crookedlystrangecandy - gala, Kurgarra (odd, mostly harmless)
gala, Kurgarra (odd, mostly harmless)

I am LHP neo-pagan witch who currently work primarily with Inanna/Ishtar/Astarte/Freyja/Lakapati aka Goddess of Lust, Sex, Fertility and Prosperity, Perversion, Magic, Transformation, Astrology and Prophecy, Mentoring, Knowledge, War, Wisdom and Wandering into Unknown, Queen of Heaven, Sky Goddess (Starry Night Skies of Infinte VOID where Infinity Shines) and Spirit; but also Leviathan (water), Lucifer (air), Ba'al (ze-Bul, earth), and Satan (fire). I am into energy and spirit work, sigils, lucid dreaming, hypnosis, meditation, chanting and other shamanic techniques, rituals, divinations and other things of an occult nature.

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Crookedlystrangecandy - Gala, Kurgarra (odd, Mostly Harmless)

crookedlystrangecandy - gala, Kurgarra (odd, mostly harmless)
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More Posts from Crookedlystrangecandy

4 years ago

No offence but you know what's really weird about America? You've got hardly any history past a couple of centuries. No medieval castles, no Roman walls, no bronze age settlement sites. Is there even anything for archeologists to dig for?

People have been here for quite some time, they’ve only been white for 500 years

4 years ago

On Discernment...

…This side of the hedge.

Today we’re going to learn about pathos, a literary device that is used to persuade readers to take the proffered side in an argument. It can be used appropriately, but it can also be used inappropriately, such as to manipulate. As a preliminary note, the adjective form of pathos is “pathetic,” meaning “of pathos”–so when “pathetic” is used here, it is not used as a negative or disparaging word, only a factual descriptor. Here’s some info about pathos:

“When an author relies on pathos, it means that he or she is trying to tap into the audience’s emotions to get them to agree with the author’s claim. An author using pathetic appeals wants the audience to feel something: anger, pride, joy, rage, or happiness…Emotions can make us vulnerable, and an author can use this vulnerability to get the audience to believe that his or her argument is a compelling one.” [source]

The same source also says, “When reading a text, try to locate when the author is trying to convince the reader using emotions because, if used to excess, pathetic appeals can indicate a lack of substance or emotional manipulation of the audience.” (Emphasis mine.)

There’s also some great information here (and here, here, here, and here) about fallacious pathos, which is pathos that is used incorrectly or excessively to manipulate others. Here are some indicators that are common in witchblr:

Knee-jerk, blind, immediate dismissal of others’ views. If someone dismisses other viewpoints without giving a good reason for it, that’s a red flag. If the reason doesn’t make sense or hold up under scrutiny, same thing. This also extends to directing others to dismiss other viewpoints without engaging and deciding for themselves.

Unjustified and/or irrelevant emotional appeals. If somebody is using a lot of extremely emotional language, it’s probably a good idea to look closer. It’s possible that the emotion is being used to distract people from the facts; this happens a lot, for example, in political arguments. An additional sub-type of this is using a personal anecdote to gain pity from others, although in most cases, the personal anecdote has little bearing on the argument as a whole. This is especially effective on people who are generally empathetic and caring, because they tend to put themselves in the person’s shoes and thereby fall for it a lot easier (speaking as one who has learned the hard way).

Using guilt. If a person tries to guilt you into believing them or doing what they want, I’m guessing you already know that’s a big problem. But this can be more subtle than most people realize, and you may not notice it. Watch for language like, “If you do/don’t do x, then y (bad thing) will happen to me.” A related concept is using fear, which most people recognize pretty readily.

The slippery slope argument. This is when someone says things like, “If this isn’t taken care of now, the community will suffer for a long time to come.” For non-native English speakers’ reference, the name is derived from the phrase “it’s a slippery slope,” referring to walking along the top of a muddy hill and trying to avoid sliding down to the bottom.

Loaded terms. Using loaded terms is always, always an attempt to sway readers’ or listeners’ opinions, and it often works, while simultaneously being subtle enough that many people don’t notice the manipulation. That makes it quite prevalent in abusers’ speech. A loaded term is a word or phrase that is very difficult to argue against, like “freedom” or “responsibility”. No one wants to argue against these concepts, and that can lead them to subconsciously be more willing to believe the argument they’re presented as part of.

Generalization. We’ve all seen this a thousand times. “All Wiccans are fluffy,” “all tradcrafters are snooty,” and so on. This can also be slightly more specific, however: “that whole server is bad,” “all their followers are kids”. Whatever it is, it’s worth a second look, because generalizations are almost never correct. If ever–but then, that would be a generalization. ;)

I think that’s enough for now. There’s plenty of resources linked here, so I encourage everyone who is part of witchblr, or any social media group really, to use them. Do your research. Think for yourself. Vet everyone and everything–including me. Good luck.

4 years ago

Becoming Other

I sat across from the Village Witch. We were sharing tea. The tradition of friendship. 

I stared around at her lovely cottage. Tea cups were displayed on the rafters (I had hit my head on a few!). The snail talisman I had gifted her was hanging there: a ward against evil. In the corner, the skull of a horse. Great power emanated form this fetish. Its hollow eyes burned into mine. In it, I could see vast depths of good fortune and death. 

Her eyes, the witch’s eyes, were upon me, too. 

“You are eldrich,” she said curtly.

“Oh?”

“Yes,” she smiled slyly. “You are eldrich. You are witch.”

I dance about the fire, singing a song with the drums. It is a song from no where. 

A song of the winds. 

Of the stars. Of the rain. 

It is a wailing song of love and loss. It is fevered and hot. And wild. 

It is my song.

Fire glows on my naked, writhing body. I glow bright gold. A sun in the wild night. 

Faery songs and stories cascade from my lips. I give out wine in exchange for kisses, and sensually massage secret ointments into the skin of those who wish to fly. 

“Elf!” They call me. “Shining One!”

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