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reginald lied to klaus about his death in 3x07. in 3x06, when klaus comes to visit him, it’s a day; it’s still a day when reginald electrocutes him to death:

it’s night, when allison comes to the academy with harlan’s body in the trunk (and there’s also klaus’ body somewhere in the academy):

and it seems only the NEXT DAY reginald takes klaus out for training. in 3x07, reginald tells klaus he remained dead for 22 minutes. so, klaus probably thinks it’s still the day when he told reginald about the white buffalo suite; the last thing he remembers is being electrocuted. reginald also adds that klaus was totally vulnerable, and he could’ve taken any of his organs. klaus is shocked, because why good ol’ reggie would do that, right?

the training starts at 1:15 p.m., reginald writes it down. logically, klaus’ 22-minute-long death should be listed as 001, but:

it’s 004. 22 minutes - lower body (something something), and LACERATION? before that, 003 - failure (?). 

between klaus’ FIRST electrocution and the bus-ball training, reginald had killed him not one, but four (FOUR!) times. and, most likely he did indeed try to cut him/cut out his organs (?) to check on how/if his dead body can heal itself. spoiler alert: klaus CAN HEAL HIMSELF even when he’s dead. later, we can see it in 3x09 when he comes back to life when the wound on his stomach has ALREADY healed. (so no one could steal his falling out guts, right? reginald knew. old bitch fucking knew). 

so, i think reginald kept electrocuting klaus all night between 3x06-3x07 (with the method reginald chose, it could probably mess up klaus’ memories? he literally doesn’t remember shit except for being electrocuted one last time?) until he made sure that: a) klaus comes back fairly quick now (attempt 003 says 26 minutes, not bad, not bad!) and b) his body heals from any injuries so haha getting crashed with a car is not a big deal.   

hey! I’m having trouble blending two gifs together and I was wondering if you could help. I placed gif on top of the other and chose a blending mode that I liked but when I use a layer mask to erase a portion of one gif in the first frame, the area somehow moves to the side for the rest of the frames instead of staying in the place where I erased it. Do you know how to fix this?

And side note I love your sets so much, I was looking through them last night for inspiration and ahhh ur so talented

hi lovely! thank you so much for your kind words! i think i kinda understand what the problem is but i never actually had to solve it cause i usually work on my gifs when they're already in SMART OBJECT mode and i tried to record a super fast video for you (with literally zero editing skills so i'm sorry for that, didn't even know it was recording my youtube chill beats gsdgsd-) to try and show you better cause i know written instructions can be overwhelming! hopefully tumblr will let me upload it.

ignore when i switch to five gif, i usually go through this process super fast, using shortcuts and actions but i wanted to show you more or less the gist of it with viktor's gif! the only thing you have to be careful about is converting into timeline (i had a second of hesitation there cause i usually use an action for this) and highlighting both the layers on the side and on the timeline before converting into smart objects.

oh and obviously i wasn't done with the coloring, i just put it there to give you an idea on how you can still work on the gifs separately thanks to the clipping masks! all i had to do to keep working on the blending was to add the vector mask directly onto the smart object, like this.

i hope this is somehow helpful! let me know if you need anything else, happy giffing!

ps. if you want to keep working on frames instead of timeline and smart objects, i can only suggest you to look through @yenvengerberg tutorials cause she's the queen of frame-by-frame coloring and all of that! ♥

okay but the difference between the introduction of the umbrellas and the sparrows. the fact that the sparrows get their name before their number — their number is just an “a.k.a.” placed after and on the same level as their name. meanwhile, the umbrellas get their names in quotes, implying that they’re just nicknames; the one that appears on top is the number. i need to lie down.

klaus has this habit of searching for answers and purpose in the same place he lost them. his autonomy was stolen from him as a child, and he lives with that loss every day. it’s quite common for people with that experience to live with dissociative symptoms, and i actually think klaus is a realistic portrayal of that. while it’s never outright said that it’s dissociation he deals with, i think a lot of survivors could probably see it in him. he’s always seemed to feel a disconnect with himself, with his own body (for example – and this is a small one – when he told ben “you’re not getting in this body,” rather than my body). his identity is something transient, something that shifts drastically sometimes depending on the situation he’s in, which is a common experience in people with dissociative symptoms – we’re like “chameleons.” 

he forgets key things regarding his trauma: that, or his brain will twist the events to make them more palatable to himself. he didn’t remember being killed as a child, even though it happened multiple times. and despite not remembering anything, he still has visceral reactions when it comes to being confined. he may not consciously remember every event, but his body does, and so he reacts accordingly, as if the threat of being killed again were a present one. because the body remembers the loss of control, it remembers the autonomy that was once stolen. then there’s “bus ball.” obviously, it was an objectively shitty, terrifying thing, being once again murdered, multiple times by your own father and abuser – and as an experiment, no less. despite that, the events were portrayed as something that was for the most part fun, almost. and when he vaguely recounted said events later on, he referred to it as “bus ball.” like it really was nothing more than a game. that’s another common dissociative symptom, and a common trauma symptom: being so disconnected on a certain level from your own trauma that you’re able to talk about it like it’s nothing. that you’re able to remember a skewed version of it so that you don’t have to internalize any of the real terror.

