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Masterpost: How To Write A Story?
Masterpost: How to write a story?
Compilation of writing advice for some aspects of the writing process.
How to motivate myself to write more
How to get rid of writer’s block
Basic Overview: How to write a story
How to outline a story
How to come up with plot
How to create a character
How to make a character unique
How to use nicknames
How to start a story
How to write a prologue
How to write conversation
How to write witty banter
How to write the last line
How to write a summary
How to write a book description
How to write romance
How to write friendships
How to write emotional scenes
How to write an argument
How to write yelling
How to write anger
How to write betrayal
How to title fanfiction
How to write an unreliable narrator
First Person vs. Third Person POV
How to write character deaths
How to use songs in a fanfiction
How to name fictional things
How to write multiple points of view
Introducing a group of characters
Large cast of characters interacting in one scene
Redemption arc
Plot twists
Fatal Character Flaws
Good traits gone bad
More specific scenarios
Slow burn
AU ideas
Favourite tropes
How to create quick chemistry
How to write a bilingual character
How to write a character with glasses
How to create a villain
How to write a polyamorous relationship
How to write a wedding
How to write found family
How to write forbidden love
How to write a road trip
How to create and write a cult
How to write amnesia
How to write a stratocracy
How to write the mafia
Criminal past comes to light
Reasons for breaking up while still loving each other
Relationship Problems
Relationship Changes
Milestones in a relationship
Platonic activities for friends
Settings for conversations
Introducing partner(s) to family
Honeymoon
Date gone wrong
Love Language - Showing, not telling
Love Language - Showing you care
Affections without touching
Giving the reader butterflies with your characters
Reasons a couple would divorce on good terms
How to write enemies to lovers
How to write lovers to enemies to lovers
How to write academic rivals to lovers
How to write age difference
How to create a coffee shop atmosphere
How to create an atmosphere: Library
How to write a college party
How to write modern royalty
Arranged matrimony for royalty
Paramilitary Forces/ Militia
Inconvenient things a ghost could do
A Queen’s Assassination Plot
Crime Story - Detective’s POV
Evil organization of assassins
Evil wins in the end
Causes for the apocalypse
Last day on earth
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More Posts from Inkdropsonrosequinn
does anyone else have that issue of not knowing when you’re pushing yourself too hard or when you’re just pushing yourself a little outside of your usual limits? i only ask because one will inevitably lead to burn out and the other i feel is much more of a conditioning thing? i cannot make this sound any better phrased
Editing & Proofreading Cheat Sheet

– A lot of questions I receive revolve around editing and proofreading, so I decided to make an extensive guide to editing your own writing. I collaborated with some amazing friends on this post so this is dedicated to them as well as all of you. I hope you find it useful. Enjoy!
Know The Difference: Editing vs. Proofreading
Editing is about the content, proofreading is about the technical detail and accuracy. Once you know the difference and you separate the two into different tasks, going through and actually doing it will seem less daunting. Deciding which to tacking first depends on what you’re like when you edit, but if you struggling with focusing on actually improving the content because you get distracted by grammatical errors and spelling mistakes, then proofreading first may be a good idea.
Be Intentional With Your Vocabulary
Avoid adverbs
Be frugal with unique adjectives
Only use dialogue tags when absolutely necessary
Be mindful of overused words
Take the time to find the right words
The words you choose can make all the difference so pay special attention to them.
Just Keep Snipping
A basic rule to editing that people often forget it, if it doesn’t serve a purpose, you should cut it out. A short book that is amazing all the way through is better than a long book that is redundant. Don’t worry about leaving your readers in the dark or not having enough content. As you edit, you’ll find ways and places in which to input more information.
Flow & Rhythm
This is the part where you make sure the writing itself sounds how you want it to. It’s important to read your writing aloud during this stage. Some things to pay attention to regarding flow and rhythm:
sentence length/variation
sentence structure
syllables and how they fit together
how your writing sounds out loud
Eloquence
Say it once and say it clearly. Redundancy bores readers so quickly, so when putting information forward, be clear, concise, and don’t add fluff. You don’t need to write a whole paragraph about how a character feels in a situation. It’s important to give the reader just enough to read between the lines.
Grammar
Common Grammar Mistakes To Look For
Subject-verb agreement errors
Sentence Fragments
Missing Comma After Introductory Element
Misusing The Apostrophe With “Its”
No Comma In A Compound Sentence
Misplaced Or Dangling Modifier
Vague Pronoun Reference
Wrong Word Usage
Run-On Sentence
Superfluous Commas
Lack Of Parallel Structure
Sentence Sprawl
Comma Splice
Colon Mistakes
Split Infinitives
List from here x {Explains these further and more in depth}
Improper Use of Phrases
“could have” not “could of”
“My friends and I” not “me and my friends” {If you take away “my friends” or “I”, or one of the nouns in a sentence in general, the sentence should still make sense}
“I couldn’t care less” not “I could care less”. This should be a no-brainer.
etc.. I could go on.
Familiarize yourself with these common mistakes and avoid making them at all costs. It’s also helpful to have someone read over it and let you know when they find issues with phrases you used. Please be attentive to these mistakes because making them can destroy your credibility as a writer.
Utilize The Senses
If you’re describing something in your writing, you should be slipping in words and little details that appeal to the reader’s senses, When editing, look for opportunities to slip in how a place smells, how a food tastes, how something feels to the touch, etc. It’s unbelievable how much this enhances your story.
Punctuation & Format
Punctuation Rules In English
the period (or full stop in British English)
the comma
the exclamation mark
the question mark
the colon
the semicolon
the quotation mark
the apostrophe
the hyphen and the dash
parentheses and brackets
Source x
When proofreading and marking up your manuscript, it can save a lot of time and energy if you use marks instead of actually write out everything, so here is a little chart I found that may be useful to you:

