Dosshie - Dosssssssssssshie!!! - Tumblr Blog

silly billies i drew based on this ao3 series (go check it out!!! i love the way the author depicts them...)

plus bonus green

i was going to draw more of them (and do it digitally) them but then i screwed up my hand and ended up forgetting :""D better very late than never !!

im putting this 4th one under the cut cuz looking back at it they look kinda weird JSJDJSJDSK

Happy Birthday to my beloved son <3

any artist trying to move from twitter to tumblr reblog this post and add your art, I'll boost everyone who responds

(everyone else please reblog this for visibility)

hi all!! first of all i wanted to give huge thanks to everyone who helped me and my family, whether it be through comms or donations! it means so, so much to all of us!! secondly, unfortunately we still are in urgent need of help: my mom got a terrible job that barely gives any payment as she's still looking for better jobs, and we're still full of debts while we're also trying to sustain food for both us and the animals we rescued from terrible conditions (such as chickens). this was my first post about it if you want to check it out, i'm willing to explain our situation better if needed!

my and my brother's comms are still open and i remade my sheet with more info and examples!

you can contact me through here or discord (sleepy_nurse), any amount seriously helps!! we're so grateful for everybody who helped us out 🥹🙏

if one day tumblr ever dies y'all know where to find me

fun fact btw: brazil is like, the 6th country that most uses twitter, with around 21 million people (according to a ton of diff statistics websites that i admittedly dont know a lot about)

assuming this is correct, elon prefers to lose his 6th biggest userbase than to comply with brazilian law and ban nazis and people spreading dangerous misinformation off the platform, something something my american free speech eagle sound effect

oh but cis is a slur and everyone who says it should get suspended according to him, hell yeah man i love the free speech from america eagle sound effect /sarc

Twitter is about to be banned in Brazil, why?

Have you seen the news about Twitter (now X, but I refuse to call it that) being banned in Brazil? Have you been wondering why that is? I’m Brazilian, and here I am to explain things to you.

You’ve likely noticed that since Elon Musk took over the social media network, hate speech on the platform has skyrocketed. White supremacist and Neo-Nazi groups have been using Twitter to disseminate racist propaganda and hate speech. And although the United States might not be doing anything about this, other countries are not so indulgent. Brazil being one of them.

Racism and incitement of hate (including speech) are crimes in Brazil. So is political disinformation, sexism, homophobia, transphobia, and ableism. Hate speech of any kind is a CRIME in Brazil.

The Brazilian Supreme Court ordered Elon Musk to do something about the political fake news and hate speech on his platform, and Elon responded by shutting down all offices in Brazil.

The Brazilian Supreme Court (STF) then ordered Elon Musk to appoint a legal representative in Brazil, as NO BUSINESS can operate in the country without a legal representative that can be held responsible to crimes and answer to them in a court of law. The STF gave Elon 24 hours to appoint this legal representative, and now that the deadline has passed and Elon has not complied, it seems that Twitter will be shut down in Brazil.

TL;DR: Elon is salty that he’s not above Brazilian law.

i was messaged by @aya2mohammed asking me to donate or share his campaign. while i cannot donate i can share so that’s what i am doing. his campaign is vetted by nabulsi here, the link also provides more info into their situation.

please share and donate if you can!!

gofundme.com

Donate to Assist in evacuating my family from the war in Gaza., organized by Mohammed Alhabil

My name is Muhammad Al-Habil, a 30-year-old father of three fro… Mohammed Alhabil needs your support for Assist in evacuating my family from

ithey are halfway through! they have €25,492 raised of €50,000 needed!!

Please, my friend, donate to me. I need your support. My tent burned down and my husband and children were injured. Please,🙏🙏💔💔

i cannot donate but i'll share your post

i'm different so flower is brazilian now

explain in tags if you'd like !! please do reblog if you vote to keep it going :D /nf

happy august 15th remember to not chase any stray eevees, look at both sides of the road before crossing, pay attention before going below a construction site etc etc

I need to run a survey really quick. This isn't serious, but I need people to cooperate and not cheat for the sake of it because it'll skew the results.

