Hello Dears! I Am Asking You To Support My Campaign To Help Me Reach My Goal. I Am In Dire Need Of Your

Hello dears! I am asking you to support my campaign to help me reach my goal. I am in dire need of your support now to help me stay alive and safe. Gaza is a very dangerous place both in terms of living and lives. The family consists of 20 members, most of them are young children. I need your financial support to enable me to get the basic needs for my family until the Rafah crossing is reopened to transport my family to safety and peace. Please help a family stay alive through your small donations or through your shares to others. Thank you very much for standing by those in need. My campaign 90-ghoset has been documented

Please help if you can

Hi

I would be really grateful if you could help me by donating to save my children and family from the dangers of war and death in Gaza and escape to a safe place.

Please donate, repost and share the posts for my family 🙏

https://gofund.me/d376b3cb

Please help if you can!

welcome everybody

I am Muhammad Imad Abdel Latif Sharab

First, after an aggressive war on Gaza City and its revival, we were displaced from our 3-storey house in which I and my family of 3 members live.

My father's family consists of 8 members

My grandfather, may God have mercy on him, was martyred by occupation aircraft on 12/14/2023.

The one who was martyred while he was leaving the house to check on our house next to him, which could not be reached due to a brutal enemy who does not differentiate between anyone in death, went out to check on our house, which we were not in because of my displacement to Rafah, me, my father, and our families due to the intensity of the fighting in Khan Yunis, and after that A few days ago, our store in which my father and brothers work was bombed by occupation aircraft. He was working to gather his strength from it and meet the needs of our house, which no longer exists due to the bombing. We ask you to help and contribute, even if just a little, by donating to us so that we can compensate for a little of what we lost.

Many thanks to you 😢

🥺🥺🥺🥺🥺🥺

If you do not understand the words well, because I am not very good at English, but I ask you to help me with money so that I can compensate for even a little of what I lost, and I am very grateful to you, my dears😢🥺😢🥺😢🥺🥺😢

Donate if you can!

gofundme.com

Donate to Menstrual Care Kits for Women and Girls in Gaza, organized by DIYALA ABDLRASUL

Goal Achieved!! #Sisters4Gaza successfully sent 2,000 menstrual… DIYALA ABDLRASUL needs your support for Menstrual Care Kits for Women

Palestinian girls and women are forced to use tents as pads. People boost. Donate if you can

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

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Hope this helps anyone struggling! Now get writing.

When A Character Is stressed they…

can't focus on one task.

forget important details or events.

bite their nails or other nervous habits.

feel their heart race uncontrollably.

avoid social interactions.

have sudden outbursts of anger or frustration.

pace back and forth aimlessly.

overthink simple decisions.

get headaches or muscle tension frequently.

feel constantly overwhelmed.

isolate themselves and withdraw from loved ones.

can't sleep well and feel restless.