frankiebirds - frankiebirds
frankiebirds

nineteen | canadian | avatar by me | they/it | 🍉

920 posts

Self-rbing This With My Own Tags Screenshotted Because Rahhhh Derek Morgan Character Of All Time. Also

self-rbing this with my own tags screenshotted because rahhhh derek morgan character of all time. also the post im referencing is this one.

#i love derek morgan so much I wish he was real we could talk about women together #but really truly he is the friend of all time #i saw one of those posts pairing criminal minds characters with various devastating quotes #as one does #and the one they chose for morgan was smth like "people like us don't have people. we are the people that people have." #and it made me want to eat my laptop #i dont think he understands how good of a person he is and severely underestimates his capacity for love and care

morgan's face when reid brings up having nightmares is gonna make me cry. he goes from teasing him over the amount of sugar in his coffee to concerned so quick. i need to lay down.

Indoors, a man in a suit gives a look of concern to the out-of-focus figure of another man in the foreground. The subtitle at the bottom of the image reads: "nightmares would be a more accurate description."
The same man, gaze aimed slightly down and to the left. The subtitle at the bottom of the image reads: "Is that what's keeping you up?"

he is the best friend and he has so much love in his heart he can't contain it. derek morgan i love you dearly.

The same man, head tilted back up. The subtitle at the bottom of the image reads: "Reid, I'm not sure if I'm the right person for you to talk to about this."

you are though!! you are!!

this scene just makes my head explode. the instant switch from teasing to concern. the facial expressions. telling reid to talk to gideon and then doing it for him when it becomes clear he's not going to. what if i collapsed.

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More Posts from Frankiebirds

1 year ago
In an office with horizontal blinds, a man in a grey suit looks at a man in a brown suit. Only the back of the latter is visible. The subtitles at the bottom of the image read:
-"What if they were cheerleaders?"
and
-"Excuse me?"
A close-up of the man in the brown suit, looking offscreen with his mouth slightly open, brows furrowed, and eyes wide. The subtitle at the bottom of the image reads: "Or teachers? Or mothers?"
The man in the grey suit, also wearing a red tie, glares slightly. The subtitle at the bottom of the image reads: "How did you put it? "Can bums even be missing?""
Subtitle: "Well, sir, they can. They can be hurt,"
Subtitle: "they can be scared, and they can be killed."

i really like this episode, in large part because of this line and how that feeling continues throughout the episode. i appreciate cm's attitude towards it in general, as the concept of the "less dead" is something that i feel very strongly about. that's not to say cm never plays into it, or into Missing White Woman Syndrome. Even in this episode, the victim we're focusing on, Maggie, is an attractive White woman with nice hair and teeth (possibly a little justified as she's a sex worker and i believe not unhoused? but it's still worth commenting on that the victim we follow in the episode about victims who are considered disposable has traits that make her more "palatable" to the audience).

I hope I'm making sense lol. There are definitely people better than me to talk about these concepts and associated tropes and how cm both plays into and averts them, but it's on my mind a lot and I really like episodes like this one where an effort is clearly being made to not only avoid but to comment and criticize them.


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1 year ago

early homo sapiens b like help i cant stop making bowls . help i cant stop domesticating plants and animals. help i cant stop developing language and architecture and religion

1 year ago

anyway: last thing about the fox.

I think the order in which the team reacts to frank fielding* hurting himself is pretty interesting.

A man wearing a plaid shirt indoors. The subtitles at the bottom of the image read:
 -"Frank, Frank."
and
-"Let go!"
A man in a light coloured collared shirt is mid sentence against a dark background. In the foreground is the blurry and out-of-focus figure of someone mid-movement. The subtitles at the bottom of the image are still:
-"Frank, Frank."
and
-"Let go!"

Gideon and Morgan are first, simply because they're the ones closest.

Two figures running into a room, one man and one woman. The man is further to the left inside the room and partially offscreen, and the woman is just entering the room from the right. Both are mid-movement. The subtitle at the bottom of the image reads: "No. No!"

Hotch and Elle are next, with Elle a little behind...

Three men, one mostly out of sight, restrain a fourth man against a wall. A woman stands off to the left, away from the altercation. The subtitle at the bottom of the image reads: "No!"

But when it comes to actually restraining Frank, Elle, who is still new and less experienced, lingers behind. If you watch the scene carefully, she actually backs away, too.

A man wearing a black vest over a red and white patterned shirt stands just past the doorway between a brightly lit and dimly room, closer to the dimly lit room on the left side.

And finally, Reid stands at the very back. He enters the room but doesn't go any further, and the camera pans down to show him rocking back and forth on his feet, like he can't decide if he wants to run into or out of the room. I think it's possible that Diana self-harmed at some point in the past (although granted, the self-harm in this scene is a different "type") and he may have been having some unpleasant memories.

*the brother of one of the victims, who goes to her house despite her husband not wanting him there, is seen by her through the window, and thinks she mouths "go away" at him when she actually mouths "help me"


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1 year ago

Lord help me. I've been given three manageable tasks. all at once