Other Things To Look Out For
Make sure you know who is talking
Keep tense consistent
Vary the tone from scene to scene
Run-on sentences
Inconsistencies in story details
Plot holes
Causes and effects of events are explained
Facts and technical details {Make sure you’ve researched them well}
Deviations from established background (know your story really really well and make sure your reader does too)
General Tips
Go in assuming that your work is full of errors. Maybe it’s not, but it’s better to be prepared for the worst and solve the issues now rather than when it’s too late
DO NOT BE SENTIMENTAL. Yes, easier said than done, but it’s possible.
Make the text less recognizable to yourself in order to catch details you may not otherwise.
Print out your manuscript and physically write out the changes.
Read your writing out loud. Sometimes writing looks like it makes sense, but in reality sounds wrong.
Do it in short periods over time so that you don’t inevitably get lazy with paying attention to little details
Keep in mind that editing usually takes longer than actually writing the draft because it is less fluid and requires more thought and problem solving.
Don’t rely on spelling and/or grammar checking software; they’re not always correct and can easily misinterpret what you’re trying to get across.
Check for a single error at a time. It may be time consuming and tedious but it’s more effective than the alternative.
Give yourself time and read slowly through it multiple times
Split up large chunks of text to make it easier to handle. Don’t go through your whole manuscript page by page as if you were just reading it as a book. Go chapter by chapter or scene by scene or even sentence by sentence.
If something seems off, investigate it. Don’t take a chance and leave it be. If you’re stumped, highlight it and have someone else look over it.
Have a strategy. Maybe not at first, especially if you don’t extensively edit your work regularly, but with time you’ll find what works for you and what doesn’t. Create your own system and use it to save yourself some time and confusion.
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Writing about a child rapist did not make Vladimir Nabokov a child rapist.
Writing about an authoritarian theocracy did not make Margaret Atwood an authoritarian theocrat.
Writing about adultery did not make Leo Tolstoy an adulterer.
Writing about a ghost did not make Toni Morrison a ghost.
Writing about a murderer did not make Fyodor Dostoevsky a murderer.
Writing about a teenage addict did not make Isabel Allende a teenage addict.
Writing about dragons and ice zombies did not make George R.R. Martin either of those things.
Writing about rich heiresses, socially awkward bachelors, and cougar widows did not make Jane Austen any of those things.
Writing about people who can control earthquakes did not make N.K. Jemisin able to control earthquakes.
Writing about your favorite characters and/or ships in situations that you choose does not make you a bad person.
It’s a shame that in this day and age these things need to be said.

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Writer challenge: think of a way to hint at magic/superpowers that isn’t overdone. We’ve all seen eyes that glow or change color, teeth that grow sharp, ears that get pointy.
I want to see a character’s eyebrows ripple into tiny scales when they’re concentrating on their powers. Or someone’s nose disappears when they cast a spell.
What hasn’t been done yet?