Utsukushii Kare + Textposts (3/?)

Utsukushii Kare  + textposts (3/?)

Utsukushii Kare Eternal Movie Official Photos pt1

new smash video with behind the scenes footage

the persistent and the cute

Over the last few days, there’s been a really interesting discussion in the comments of my reblog of the gifset @tinngun​ put together of the Utsukushii Kare season 2 finale kiss. I’m transplanting it here because 1) it seems like @tinngun​ could use a break from all those notifications and so forth 2) the conversation was totally getting buried and I think it might be interesting to folks who probably wouldn’t see it without it being brought back out into a main post. So, first, here’s a quick recap of what I posted when I reblogged the gifset post in the first place. Well, the part that’s pertinent to this conversation, at least. I commented on the tropeyness of the scene, including allusions to Hira and Kiyoi’s sexual relationship, which (from what I hear) gets quite a bit of time in the novels but by virtue of TV as a medium, is mostly not portrayed in the series. In other words, since this part of the relationship isn’t shown directly the vast majority of the time, it has to be sketched out through these allusions, including what I’d consider coded language. 

With regard to the coded terms, I brought up something @bookittyboop​ had mentioned to me previously, that “persistent” and “cute” have specific meanings in BL/yaoi/other related genres. Basically, someone labeled as “persistent” is more active/forceful sexually and someone labeled as “cute” is yielding/more passive, with these roles being mutually reinforcing (i.e. the more yielding the “cute” person is, the more forceful the “persistent” person becomes).

Then I talked about the way Hagiwara Riku’s voice shifts in the line, “Sorry, Kiyoi. I can’t wait any longer tonight.” I had checked out some clips of other roles of his and noticed that among other things, he really seems to use his voice to differentiate between characters. This helped me to notice how distinct his “can’t wait” voice was, and I thought this was probably a voice belonging to the “persistent” part of the character. And I was less sure about this, but I thought Yagi Yusei was playing into this as well by reacting to the voice by kind of melting/going all floppy in response to it (he’d been fairly swoony before that, but it definitely seemed to be going up a notch there).

Then @xnoel, perennial fountain of information, pointed me to this quote from an interview translation (highlighting added):

So yeah, this seems like confirmation! I mean, what else would Yagi be referring to when he talks about “Hira’s ‘dark’ side” than this authoritative husky whisper thing?

Then I got some really great comments which I’m going to share here with permission, in part because I asked if anyone could point me toward more information on the “persistent”/”cute” thing.

The ever-helpful @nieves-de-sugui​ said:

a little bit of translation notes for your analysis! Hira is saying, literally, “I can’t hold back (anymore)” and it’s a very tropey sentence to say in BL (and shoujo) right before getting it on.  It’s also the main indicator of taking over/taking charge of the sexual encounter. There’s a lot of one taking over and the other giving in. (I think there’s a lot here about how Japanese people relate to sex and how it should be done).

(I said I’d run into this trope in Kdramas before as well.)

And then the kind and knowledgeable @bookittyboop​ pretty much took me to school on the whole persistent/cute dichotomy! They left comments in two clusters at different times so I’m putting a little dinkus (the line of asterisks or symbol that marks a transition between sections) in there to show where that was. Oh, and I took out some greetings/closings and stuff like that for flow purposes. Here we go:

The best source I can think of (because otherwise this is the kind of thing your get through osmosis once you’ve watched enough Japanese media) is @absolutebl’s post [link added by me] on the whipping boy trope, though there is more to it. I would classify Hira as a whipping boy/attack dog/service top and Kiyoi as more of a kuudere than a tsundere as well as a spoiled prince/pampered princess.

Their characterization and dynamic (and derivatives) is a staple not only in bl but in Japanese media. You’ve got a male character (Hira) who is the unassuming or even the loser archetype but unearths or shows a “manly” and protective side in benefit of his loved ones (many times after his “cowardice” or “uselessness” has let them be hurt) and slowly makes something of himself.

Then you got a (normally female) character who is  a combination of cold and aloof (kuudere) or prickly and explosive (tsundere) but actually wants to be cherished and uses the gruff exterior as a way to protect herself from heartache/rejection.

