these days. It's like, "Woo! Look at me! I'm so sick! Like, I'm out!" But like, I think there's a lot to be said for staying in... where it's safe. I don't know what I'm saying. What do I do? What do you want to do?

“I cannot bear to think of you alone”

This is like the whole "victorian ladies stabbing people with their hat pins" but way cooler cause its actually a knife this time!!

Aella’s lil hair pin! 그냥 머리 장식한다고 굳이 쓰고다니는 아일라씨 💜