M-iswriting - I Write Stories Sometimes - Tumblr Blog

Super Antics by Kerry Callen (link to FB):

I’m reading John Adam’s annotated copy of Mary Wollstonecraft’s  Historical and Moral View of the French Revolution, ya know, for like, fun. And it’s hilarious.  I swear he’s almost a caricature of himself. It’s TOO John Adams™  

Like this over-dramatic nonsense  

At first, it’s clear he can’t get over the fact that a chick is writing about POLITICS

He loves to write little sarcastic comments when the language and/or sentiments are Too Optimistic for him

also when Wollstonecraft sly-digs the american revolution

He didn’t think Marie Antoinette was All That (later he says “her beauty was chiefly the fiction of flattery”)

Is a total prude even in his most private thoughts #repressed

But every once in a while shows genuine appreciation for good writing

I think that destroying all van Gogh paintings and other things that rich people value would be a great act.

Credit: Andreaanimates

"Yall got me baking ballistic biscuits!"

Wait for the master.

Sweet duckling 🐥🌸

dialogue/writing prompts - breaking your characters

"I trusted you." "That was your first mistake."

"God, why do you have to be—" "—such a monster? You think I don't know what already?"

"Because I killed them."

insanity creeps slowly

"It wasn't your fault..." "Then whose was it?"

"There has never been a quote more wrong than 'what doesn't kill you makes you stronger'. No—it whittles at your soul until you're living dead."

"I may not have pushed in the blade, but my hands are equally stained in this murder."

"I love you." "I'm sorry."

tears turning to laughter

"You really think you did something? You think you could change me? Because you cannot reverse blood spilled. You cannot yank a knife from a heart and expect it to continue beating."

"...that hurt." "I hope so."

"Who are you?"

"I loved you. I trusted you." "And you deserved it."

"I am insane? Me? Not the one whose—" "—I don't want to hear it!" "—you dared—" "—damn it—" "—I will—" "—stop."

"I can't do this anymore."

MC quite likes the feel of a cold blade on warm flesh

"Do you think living is easier than dying? Living, you have to wake every day and continue no matter what you wish to do. At least Death pushes the pain away."

"Don't do that." "What? Don't sit like that? Breathe like that? Look at me that way? By the time you're done with me, you'll only have another version of yourself. Trimmed and dead inside."

white chrysanthemums mean death and grief

lilies mean innocence after death and loss

poppies mean sleep and oblivion

the full moon symbolizes madness

marigold means pain and grief

mallow means consumed by love

✨James Webb Beauty ✨

Alai Ganuza, My Fridge, 2022 

Oil, 72 x 92 cm 

I write my fics out in Google Docs and then paste the text into Ao3 when I'm ready to post it. Does anyone else have the problem of pasting with italics? If there's a word in italics next to punctuation, Ao3 will add in a space for some reason and it's kind of infuriating.

One of the AO3 translation volunteers (Min) created a Google Docs script to handle issues when copying from a doc into AO3. It’s really easy to use

create a copy of this google doc. It contains the script that will do all of the HTML formatting for you.

Delete all of the text from the document.

Write or paste your fic/chapter into the document.

Go up to the top menu and click the new menu option Post to AO3, then choose Prepare for posting into the HTML editor

Note: because this is an apps script, you’ll need to give it permission to run the first time. 

The script will automatically mark up your document with the required HTML that you can then paste into the AO3 composition window. \o/

To revert your text back to normal, just go back up to that menu and choose Remove HTML. It will look like regular text again. 

Once you have the doc, you can make a new copy of it for each new fic you write and that way you’ll always have that script available when you need it :)

For other cool stuff, read this post from @ao3org - which is where I found this script in the first place ❤

You know that Ada Limón poem where she’s like “i can’t help it i love the way men love”? my dad recently confessed to me that he became a shoemaker because they buried my grandma shoeless

oh.......................................

friends to lovers never had a bad track. “scared i’ll ruin what we have” SLAPS. “friendship cuddles while secretly dying inside” BANGER. “teasing each other and holding eye contact for a little too long” KILLS ME. and don’t even get me STARTED on “screaming i love you in the middle of a heated argument.”

