Fear And Loathing In Las Vegas, Hunter S. Thompson

Fear and loathing in Las Vegas, Hunter S. Thompson

"Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run … but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.…"

i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school i cant go to school

Play it as it lays, Joan Didion

"Why was she crying, he wanted to know. Because he made her so happy, she said, and for that moment believed it."

Joy Division opening up for Johnny Thunders & The Heartbreakers, 1977

Alain Delon and Jane Birkin photographed by Werner Bokelberg on the set of La Piscine (1969).

Daisies (1966)

"When the Czech director Věra Chytilová made Daisies, her second feature, Czechoslovakia had endured nearly two decades of repressive Communist rule, and she was one of the leading voices in a new generation of filmmakers who expressed resistance through gestures of allegorical insubordination that were semantically slippery enough to possibly get by the censors. Similarly, the Maries operate like guerrilla insurgents across Prague, disguising their true intentions and refusing to dutifully submit their bodies for either labor or male gratification."