Imagine you wake up tomorrow and you realize you (and everyone else in the world) can turn into an animal (And back into a human) at will.

Please go to this link to see what animal it will be for you:

Random Lists

Random Animal Generator

Generated a random animal species: A goat, armadillo, orangutan, porpoise, cheetah... Nearly 200 different animals!

(this is random, and yes, you only get one, no redos)

With this in mind, please reply to the following questions as truthfully as possible based on your current situation. (Not an ideal fantasy one.)

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

i feel obligated to talk about this bc i am egyptian and one of the central reasons people from gaza have been fundraising is because of egypt's border policy, which is no longer active since the rafah border was destroyed

i know nothing gets people more heated or self-righteous than the idea that they might be getting scammed, and i know the gofundmes here can be overwhelming in your inboxes and i know for many people in the west who want some kind of reliable process this can seem sketchy but palestinian bloggers on here (and palestinians across platforms including on gazafunds.com) don't want you to be scammed any more than you want to be scammed, and they have put in an extraordinary effort to verify information literally in the middle of a warzone

the truth is you all have no idea how difficult this entire process is from top to bottom, tech companies and fintech companies literally hate anything that passes through this area. i'm banned from uber and doordash because i used an egyptian credit card while travelling and it flagged their automated fraud systems and they never reinstated it lol like that's how arbitrary it is. and egypt is one of the better-connected countries in the area.

the entire reason people in gaza are relying on gofundmes is because the barriers to entry and exit are not accidental—they're deliberate! this is literally what being occupied and middle-eastern means. it means you don't have easy access to bank accounts, you don't have easy access to fundraising, you don't have easy access to your own records, and you are automatically mistrusted by the world at large of how thoroughly dehumanized your language and your people have been during a genocide where you are being bombed and living in a tent. this is also part of what it means to be a refugee from the global south or to be a refugee from the global north, where these processes are expedited (as they were for ukrainian refugees, for example) precisely because they are part of the structure of a war.

like just to explain to you guys how difficult it was for me (someone with access to networks across the world) to get money to a friend in gaza, because egypt's also going through an economic crisis and transferring usd here is close to impossible: to get 15k usd (enough to get 3 people out of gaza) to the office in egypt that registers people for evacuation, that family needed

a stable internet connection to communicate with us (they were only able to get in touch briefly every other day)

first-degree relatives in egypt to register for them

people from abroad who could raise the money for them (which they did; they were family friends who knew them)

an egyptian with a usd bank account and a foreigner coming to egypt who could carry usd in cash to divide it among themselves because there is no other way to receive that amount of money here at once

we managed to get the money to their relatives here, they managed to register them, and then the rafah border was destroyed. so now the are just waiting while being bombed and displaced from one area to another. and this is a family who had every connection needed. imagine how it is for people where only one of these links are dropped?

that's why the work the palestinian bloggers do here to support palestinians in gaza is necessary, because they fill in for people who don't have good language skills, who don't have friends abroad to fundraise or vouch for them, who don't have relatives in egypt who can receive money for them, etc

does this mean every fundraiser is 100% reliable? no. this is why the verification list exists! the things i would be wary of would be if someone sends you a false or phishing link, or if someone who is running the campaign from abroad decides to scam the palestinians they're raising it for and refuse to send the money, both of which i've witnessed personally

but the likelihood of someone faking being from gaza and getting onto the verified list is much smaller because the verification process is rigorous and like i said, palestinians themselves don't want to be promoting scams. but also most of these gofundmes protect your donation, meaning if someone disputes it you get your donation back. they are paranoid to the extent that they will sometimes refuse to pay out people in gaza even after the campaign goal is reached for no reason except that anything from the middle east is generally regarded with suspicion. i've seen paypal also refuse to do the same

as a matter of fact from a tech standpoint it's so, so much easier for someone located in the west to create a fake gofundme/phishing scam than for a palestinian to do so, but by that token it's more difficult for someone in the west to convincingly fake being from gaza. which is why the verification list and other initiatives (like again, gazafunds.com) are so important