Bruno and his emotional support niece 🦋

‎”THROUGH A RAPIST’S EYES” (PLS TAKE TIME TO READ THIS. it may save a life.) Reblog this!

   It seems that alot of attackers use some tactic to get away with violence. Not many people know how to take care of themselves when faced with such a situation. Everyone should read this especially each n every girl in this world. THOUGHT THIS WAS GOOD INFO TO PASS ALONG… FYI - Through a rapist’s eyes! A group of rapists and date rapists in prison were interviewed on what they look for in a potential victim and here are some interesting facts: 1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets. 2] The second thing men look for is clothing. They will look for women who’s clothing is easy to remove quickly. Many of them carry scissors around to cut clothing. 3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered. 4] The number one place women are abducted from / attacked at is grocery store parking lots. 5] Number two is office parking lots/garages. 6] Number three is public restrooms. 7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they don’t have to worry about getting caught. 8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isn’t worth it because it will be time-consuming. 9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands. 10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys you’re not worth it. ———————————————————————————————————————————- POINTS THAT WE SHOULD REMEMBER: 1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: can’t believe it is so cold out here, we’re in for a bad winter. Now that you’ve seen their faces and could identify them in a line- up, you lose appeal as a target.

  2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said they’d leave a woman alone if she yelled or showed that she would  not be afraid to fight back. Again, they are looking for an EASY target. 3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent. 4] If someone grabs you, you can’t beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh - HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts. 5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guy’s parts it is extremely painful. You might think that you’ll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and he’s out of there. 6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly. 7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, don’t dismiss it, go with your instincts. You may feel little silly at the time, but you’d feel much worse if the guy really was trouble. ——————————————————————————————————————————- FINALLY, PLEASE REMEMBER THESE AS WELL …. I know you are smart enough to know these pointers but there will be some, where you will go “hmm I must remember that” After reading forward it to someone you care about, never hurts to be careful in this crazy world we live in. 1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it. 2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from you…. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION! 3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver won’t see you but everybody else will. This has saved lives. 4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DON’T DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.  

5. A few notes about getting into your car in a parking lot, or parking garage: a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) . b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars. c. Look at the car parked on the driver’s side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)  

6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot). 7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN! 8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked “for help” into his vehicle or with his vehicle, which is when he abducted his next victim.   

Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and it’s better safe than sorry. If u have a heart or compassion reblog this post. ‘Helping hands are better than Praying Lips’ – give us your helping hand.

  REBLOG THIS AND LET EVERY GIRL KNOW ATLEAST PEOPLES WILL KNOW WATS GOIN IN THIS WORLD. So please reblog this….Your one reblog can Help to spread this information. I hope you all will Reblog. Lets See how many of you really care for this.

Georges Bataille

Sad things you can do in a book other than killing of a character

Character death is sad, but it also has huge consequences on your plot that can’t be reversed. Not to mention, depending on your genre, character deaths are often reserved for later in the series as a way of telling the reader that things are getting serious. 

So, until that moment, here’s a quick list of things you can do to tug at your readers emotions: 

1.- Destruction of an item of value. For this to work you’re going to have to set this up early on, it could be a childhood toy they need to sleep at night, a necklace they swear gives them good luck, and old family trinket or any number of things. The important thing is you show just how important it is to the character, make them happy and excited just to talk about it. Later on your character will feel loss and so will the audience. 

2.- Arguing. Two characters with a strong bond arguing can be heartbreaking, even if you know the argument is going to resolve itself eventually, going from cuddles and banter to cold looks and the silent treatment, can easily hurt the audience just as much as the characters. 