touch is another one. klaus is a very tactile person. he communicates well through touch. but he often doesn’t like being touched, unless it’s from someone he knows, loves and trusts.

he startles easily, too. will jump back at sudden movements or words, gets frightened by loud noises and will cover his ears.

his need for connection is relevant here, too. he has a hard time being alone with himself, and so he finds people to cling to, or finds people that will cling to him, just to stave off those feelings and to ground himself, almost. sometimes it spirals out of control, like with the cult. but his constant need for connection stems from feeling disconnected.

one of his passing comments to luther in s1 (”I remember my first time… oh no. i don’t”) hits hard, too. it’s not uncommon for trauma victims to experience hypersexuality as a result as a result of this loss of autonomy. and then, to not even remember some of these encounters (obviously, the drugs/alcohol likely play a role in this not remembering. but hey, what’s addiction often a symptom of? oh yeah. trauma.)

this disconnect he feels from his own body is also why he was able to have certain encounters even with people he didn’t like. keechie comes to mind. he didn’t like keechie, that was made clear. but it sounds like he still had no problem having sex with him, despite this. it’s common, when you have dissociative symptoms, to feel this sort of disconnect. you don’t always care what happens to a body that doesn’t feel like yours, hell, you can enjoy it, sometimes – even if you don’t like the person you’re doing it with.

it’s why he gets off on torture, too. klaus being a masochist was clearly portrayed in episode four, but then was referenced again two other times. (”if i see a boner, i’m out” when he was being tied up, and, “i’m going to beat you, and not the way you like it.”) when you grow up tortured and become accustomed to it it’s easy for the brain to say “hey, this is unbearable so actually we like this thing now. that’ll make it bearable!” i mean, obviously it’s a little more complicated than that, but that’s the gist of the situation. 

you often find comfort – or even pleasure – in familiarity, even when familiarity isn’t safe. we see that in klaus.

and that leads me back to my main point: klaus searches for answers, he searches for purpose in the same places he lost them. if he can give up his body to anyone who will take it, then maybe he can take back autonomy, is what he might think. if he can have a say in his own destruction, whether it’s addiction or reckless behavior, then maybe he can take back control. 

but that’s never truly how it plays out. a trauma survivor will never find what they’re looking for this way. i believe that klaus is starting to realize this, even if he does run into setbacks, and even though he will continue to run into setbacks. if he wants to find control, and if he wants to find purpose, he will have to reroute that energy into a path of recovery rather than destruction. it’s a hard hill to climb, but we know he can do it.

i could say more about this, but i think this says enough, for now.

— i think it’s been a year and a half since i posted my last tutorial! with a few more requests (and me learning new things) i decided to make a new and updated tutorial 💎 — this is a VERY image heavy tutorial and it is also very long! i’ve put it under the cut <3 like there are OVER 50 images…this is more of a masterpost really. if there is something that does not make sense, feel free to ask!! i will more than happy to clarify! — i promise the header gif was once good quality but for some reason, i did something to it and it became weird. please ignore that 😭

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You're alive! That's...great. Or possibly horrible, I'm not really sure yet.

NUMBER FIVE & BEN in THE UMBRELLA ACADEMY SEASON 3

There he is!!! My son!!! And he's wearing the suit!!! I love that he's gone back to the og weapon from s1e1 🍴

Can we talk about how the afterlife gets more and more colorful as Klaus becomes more and more in control of his powers? Cause that’s BRILLIANT filmmaking right there

Five + meeting Sparrow Ben

↪ S03E01 || {TUA} {cast+} |  ☕

how to fix grainy gifs

you won’t 100% but this helps a little 💕

idk how many of you are using this already but hopefully it will help someone out when saving gifs. but basically in this tutorial kinda thing i’ll try to explain how to play around with your colour palette to have your choice of 256 colours bc PS can be a b*tch. 