i have tried to get gofundmes on gazafunds before and i can promise you their process is rigorous. you might not see a lot of the paperwork behind a specific campaign but i know they don't add campaigns unless they verify their IDs personally or through a network of trusted references. the bloggers on here are a volunteer network working independently, of their own effort, and they are doing their best in what is a genuinely horrible situation. the border is closed now but people in gaza have worked out alternate ways to receive money raised online (again, often via relatives transferring to each other outside gaza or other means) and aid hasn't been coming in for months and those regulating the aid were killed, which means extremely limited supplies and high inflation, so money raised and received now is literally survival money that goes wherever it can, and people are very desperate to raise as much as possible as things get more dire. there is no employment in gaza right now. people have been living off their savings for ten months.

is that simple to convey to some blogger on tumblr donating 5$ to a gofundme? is it simple to understand? no. and that's part of the structure of genocide. you aren't going to be able to venmo someone and get a receipt like you do if you're donating to an org, so volunteers are doing their best to fill in the gaps for that by making sure you know how your money is helping real human beings while relieving the pressure on these humans, in a genocide with limited internet, to constantly post about themselves.

the fact of the matter is that your risk of being scammed by a gofundme from the verified list or gazafunds dot com is extremely low, but the damage of of assuming (and even worse, claiming) these campaigns are a scam is extremely high

if you don't trust a campaign, don't donate to it. if you notice a red flag you feel like the bloggers verifying might have missed, alert them to it. if you notice someone impersonating one of the verified campaigns on here (also common) alert people to it. i often have difficulty identifying which blogs are legitimate because they are deleted and remade so frequently, so i just try to reblog posts from the verified list or promoted by palestinians bloggers as i donate to them.

don't cast doubt on the process if you don't understand it, and don't be cruel about a situation you should pray you never experience—and odds are, if you have a US passport and a US bank account, you never will.

AF Aug 1st - Revenge for CherryFlash!

my watery friend... are you too brushed with the pattern of the dappled light...?

AF Aug 1st - Little revenge for CrispyKris!!

Predictions for August 2024:

August 3rd: Kamala Harris has a highly publicised meeting with Taylor Swift were they publicly discuss politics with Swift showing surprising knowledge and eloquence . This is followed by very serious speculation from several outlets that Swift will be chosen to run as VP as a way to attract young voters . This is of course not true but a tactic from the Harris campaign to increase visibility with young people to and to bait Trump

August 5th: Trump takes the bait and launches into a truly vile attack on Taylor Swift

August 12th: An angry mob of Taylor Swift fans numbering in the hundreds storms a Trump meet and greet and following Dutch tradition they lynch him publicly and then cannibalise his body

August 20th: Yellowjackets and several others shows that feature cannibalism are cancelled because it’s considered insensitive in light of an US President becoming victim of cannibalism

August 30th : Brazil does extremely well at the Olympics

i think the worst thing by far in minecraft is that they dont let you eat sugar cane. that shit is tasty af irl i used grab them and muchmucnhmunchmunch mlemlemlem munchmunchmucnh

now more than ever, please vet gofundmes before you donate.

copy and paste descriptions into google to see if there are scam accounts reusing the same story, check to see if there are any images/updates on the fund with faces. go to the original blog, check if the post asking for help is only an hour old, or even less than that. refrain from donating if all it links to is a PayPal account, without any further confirmation of identity.

it’s horrible to say but it’s never been a better time for scam artists to exploit your generosity, when things seem so dire, and I’ve donated to campaigns before only to realise later that the entire story was stolen from an actual family in need. due diligence might take a few more minutes out of your day but at least you won’t be sending money to an opportunistic scumbag.

Playing music with a bow! (The archery kind)

With thanks to everyone who pointed out the existence of these fascinating instruments (and apologies to every Berimbau player out there). Go check out Naná Vasconcelos to see an example of a skilled player!

Hi! I love your Iansan redesign, would you mind if I draw her the same way? Thanks :)

OH OF COURSE!!! that'd be super cool!!! if you want feel free to tag me on the post too i'd love to see it!

AF day 17 - Revenge for DemiMon!

commission for someone on flightrising!!