3.- Betrayal. When well done, it’s worst than character death. When you as a reader fall head over heels in love with a character, only for them to betray the rest, it’s heartbreaking, especially if when you read back the foreshadowing was there. It was so obvious yet you were all so blind! As blind as the other characters. Also, unlike character death, they’re still there, there to taunt you with their mere existence. 

4.- Failure. We have probably all felt that emptiness, that feeling as the world crumbles around us, haplessness, when we failed an exam in school or just couldn’t get the house clean in time for that visit. Take that feeling and reflect it into your characters, it doesn’t have to be an exam, it can be anything, a task they’re parents asked them to do and they tried their best, a mission, anything. Just let them fail and feel the world crumble. 

5.- Being forced to stay behind. Following from point four, if a character is not good enough they can be left behind, perhaps it comes from a place of love, an attempt to protect them from enemies too strong, yet it still hurts. Perhaps they haven’t failed, perhaps they are left behind for another reason, because they are “too valuable”, or because they’ll be more useful back home. Either way, watching those close to you go of to fight for what you believe in, without you, can be painful. 

6.- Finding out something they believed in was a lie. It can be something relatively insignificant, an assumption they never bothered to question. Or something world shattering. Allow me to offer up an example with an unimportant spoiler from my second book (it’s not even out yet but oh well): in this book, while talking about some law, Henry realises his daughter believes he and her mother were married. This is an assumption Itazu made and never questioned. It affects nothing, nothing changes, yet finding out her mother and her father were not the happy married couple she’d always pictured, it’s painful. 

This could also be something huge, finding out you’re adopted for example. 

7.- History. Oh, history, how depressing it can be. And if you have a fantasy world you have many opportunities to go into this. From slaughters to slavery, finding out how society got to where it is, the base on which it is built. Well, it’s pretty depressing. Obviously be careful how much inspiration you take from real world history and always be respectful and do your research! 

8.- Scarring. An injury can be painful, it can be scary. And depending on what caused it, leave you with traumatising memories. Now add to that a physical visible reminder on your skin you can never remove. Well, that can be pretty horrible. Imagine the scar came from a battle the protagonist longs to forget, but can’t because every night before going to sleep they can’t help but glance at their arm where the nasty scars forever lies. 

As usual,  check out my book, stories I’ve written plus other social medias: here.

This another post I could probably do a part two on someday. Can you think of any books where any of these are done effectively? Do any of these happen in your owns book? Please tell me! I love hearing from you all. 

Writing fight scenes

masterlist. main navigation.

@bluebxlle_writer on Instagram

1. Pacing

A fight scene should be fast-paced and intense. Unless it's a final battle with numerous parties, a fight scene that's too long tends to take away suspense. To speed up your pacing, use active voice to describe movement and don't overdescribe your characters' thoughts. Excessive inner monologue will be unrealistic, as people usually have no room to think during intense combats.

2. Character mannerisms

Here's a point that people often overlook, but is actually super important. Through fight scenes, you should be able to reveal your characters' contrasting mannerisms and personality. A cunning character would play dirty - fighting less and making use of their opponent's weakness more. A violent character would aim to kill. A softer one would only target to disarm their enemies, using weakened attacks. A short-minded character would only rely on force and attack without thinking. This will help readers understand your characters more and decide who to root for.

3. Making use of surroundings

Not only the characters, you also need to consider the setting of your fight scene and use it to your advantage. Is it suitable for fighting, or are there dangerous slopes that make it risky? Are there scattered items that can help your characters fight (e.g. nails, shards of glass, ropes, wooden boards, or cutlery)? Is it a public place where people can easily spot the fight and call the authorities, or is it a private spot where they can fight to the death?

4. Description

The main things that you need to describe in a fight scene are :

• Characters involved in the fight

• How they initiate and dodge attacks

• Fighting styles and any weapons used

• The injuries caused

Be careful to not drag out the description for too long, because it slows down the pace.

