How To Outline: For Beginners To Writing Veterans

How to Outline: For Beginners to Writing Veterans

Let me start out by defining a few things:

Pantsers

These types of writers generally plan out very little before diving into their novels. They might have some ideas, maybe a small outline, but they feel free to take their story in any direction they please. The lack of outlining and planning lends itself to untethered creativity.

Plotters

These types of writers usually have some sort of outline that they follow while writing their novel. They spend some time planning and rewriting their outlines and know what’s going to happen (to an extent). Usually the novel is planned out before they begin writing it, which cuts out the element of surprise for the writer and tends to reduce writer’s block.

There’s no right way to be, but personally I’m a plotter. I probably plot too much. If you’re a pantser and it’s working for you, keep doing it! More power to ya!

However, if you’re looking to experiment with plotting or you just want to learn how to do it, check out these tips below:

Where to Begin:

Skeleton Outline

If you’re looking for a little bit of direction, but don’t feel like/find it necessary to build a huge outline, this is probably what you’re going for. Create an outline that focuses around the main points of your story.

Detailed Outline

A detailed outline usually builds on what you did for the skeleton outline. This adds more detail to the structure of your story and helps focus on fleshing out what’s going to happen throughout the novel. I usually add in some sections about my characters and any sort of world building I might do.

Chapter-by-Chapter Outline

This is literally when you plan out each chapter of your novel. Some might find it unnecessary to get that detailed, but if you have pacing problems or want to cut down on extensive editing, this might work best for you.

How to:

Skeleton Outline

This is essentially the “road map” of your story. Figure out what the conflict is and focus on the beginning, middle, and sometimes the end (a lot of writers aren’t completely sure what their ending will be, but sometimes it helps to have to planned out so you can effectively lead up to it in the story. It could also help with tone issues. Example—if you ending is dark, you might want to set up the audience for that).

For a skeleton outline it helps to focus on story arcs. For example,

·         Stasis

·         Trigger

·         The Quest

·         Surprise

·         Critical Choice

·         Climax

·         Reversal

·         Resolution

Learn more about story arcs here: http://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/

Filling out those story points will help you build a more detailed outline if you choose to do so and will help you focus your story, so it’s not all over the place. If you want to have a clear idea where you’re headed, but don’t want to bog yourself down with the details, a skeleton outline might be best for you.

Detailed Outline

For a detailed outline, you basically just take your skeleton outline and flesh it out. Add to each section of the story arc and drop in more detail. Focus on what scenes will help you get across each main story point.

For example:

Stasis – Amy lives with her mother and her sister in a house that’s nearly falling apart. She’s unhappy with her life and her family doesn’t treat her well.

This is Amy’s everyday life, but you can do more to plan it out before jumping into writing. What’s Amy’s home life like? What does her family do to treat her poorly? What scenes will you explore to show the audience what’s going on.

Maybe Amy’s sister teases her or makes her do all the chores. Maybe Amy’s mom often doesn’t come home or doesn’t take care of her children. Explore these ideas and use them to flesh out your outline. Then, you’ll have some idea what to write when the time comes, instead of just something vague. This could also help you cut down on telling instead of showing.

Chapter-by-Chapter Outline

This takes a lot of time, but from experience, it does help cut down on the editing process, AND it helps you write a synopsis and query letter when or if the time comes. I spent around a month writing my last chapter-by-chapter outline, so I know exactly what I’m going to do when I start writing. I prefer this because I know I won’t get stuck and I’ll be able to get through the draft quickly. If you like to write fast, which I do because I like to keep my excitement for my project up when I’m writing, a chapter-by-chapter outline might work for you.

A chapter-by-chapter outline might be difficult for your first time writing a novel because you might not know how long it should be or what your strengths and weaknesses are as a writer. There’s no right answer for how long a chapter-by-chapter outline should be because only you know how long your chapters usually are or if you have any problems with word count (Is your novel usually too long? Too short?).

Anyway, if you feel like you want to do a chapter-by-chapter outline, I usually do something like this for each chapter:

Chapter 1:

Paragraph or more about what’s happening in the chapter. Think about each chapter as its own tiny story. Each chapter should have a beginning, middle, and end, and should lend itself to the overall story. Think about what the purpose is for each chapter and what information you want to convey to the reader.

Conflict (I tend to write a sentence about what the conflict is in each chapter. If I can’t find any, I know that’s a sign I need to rewrite that section of the outline. There should always be conflict! There should always be something driving the plot forward!)

I also suggest letting your chapter-by-chapter outline sit for a week or so and editing it. I know that sounds like a lot of work, but that will help your catch any plotting, pacing, or conflict problems BEFORE you start writing. If you’re a planner, this will help tremendously.

Additional Notes:

Obviously, some people like editing. They feel that’s when their story really comes together and they love that aspect of it. They like tearing their story apart, starting over, and building something new. That’s perfectly okay! You don’t need to have a detailed outline if that doesn’t work for you.

The reason I focus on planning is because I can look at the bigger picture before I start the draft. I have a clear focus and I know what’s coming next.

Also, there are plenty of ways to write an outline. How I do it isn’t necessarily right, it just works for me. Experiment with it until you find something that makes you feel comfortable.

What I’m really saying is:

There are no rules for writing. Whatever feels right or whatever makes you happy is what you should focus on. If you don’t want an outline, don’t write one. If you’ve been having trouble with writer’s block or the editing process, maybe try it out! Figure out what’s right for you!

Things to Consider When Creating a Fictional Mythology

How many gods and goddesses are there?

How are the gods and goddesses related to each other? How similar are these relationships similar to human ones?

Is there a ‘chief’ god? What makes them the strongest one? Have they always been the strongest?

How much do the gods meddle with human affairs? What motivates them to get involved?

Can humans have kids with gods? What special abilities to these kids have? How are they viewed by society?

Do humans pray, make offerings, or do other things to try to appease the gods?

Do people and/or societies tend to worship one god or goddess at a time, a handful that reflect their interests and priorities, or the whole pantheon? How does this vary between people and cultures? How do people who worship different gods or worship them to different degrees interact?

Which gods are the most widely revered? 

What is the mythology’s creation myth? How does that reflect society’s values?

What traits does the mythology tend to idolize? What does it demonize? Have people’s interpretations of these things changed over time?

Who are the main, famous heroes of this mythology? What makes them so well regarded?

Do gods have different names, personalities, or physical portrayals in different cultures?

Have details about some gods been lost over time?

Do gods and goddesses look like humans? Animals? Something else entirely?

How have various myths been sanitized over time to make them more tame or child friendly? How many different versions of each myth are there?

A curious girl nearly dies rediscovering a mystical world simply because she doesn’t know how to stay put and doesn’t like sweets.

The worse the explanation, the better.

Four teens really hate growing up but really like flowers.

The worse the explanation, the better.

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

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