I'm Ghost (they/them). I write stuff sometimes.
100 posts
I'm Not Buying It
I'm not buying it
I refuse to believe that Hatchetfield hates Clivesdale just because or that Hatchetfield high hates Sycamore because simple school rivalry.
There is something else going on here
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More Posts from Justaghostpirate
your The Lords In Black art is absolutely feeding me rn
here have more. don't be scared. indulge
NPMD has the main cast of all time.
Peter “Has been waiting five fucking years for his hot chocolate” Spankoffski.
Stephanie “Puts her hand directly underneath a hammer to protect her phone” Lauter.
Richie “Accidentally filmed incriminating evidence that suggests he and his friends brutally murdered a guy” Lipschitz.
Ruth “Pours her entire heart and soul into a musical number that reflects the motivations and struggles of both herself and the character she’s pretending to be, and literally no one sees it except for the guy who kills her two minutes later” Fleming.
Grace “Has an extremely dirty sexual fantasy despite being the world’s most devout and chaste Christian, Stages an elaborate prank in the old base of a cult, dismembers a body and covers it up without remorse, holds a cop and detective at gunpoint, summons dark gods, fucks a ghost to save the world and then ends said world herself” Chastity.
And finally, Max “Considers a prank made to utterly ruin his life and social reputation the nicest thing ever done for him, but then proceeds to murder the people who pranked him because they made him piss his pants” Jagerman.
Incredible.
Grace and the Lords in Black: an analysis.
Okay, so, this may be obvious; although I haven’t seen anyone mention this as of yet. The link between Grace Chastity and the Lords in Black are clear, I mean we’ve all agreed that she seems to be like that, and Dirty Dudes must Die highlights her “corruption” plainly.
That being said! I think there may be more.
Firstly, the Lords in Black mention/talk to Grace first, before Peter and Stephanie (the arguable proper protagonists of this story).
Sure, Blinky’s motif is obvious, it’s of eyes, of watching and of observation. But to speak to Grace first, even if it seems (on the surface level) that it’s just to flex their omniscience and make her uncomfortable, is a little strange. Especially since they then speak mostly (only) to Steph for the rest of the song [The Summoning].
Secondly, because if that were all this wouldn’t be a very good analysis, we have her (Grace) and Nibbly being echoes of eachother.
“Swallow” and “devour” are synonymous. Both fit into Nibbly’s motif of consumption. Now, Grace could’ve said anything. Absorb, harness, control etc. I think the wording here is particular. Not exactly the same, but clearly within the same ball park.
What is exactly the same though, is Grace Chastity and Wiggly.
This may seem a bit out of left field at first, but hear me out.
In The Summoning, it is said that “Wiggly wants his Wrath”, Wrath is a vice, a sin. It may not be the exact opposite of Chastity, however Chastity is to do with restraint, whereas Wrath is very much, not so. Moreover, Wrath can be defined as ‘a great anger that expresses itself in a desire to punish someone’. Now… who else could be described as wrathful? Obviously Max. And Grace. I mean, her song is called Dirty Dudes must Die. As well as being a direct reflection of Max, it implies that she wants to harm someone. Punish someone though? Well, yes. Grace says “This is the consequence of what you’ve done!” - she must believe that death is a worthy punishment for their actions (being ‘pervs’). Thus, Wrath.
Lastly, and this is where the exactly comes in, Grace and Wiggly both say the same things. (Again, of course, I could write another analysis on how Grace and Max reflect each other beautifully by also saying the same/extremely similar things) The difference between Grace saying similar things to Max, is that she and Wiggly aren’t similar. It’s the same.
Example A) Stephy / Stephie.
Upon rewatching Nerdy Prudes Must Die and listening to the album on repeat, I noticed that no one bar these two call Stephanie: Stephie. I know Grace calls Ruth, Ruthy and Peter, Petey- so her calling Stephanie, Stephie, makes sense linguistically. That doesn’t take from the fact that Wiggly is the only other ‘person’ to use that particular moniker.
Example B) “bloody bits”
A particularly strange phrase that these two say. However, not really. The point of this analysis is to point out the links between the Lords in Black and Grace Chastity, specifically Wiggly and Grace. By pointing out the parallels in their idiolects, I have come to the conclusion that they are not only linked but INCREDIBLY similar.
Both are characters that use cutesy, almost childish language (“mommy spot” / “belly-well”) to disguise the violence, the wrath that lays beneath the surface. Wiggly (as shown in Black Friday) uses it as a facade. Throughout Black Friday and throughout The Summoning, he expresses himself as non-threatening (“We’re all pally-wals.” etc) before eventually showing what’s beneath the surface (“..deck the fucking halls!” / “We don’t give a shit about your phone!”). Both times are as abrupt as each other, showing that Wiggly has a fairly short temper. Grace doesn’t necessarily have a short temper, instead she has periods of ‘sin’, when stressed: Dirty Girl, calling “God a son of a B-Word”, smoking (after), having sex with Max, the scene of her ordering hot water etc etc. The visage, her carefully constructed facade, slips. Wether it’s because deep down she doesn’t believe in God (possibly shown in her “are you religious?” conversation with Shapiro), or that due to her upbringing she’s being confined, restrained, controlled, and this when her ‘true self’ begins to peer through the cracks.
Either way, these are two characters who use similar themes (one of childishness, the other of purity/innocence (which can also be linked to childishness)) to cover their violence, their real selves.
Uhhh- anyway, watch Nerdy Prudes must Die on Youtube- it gave me brain worms.
ok my turn. npmd + textposts part one out of who knows
Whenever I lose hope that the world can change, I remember you. I remember how you fight for what you want, no matter what anyone says, no matter what stands in your way.” He draws me into his arms and murmurs into my hair. “You’re my polar star. I’ll go wherever you guide me.”
Iron Widow (Iron Widow #1) by Xiran Jay Zhao