The first archetype normally admires the second and wants to be at their service while the second sees the potential in them and the adoration makes them feel safe. In normal circumstances the first character has a submissive personality and the other a domineering one. The second character is also going to find emotional vulnerability extremely difficult to express. But in certain circumstances, there is a “mom friend hack” button.

* * *

When character 2 opens up/shows vulnerability, character 1 identifies a need in the other to be cared for and takes confidence from being  chosen to provide that. There’s also gap moe (duality cuteness) and horny “I’m gonna worship you so good you will forget everything else,” "gotta get top marks at satisfying you,” and “you’re so cute I wanna eat you up” buttons.

The second character in turn feels attracted, safe and tethered by that show of confidence and let’s themselves (their barriers) go more and more . Those energies feed into each other and that’s how you get to our kiss scene. Sometimes(Kiyoi’s case) they add coyness and shyness (“no, that’s too much you beast”) because God forbid the tsundere/kuudere lacks plausible deniability when they go back to their senses. (there’s a “baby it’s cold outside"element too)

This is where @absolutebl​ chimed in to say they thought @bookittyboop​ was doing “a GREAT job” with this explanation.

And I agreed, and thanked them for the time and effort involved in such a useful explanation, but asked about the “mom friend hack” because it was new to me. Here was their explanation:

The mom friend is the responsible, caring one, prepared for any eventuality. If you’re a generally anxious person but also the mom friend, you’ve got a hack where you handily navigate  situations which would normally be embarrassing or anxiety-inducing if it’s for your loved one’s benefit.

For example:

-Buying condoms, pregnancy tests, emetics or other "embarrassing” stuff

-telling waitstaff they got an order wrong and to please change it

-asking a teacher to explain something again or revise an exam score

-giving a jerk a piece of your mind

Basically, you may not be able to stand for yourself or even make perfectly mundane, normal requests for your own sake, but the power of love lets you rationalize things, be brave, and do it for others.

I just realized I probably didn’t clarify enough. Hira’s thing is not exactly a “mom friend hack” but it’s similar to it in the sense that “being needed” lets him overcome a mental block.

And they added, re: my theory about Kiyoi’s response to the Persistent Voice:

As for the kiss voice and Kiyoi’s reaction, I too am convinced that was all on purpose. Bl drinks from yaoi manga, which has a treasure trove of visual cues and tropes. If there was a manga version, we’d probably have seen Hira suddenly get wolfy ears and shiny eyes + Kiyoi blushing like a maiden (maybe a fade to black with the dirtiest onomatopoeia known to man) to signal someone’s getting railed within an inch of his life 😂. This is the real life equivalent.

So, yeah. Lots to think about here. I’m glad to know I seemed to be on the right track. It’s funny how there is so much material out there about some tropes and genre terms (googling seme and uke will get you more results than you know what to do with) while other tropes are harder to find anything about. (If only because of the vagaries of search terms, which might be a factor here.) If nothing else I’ll have this post to refer back to and I hope others will do the same if they find it at all useful.

Thanks again to @bookittyboop​ and @nieves-de-sugui​ for their thoughts! And to the illustrious @absolutebl​ for chiming in with praise (for @bookittyboop​) and confirmation.

postscript:

There are a couple of things I keep noticing about that kiss scene since this discussion that I wanted to point out. I guess the fact that, due to both of my reblogs, I had a gifset of the scene at the top of my profile for three days probably has something to do with it.

First, I hadn’t noticed how much Kiyoi really is slipping into a “cute” persona even before the Persistent Voice is used–just in response to Hira’s first kiss. His eyes get very soft and he does that affectionate head-bonk but the pièce de résistance, to my mind, is the rather childlike way he sticks out the end of his tongue. So, yeah. The first stage of cuteness comes before the Voice is even used.

Second, I hadn’t even reckoned with just how floppy Kiyoi gets after the Voice. He’s swaying around so much that Hira keeps having to grab him so he doesn’t just keel over. He’s gone almost boneless.

I guess it’s just really fascinating to me how this set of tropes can be so pervasive in one culture (or at least noteworthy chunks of it) and yet almost entirely novel to me. I mean, I was aware cultural differences existed, of course, but sometimes getting hit by the reality of them is still startling.