5. Raise the stakes

By raising the stakes of the fight, your readers will be more invested in it. Just when they think it's over, introduce another worse conflict that will keep the scene going. Think of your characters' goals and motivations as well. Maybe if the MC didn't win, the world would end! Or maybe, one person in the fight is going all-out, while the other is going easy because they used to be close :"D

6. Injuries

Fights are bound to be dirty and resulting in injuries, so don't let your character walk away unscathed - show the effect of their injuries. For example, someone who had been punched in the jaw has a good chance of passing out, and someone who had been stabbed won't just remove the knife and walk away without any problem. To portray realistic injuries, research well.

7. Drive the plot forward

You don't write fight scenes only to make your characters look cool - every fight needs to have a purpose and drive the plot forward. Maybe they have to fight to improve their fighting skills or escape from somewhere alive. Maybe they need to defeat the enemy in order to obtain an object or retrieve someone who had been kidnapped. The point is, every single fight scene should bring the characters one step closer (or further :D) to the climax.

8. Words to use

• Hand to hand combat :

Crush, smash, lunge, beat, punch, leap, slap, scratch, batter, pummel, whack, slam, dodge, clobber, box, shove, bruise, knock, flick, push, choke, charge, impact

• With weapon :

Swing, slice, brandish, stab, shoot, whip, parry, cut, bump, poke, drive, shock, strap, pelt, plunge, impale, lash, bleed, sting, penetrate

Oh sweet mother that’s useful

Here’s just the template

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my blog if you want to!)

From two years ago: Walk with me. The sun is coming up.

some more domestic fluff prompts

scenarios: 

 lying on the couch on top of eachother, one combing their fingers through the other’s hair as they watch a movie 

 waking their partner up for work when they notice their alarm didn’t go off 

 alternatively: allowing their partner to sleep in because they were overworked anyway and need the rest. 

 one waking up before the other, so they make up their side of the bed and can’t help but tuck in their sleeping lover as they do so. 

 giving the other a spoonful of the meal they’re cooking to test it out, holding their hand under their chin so nothing falls. 

 one is sick, so the other heats up a blanket in the dryer to give it to them while they rest on the couch. 

 listening to music together while they both take the day to clean around the house (maybe even getting a little distracted to dance instead)

 calmly reassuring the other it’s okay when they drop a glass, gently checking their hands for any injury. 

 wiping a bit of frosting (or smth else) off of their cheek while eating and taking it for themself

 smiling across the table when their cheeks are full of food and look quite cute. 

dialogue:

 “can you turn the heat on? i’m getting cold…” 

 “you were talking about that table there being a little…bare, so i got you some flowers to put in it’s space.” 

 “stop singing into the broom and hurry so we can watch this movie!” 

 “you always fall asleep halfway into the episode.” 

 “move your blanket, i wanna lay down on your lap.” 

 “sweetheart, you look cute, but i’m gonna need the sweater.” 

 “i know we had it for dinner last night, but…” *sighs* “the things i do for you.” 

 “did you just put my hoodie in the wash?!” “yeah.” “love, my phone was in there!” 

 “come here, hold my hand.” “you’re washing the dishes.” “..i can do both…” 

 “i hope you don’t mind that i took that painting down, but i thought that picture of us looked a little better…” 

prompts for your parents and teens

scenarios

Parent gently waking their child up for school

Teen having to frantically wake their parent up to drive them to school since they both overslept and are extremely late

making dinner together for the first time

it's the first time their child is away from home for a few days alone and they have to physically restrain themselves from calling/checking in every ten minutes

movie nights

parent picking up their teen from school early for a "doctor's appointment" but takes them out to eat for some bonding time instead

holding their child and comforting their child as they cry

treating their teen every once in a while for the little things to remind them that they're proud of them

it's their first big blowout, and the parent flinches when they hear their child slam their door shut

dialogue

"come on, kid, you're gonna be late!!"

"you're just like your mother..."

"everyone else is going, why can't i?"

"can't you just listen for one second?"

"get as much as you want."

"you're late..."

"i love you so much."

"i support you."

"come, talk to me."

"do you want some time alone?"

"let me help with that...it looks a mess."