lordschadenfreude - Schadenfreude Reanimated
Schadenfreude Reanimated

22 // Aus // She/They // Queer *Pinned Post Under Construction*

108 posts

Hellcheer And Stobin Are Both Beautiful, Shining Examples Of Queer Platonic Soulmates.

Hellcheer and Stobin are both beautiful, shining examples of queer platonic soulmates.

Except Eddie and Chrissy make out all the time while Steve and Robin kissed one time because of a dare and both immediately started scrubbing their tongues and fake gagging

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More Posts from Lordschadenfreude

1 year ago

that feeling when you get a brand new story idea, but it literally has no plot yet, just vibes>>

That Feeling When You Get A Brand New Story Idea, But It Literally Has No Plot Yet, Just Vibes>>
1 year ago

resisting the urge to ask the people around me to describe how they view me in full excruciating detail and then also explain why they view me like that in full excruciating detail

1 year ago
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1 year ago

In traditional Irish folktales, the elves only understand/respect Gaelic: the English language revolts them, so don’t expect to be winning any of those famous riddle contests or song tournaments in English. I’ve idly considered making one of those memes where it’s like [THE IRISH] *brofist* [THE JEWS] and the point of agreement is “our language is magic,” but the joke would take too much explaining to be funny. A lot of Irish Gaelic is structured around speech and the power of language. There isn’t, for example, a word for “yes” or “no.” In order to answer a direct yes/no question, you have to use a form of the verb that was used to ask the question. So basically, if the question is–say–”did you murder your wife” then there is no way to simply say “Yes, Your Honor” or “No, Your Honor.” Your minimum required effort involves using the verb that was invoked in the question: “I murdered,” or “I didn’t murder.” Of course you can just as easily, in just as few syllables and maybe fewer, change the verb. “I was framed,” maybe. Which is to say that the most basic speech acts in Irish involve constructing a narrative, assenting to others’ narratives or challenging them, and most crucially elaborating on the narratives that have already been established. 

(I chose murder just to be a colorful example, but actually I need to go back to my language reference books and check because I bet this interacts interestingly with the tendency in Irish for the narrator never to be the subject of her own story. You’re always the object, in Irish: you can’t drop a plate, for instance, the plate drops itself at you. You’re not thirsty but a powerful thirst is on you. You didn’t murder that woman but she very well might have gotten murdered in your general vicinity.) You see this lots of other places in the language too. For instance there’s also no word for “hello” or “goodbye.” If you want to greet somebody your required minimum is to cough up a formulaic blessing: Dia duit, God be with you. Here’s the thing. The second person can’t just be like “yup, uh huh. dia duit.” No. The stakes have been raised. The second person’s required minimum answer is now Dia’s muire duit, God and Mary be with you. If a third person joins they have to invoke St. Patrick on top of the two already mentioned. I’m not kidding. At four people you do hit a limit where you’re allowed to just say “God be with all here,” but in the very traditional country pubs it’s an insult to cross the threshold without saying at least that to cover everyone inside. Actually worse than an insult; basically a curse. That’s the burden you bear when you start speaking a magic language.


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