WHY DO ARC TROOPERS HAVE THE WORLDS THOTTIEST CROTCH HOLSTERS???"

WHY DO ARC TROOPERS HAVE THE WORLDS THOTTIEST CROTCH HOLSTERS¿???¿¿"

WHAT IS THE PURPOSE OF THIS ???? WEIGHT DISTRIBUTION??INTIMIDATION?? THE AESTHETIC??

[Image ID: Colored digital sketch of Star Wars: The Clone Wars character, Commander Cody. He is facing the viewer, sitting at a table that is only visible at the bottom of the canvas. On the right side, resting on the table, is Cody’s Phase II clone trooper helmet, facing him. His right arm is raised, and he’s holding a paintbrush to the helmet’s visor, though the tip of the paintbrush is obscured by the helmet. His appearance is similar to canon, with short hair and his scar, but he is wearing his body glove instead or armor. His expression is neutral, and the scene is primarily lit from above and slightly behind Cody. In the foreground, slightly blurred, are a sheet of flimsi acting as a paint palette, a container with orange water in it, and a bottle of orange paint. A small amount of paint is splattered on the table and Cody’s fingers. End ID.]

I had so much fun with the image I did recently of Blackout painting his helmet that I wanted to do the same for Cody as part of @commandercodyweek :)

I combined two prompts for Day 5: “downtime; hobbies” and “painting armor; gifts”

Timelapse

AO3

Twitch

Omg that's awesome, spot on with the music 🎶👌

a writing guide to rivals (or enemies) to lovers + writing prompts

note: these are more rivals to lovers than anything, but you can use them for enemies to lovers as well. 

oh, you’re walking through this door? let me just ~politely~ slam the door in your face on the way out

i know we’re technically supposed to be fighting each other with swords, but you ended up on the ground and i fell on top of you, and woah… i never noticed how attractive you are until now, so let me just appreciate for a moment – wHY THE HELL DID YOU JUST SHOVE ME 

you’ve got me pinned against the wall and i’m not sure if i want to kiss you, or kill you. probably both 

‘’i know we’re, like… friends now, or whatever, but… i’d still kick your ass.’’ ‘‘like you could ever beat me.’‘ but they do, in fact, beat them.

so you’re just… not going to respect my take on this whole thing and go against everything i just said? that’s fine. i’ll just do the same thing and – oh, you didn’t like that? okay. O K A Y . and obviously, they’re doing it out of spite 

character A says ‘‘i’m going to kill you.’‘ and character B takes a step close, they’re so close now, if character B bends their head, they’d be kissing, and character B’s intensely staring into character A’s eyes, and character A’s like… shit . THIS DID NOT GO AS PLANNED ABORT MISSION ABORT ABORT ABOR —– 

OH NO – my love interest has said that they don’t care if anything happens to me, but now i’m about to die, and they’re risking their own life by running into a burning building to save me!!!!! also, did they just scream my name before bursting into the building??? god why do they sound so,,, worried???? 

okay, so… did we… did we just hug… dude. let, let go of me. let’s just. let’s just pretend this didn’t happen. *cough* i’m going to walk away now. okay. BYE 

‘‘is that a smile?’‘ ‘‘if you tell anyone about this, i swear to god, i’ll kill you.’’ 

so somebody ends up on somebody’s lap and holy shit maybe the tension is… unbearable 

when they share an intimate moment, or maybe even a kiss, and they’re both so confused by it, they completely derail. like, they just… stop working. because what the HELL just happened and then they just stare  at each other and nobody says a word until one of them turns around and SPRINTS out of the room 

‘‘go ahead, do it. if you’re so convinced you’ll kill me, do it.’‘ faster than a bullet, character A grabs a knife, handing it over to character B, who, of course, despite having spent the last couple of months claiming they would kill their love interest, and leave them for dead, can’t bring themselves to grab the knife, and actually do it

you ever just get so annoyed by a person, and what they have to say, that you snatch hold of knife and throw it into the wall behind them with all of your strength yeah me neither but maybe this fictional couple would

using seduction to try and throw each other off balance, usually by taking their clothes off in front of the other person, and it’s working

you just took a friend of mine hostage, and your crew’s been torturing them… i just found out about it, and i’m so disappointed, and there’s tears in my eyes, and the other character’s like, holy hell it fucking hurts seeing you like that… and knowing that my crew did that, that i did that to you… that i’m responsible… 

when character A is really sad, and just… out of nowhere, wraps themselves into character B’s arms and starts crying… and character B’s just like… what the hell…? we hate each other? but ok i’ll let it slide this time

there’s only one bed, but this time they’re arguing over who has to sleep on the floor, in which nobody agrees to do, so they end up in the same bed, incredibly annoyed that they have to share their space (it’s not like friends to lovers, in which they both awkwardly get into bed and laughs it off. this is straight up just. i will set this bed on fire if you don’t stay over on your side)

do these two do anything other than be at each other’s throats. like. can they hold oNE conversation without arguing over something

so you’re just. you’re just going to chain me up against this tree. okay. that’s fine. that’s totally fine. i’m fine. 

when one of them realizes that they’ve gone too far, and they show up at their love interest’s door to apologize, but the following conversation happens; ‘‘why are you here?’‘ ‘‘i’m here because i want to apologize.’‘ ‘‘well, i don’t want you here, so go away.’’ followed by the character getting the door slammed in their face.

THE FIRST KISS – and total denial after it happened, and they’re convincing themselves that there’s nothing going on between them… and they pull away from the kiss, and look at each other, and they’re just like… yeah. just realized i’m head over heels in love with this person but if i speak i will die

when they’re having a moment, and one of the characters says ‘’you hate me.’’ and the other character replies with ‘’maybe i don’t hate you entirely’’

when character A’s crew has taken character B hostage, and character A finds out they’re to be executed, and suddenly it’s this race against the clock to try and save character B’s life, while also trying to not reveal to their crew that they’re head over heels in love with the enemy

it’s not enemies to lovers if the characters hasn’t tried to kill each other at least once, or betrayed each other, or put a friend or a loved one of the other person in danger 

literally, how much do i have to stress this, enemies to lovers, they’ve got to raise hell in each other’s lives, enemies to lovers is not about sitting around a campfire and singing kumbaya, enemies to lovers means i’m covered in blood, and if you’re not careful, it’s soon be yours

and rivals to lovers is, you’re covered in blood, but since you’re here, i’ll help you clean it up, but if you get blood on my carpet, you better run 

IF THERE WAS EVER A TIME TO SLOW BURN, IT’S RIVALS OR TO LOVERS. IT’S ALL!!!!! ABOUT!!!!! THE YEArning!!!!!! THESE ASSHOLES ARE FILLED WITH TOO MUCH PRIDE TO ADMIT THEY’RE IN LOVE WITH EACH OTHER!!!!!!

The best advice really is to just write. Write badly - purple prose, stilted conversations, rambling descriptions. Don’t delete it, pass go, take your $200, save all your garbage in a big folder. Look at how much you’ve made - it doesn’t matter if it isn’t perfect, isn’t polished, it was practice. Every time you write you learn a little more, and find another piece of your voice.

The writer's blessing:

May you write 1,500 words with ease. May your characters be lively and not cardboard. May you need little editing. May your muse visit you as soon as you sit. May the Internet not distract you much. May your phone lie dormant while you write.