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how to pan gifs

were u ever like gahd these camerapeople again making yet another stage ungiffable. yeah me too.

sooo here in this tutorial i'm gonna try to explain how to pan gifs so ur subject can remain centered or at least not be out of frame, sth like this:

this is a more advanced tutorial, in a sense that i'll assume you know how to make gifs, not in a sense that this is complicated lmao, okay let's gooo:

essentially this is what's happening and what we gonna do:

before we dive into the how tho, it must be said that photoshop's timeline can only do linear movements so no easing. at times it can look unnatural or choppy or... frankly both. (if you want to know more about this look up ease-in-out animation curve, or easing curves)

part 01 · prepping gifs

as i wrote in my gif making process post i usually crop my gifs bigger than they usually will be. e.g. a 268px gif will be cropped to anything between 468-540px. sometimes because i want to have the opportunity to position the gif a bit differently but most of the time because i know 268px is a reeeaaalllyyy tight place and i need to make some movement adjustments especially for weekend music shows where the camerapeople seem to be on crack or just very into experimenting

part 02 · let the keyframe madness begin

whichever way you are making gifs just open up your gif and crop it to the final size, colour it and whatever else you fancy. once you have everything ready just open your video layer on your timeline (if you don't know where you will be able to see it in the video later)

you will see 3 tracks, transform, opacity and style. for this we will use the transform because it contains movements (but also resizing if that's what you fancy).

all we need to do is create keyframes which will define what is the position of the video layer at a certain time. so e.g. here we are moving this box to the right by 50px in 1 second.

to create keyframes click on the timer icon in front of the position label and photoshop will create you one. the active one will always be yellow. if you move on the timeline with your playhead (that thing that is moving) and you resize/move your layer photoshop will create yet another keyframe for you without you needing to click on it, because it will recognise the change. so all you need to figure out is when the movement starts and which position your layer should be, and the same for the end and ps will take care of the rest.

part 03 · some things to consider when panning gifs

now this is the part where it gets subjective and less tutorial like. so all i can provide is some explanation how i go about it and what i pay attention to.

tip #1: match the movement speed to the gif

whenever you are panning a gif it may result in the gif being choppy bc the framerate and your movements are not matching up, so it's either too fast and photoshop needs to move your image by too many pixels frame by frame or it's too slow resulting in basically the same thing but kinda reversed, either way it won't look smooth. this mostly happens when the original footage is moving (there is a quick camera pan/movement) and you are trying to keep it in place, less when the original is kinda still and the subject is moving. this is kind of a trial and error process: try moving your keyframes closer to each other or maybe further, add more/less movement between two keyframes and just see witch results in a smoother gif.

tip #2: try moving your gif once in one direction

there are times when your subject might go out of frame multiple times and you have the urge to keyframe the whole gif and keep them in center the whole time. however, as we do not have easing curves in photoshop the switch between moving something from one direction to the other one will be very visible. so try placing your subject in a way that you'll only need to make one movement and it's kinda okay all the way thru or pick the most annoying 'placement' you want to correct. here in this example it mostly bugged me that the gif was not centered at the end, but onda kinda remained in frame.

tip #3: pan your gifs when there is a quick zoom/movement

sometimes whatever i do the gif will look choppy regardless one movement or not. in these moments, and these moments ONLY we can be thankful for the sometimes unnecessary zooming that's happening and reposition our gifs while the zooming is happening. since there is already a drastic movement you can get away with basically anything, as long as you time the beginning and the end where the zoom begins and ends. also i must add that you can pan stage gifs way more and more drastically bc there is a lot of things happening in the background, so adding a bit of movement on top of all the other movements is less noticeable than... moving footage where e.g. the background is static.

✨something extra✨ · panning/moving other things

so what we looked at is moving the whole gif to fit into the frame we have, but with this technique obviously you can move all sorts of stuff, text, texture whatever you fancy. you can apply this process to the layer you wanna move and this is when you get these:

a sidenote: the fade effect is literally the same keyframe business but instead of playing with position keyframes you change the opacity keyframes.

aaand that is all, if you have any questions my askbox is always open so hmu <3

tagging @sanhwalynight bc of requesting reasons hehe

Yalll...!?!?

So like- at first I thought that Five being the only one who wasn’t killed instantly by The Handler was just very convenient, but this is The Handler we’re dealing with. She’s good. She knows how to shoot someone fatally, she simply chose not to, she wanted him to be last one alive, for him to know what she had done. She knows him and his biggest fears, she wanted him to suffer.

I read the script, and I was like, “Okay, this is either gonna be really dope, or just horrible.” [Cause the song was written in the script?] Yeah! Yeah, yeah. And you’re reading it thinking about these superheroes dancing to this song, and you’re thinking, “What are we doing? What is this?”

Sir Reginald Hargreeves, a.k.a. The Monocle, an extraterrestrial disguised as a famous entrepreneur, adopts seven children, and prepares them to save the world from an unspecified threat as the Umbrella Academy.

We didn’t choose this life, we’re just l i v i n g it.

S1E01 “We Only See Each Other at Weddings and Funerals” // S2E10 “The End of Something”

number five & ben hargreeves + “do not stand at my grave and weep” (for @benhargrieves)

It wasn’t anybody’s fault.

567 Week Day 5: Reunion

Five’s random semblance/parallel with his siblings: ben

Family👻🤖 #ghostsandandroidsneedcoffeetoo

Via Jordan Claire Robbins Instagram 10/18/19