Why Do I Have To Format Emails Like Im Writing A Letter To My Fucking Husband On The Frontlines Of The

why do i have to format emails like i’m writing a letter to my fucking husband on the frontlines of the long war. my dearest gregory. it has been too long since i’ve held in my embrace. o, that these travails shall lead us to one another again. my sincerest, fondest thoughts go with you in this, your hour of need. i have attached the requested documents in .pdf format. thanks!

“We were all sad to see Will Graham go. His metaphors were paying for the pinball machine in the crime lab.”

the scene in jennifer’s body where she smears foundation all over her face in a desperate attempt to feel any semblance of normal after her body being violated and taken over by a demon and literally losing her humanity and the only way she can even think to fix it is to cover herself in makeup because that’s how the world wants to see girls and that’s what she’s been taught to do her whole life >>>>>>>>> fight club, american psycho, all marvel, anything by question tarantula ari astor or david fincher, any movie created by a man ever

“I wanted to challenge politically the kissing scene, which traditionally either has the surprise kiss scene thanks to a rain shower for instance, or the obvious kiss scene thanks to mustard on the corner of the lips, for instance, and it is generally carefully scripted as ‘They kiss.’ Or ‘They passionately kiss.’ And then it’s on the actors’ shoulders. It seems to rely a lot on them because it’s their bodies and fluids and interaction, but it shouldn’t be. It’s fake. It’s not about finding the magic. Actors should always be part of the elaboration of an idea, especially with intimate scenes. So I wanted to craft a scene that would embody the sexiness of consent. People who are questioning the idea of asking for consent in France, they do exist. They are brave fighters for the culture of French gallantry who say that asking for consent would not be sexy, it will break the mood. Some of the French critics thought the film lacked flesh, precisely because to them eroticism is about conflict. […] At some point I came up with the idea of them having to unveil their mouths like they would undress themselves. So I put a scarf, justified by a strong wind, pressed on their lips and thinking you would see their heavy breathing through the moving cloth.”

Céline Sciamma on creating a new first kiss

THE MATRIX 1999 – The Wachowskis

“What can one do about melancholic moods? I wonder. I don’t know. They kept me company for so long that they even aged with me. They took me to airports and railway stations. I would have missed them, had they disappeared, yes, I would have; our friends are not necessarily human. (Too human?)”

— — Etel Adnan, from Shifting the Silence