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Im Actually Serious About This, If At All Possible, Right Now Is A Very Good Time To Request Queer Books

I’m actually serious about this, if at all possible, right now is a very good time to request queer books from your local library. Whether they get them or not is not in your control, but it is so important to show that there is a desire for queer books. I will also say getting more queer books in libraries and supporting queer authors are pretty fantastic byproducts of any action.

This isn’t something everyone can do, but please do see if you are one of the people who has the privilege to engage in this form of activism, and if you are, leverage that privilege for all you’re worth.

For anyone who can’t think of a queer book to request, here is a little list of some queer books that I think are underrated and might not be in circulation even at larger libraries:

Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture by Sherronda J. Brown

Silver Under Nightfall by Rin Chupeco

Harvard’s Secret Court: The Savage 1920 Purge of Campus Homosexuals by William Wright

The Perks of Loving a Wallflower by Erica Ridley

God Themselves by Jae Nichelle

IRL by Tommy Pico

The Pink Line: Journeys Across the World’s Queer Frontiers by Mark Gevisser

Passing Strange by Ellen Klages

The New Queer Conscience by Adam Eli

Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir by Kai Cheng Thom

Queering the Tarot by Cassandra Snow

Wash Day Diaries by Jamila Rowser

Queer Magic: Lgbt+ Spirituality and Culture from Around the World by Tomás Prower

Before We Were Trans: A New History of Gender by Kit Heyam

Beyond the Pale by Elana Dykewomon

Hi Honey, I’m Homo! by Matt Baume

The Deep by Rivers Solomon

Homie: Poems by Danez Smith

The Secret Life of Church Ladies by Deesha Philyaw

The Companion by E.E. Ottoman

Kapaemahu by Dean Hamer, Joe Wilson, Hinaleimoana Wong-Kalu

Sacrament of Bodies by Romeo Oriogun

Witching Moon by Poppy Woods

Tell Me I’m Worthless by Alison Rumfitt

Dead Collections by Isaac Fellman

Disintegrate/Dissociate by Arielle Twist

Dear Senthuran: A Black Spirit Memoir by Akwaeke Emezi

Peaches and Honey by Imogen Markwell-Tweed

Nepantla: An Anthology Dedicated to Queer Poets of Color by Christopher Soto

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encyclopediary

1 year ago

Old Women Girls Love "Hanamonogatari" by schwinn will end with the next chapter.

Romance between an older widow getting closer to another mature woman thanks to their fascination with make-up.

PS. The artist asking for feedback (even if you read it via scans) & is sad that no… pic.twitter.com/CzzGVPgxm7

— Manga Mogura RE (@MangaMoguraRE) June 26, 2023

Old woman yuri is my future. How about for you?

— schwinn@はなものがたり2巻発売中🌸 (@schwinn_draw) June 26, 2023

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encyclopediary

1 year ago

[ID: A keffiyeh, also spelled kuffiya, is a square-shaped cotton headdress with a distinctive chequered pattern worn in many parts of the Arab world.

The black-and-white variant, worn by Palestinian men and women, has come to symbolise the Palestinian struggle for self-determination, justice and freedom.

The olive-leaves pattern represents perseverance, strength and resilience.
The fishnet pattern represents Palestinian fishers and the people’s connection to the Mediterranean.
The bold pattern represents trade routes with neighbouring merchants of Palestine. END ID]

[ID: "If the olive trees knew the hands that planted them, their oil would become tears"

The olive tree has deep historical and cultural roots in Palestine, and its branches have been associated with peace and prosperity for centuries.
The hardy trees can handle drought, subzero temperatures, frost and even fire. They are symbolic of Palestinian resilience against Israeli occupation and their connection to the land.

Olive cultivation plays a crucial role in the Palestinian economy through olive oil, table olives and soap production.

About 80,000 to 100,000 Palestinian families rely on the olive harvest for their income, which takes place every year between October and November. Traditionally, the harvest season is a time of festivities and joy, but tight Israeli restrictions and settler attacks overshadow it. END ID]

[ID: In 1948, Zionist military forces expelled at least 750,000 Palestinians from their homes and lands in what became known as the Nakba (“catastrophe” in Arabic). Those people took their keys with them, sure they would return.
Many Palestinians still hold onto the keys to their original homes as a symbol of their hope and determination to return one day. These keys have been passed down several generations and are kept as a symbol of Palestinians’ right to return – a principle enshrined in international law that grants individuals the right go back to their homes of origin.
During Israel’s latest offensive in Gaza, at least 1.5 million Palestinians have been driven out of their homes, double the number of those displaced during Nakba in 1948. For Palestinians, Nakba is not a discrete historical event. It is an ongoing process of displacement that has never stopped. END ID]

[ID: Handala is a cartoon character created by Palestinian cartoonist Naji al-Ali that reflects his own childhood refugee experience and the ongoing plight of Palestinians displaced by the Nakba.
The first version of the cartoon appeared in a Kuwaiti newspaper in 1969 and was drawn facing the viewer. However, in 1973 following the October War, al-Ali started drawing Handala with his back turned to reflect how the world had itself turned its back on the Palestinians.

Handala is barefoot and wears ragged clothes like the refugee camp children al-Ali remembers when he was forced to leave his village as a 10-year-old boy.

Handala is named after the “handhal”, a bitter fruit that grows in the dry areas of Palestine. It grows back when cut and has deep roots.

In 1987, Naji al-Ali was assassinated in London. No one has been charged with his murder. END ID]

[ID: The watermelon is perhaps the most iconic fruit to represent Palestine. Grown from Jenin to Gaza, the fruit shares the same colours as the Palestinian flag – red, green, white and black – so it is used to protest against Israel’s suppression of Palestinian flags and identity.
Following the 1967 war, when Israel seized control of the West Bank and Gaza Strip and annexed East Jerusalem, the government banned the Palestinian flag in the occupied territory.

Although the flag has not always been banned by law, the watermelon caught on as a symbol of resistance. It appears in art, shirts, graffiti, posters and the ubiquitous watermelon emoji on social media. END ID]

Original thread repost | Original thread | Original Article (Source of the posters)

Images only

The image descriptions were written by @/carstairsbur and Mohammed Haddad, Konstantinos Antonopoulos and Marium Ali.

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encyclopediary

1 year ago

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encyclopediary

1 year ago

Do you like vintage scientific illustrations?

Do you like not spending huge amounts of money on them?

This website has a huge collection of high quality vintage illustrations that you can download FOR FREE

They got pretty much everything!! Vintage maps, mushrooms, flowers, trees, bugs, birds, corals, fish, palm trees, feathers, tropical fruits, you name it!!

They even got some works of my dude Ernst Haeckel on there!!!!

I could go on and on but I suggest you check it out yourself. Personally, I will be covering my entire apartment with these once copyshops are open again. But even if you don’t want to do that, just browsing all these beautiful illustrations is a great way to spend your time.

Have fun and stay save!

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encyclopediary

1 year ago

Ok but like. What the fuck is there to do on the internet anymore?

Idk when I was younger, you could just go and go and find exciting new websites full of whatever cool things you wanted to explore. An overabundance of ways to occupy your time online.

Now, it's just... Social media. That's it. Social media and news sites. And I'm tired of social media and I'm tired of the news.

Am I just like completely inept at finding new things or has the internet just fallen apart that much with the problems of SEO and web 3.0 turning everything into a same-site prison?

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