marchdancer - Marchdancer
Marchdancer

Lots of ideas in my head Many Fanfictions on my desktop Mostly Anime and Manga stuffLittle time to write them all

781 posts

From Shrek The Third Support Me On PATREON!! Pls

From Shrek The Third Support Me On PATREON!! Pls
From Shrek The Third Support Me On PATREON!! Pls

from Shrek the third 😂💖 Support me on PATREON!! pls 😭

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More Posts from Marchdancer

1 year ago
Oooh Lets Talk About This Panel And More Importantly, The Nishinoya Of It All.

oooh let’s talk about this panel and more importantly, the Nishinoya of it all.

Because this is the chapter where we find out Nishinoya didn’t go pro and in fact is traveling around the world, something I reckon most people were surprised by because Noya’s one of the best liberos, if not the best that we see in canon and if he’d chosen to go pro, he’d undoubtedly be one of the top liberos in the entire world.

But he chooses not to and at first, I was slightly outraged but talent doesn’t mean obligation and while Hinata and Bokuto’s relish their new freedom to play whatever kind of volleyball they want, Nishinoya sets himself free from volleyball itself and discovers the freedom to do other things, which is frankly just as important.


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1 year ago
Duke Sakusa Kiyoomi

duke sakusa kiyoomi 🧛🏻


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1 year ago

“Tactically there were only two ways for infantry to beat cavalry in an open field battle: firepower and mass. Firepower could be provided by swarms of missiles. Mass could be provided by a tightly packed phalanx of men. Such tactics were long-established; the Romans used missile troops such as slingers, and the core infantry learned to deal with swarming enemy cavalrymen by forming a hollow square fenced with a solid hedge of iron pila (large javelins). Alexander the Great combined both methods in his clashes with the Asiatic horseman of Persia and India, screening his central infantry phalanx with slingers, archers and javelin-men, before unleashing his cavalry against the enemy. Both mass and firepower could be aided by a good tactical position, such as on a hill or on rough terrain, where enemy cavalry would have trouble manoeuvring.”

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“Archers, for example, were essential in holding the fast-moving Muslim cavalry at bay—suppressing their firepower, and allowing the armoured knights to mount successful counter-attacks. Pikemen were important in screening the flanks.”

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“Against Saladin's light cavalry at Jaffa (c. 1192) during the Crusades, Richard of England drew up a line of spearmen, kneeling on the ground with spear planted in front, forming an effectual 'hedge of steel' against the charging enemy horsemen. Behind the spear wall, crossbowmen stood ready, with assistants helping to reload. The Muslim armies attacked but the combined firepower of the archers and the steadiness of the wall of spears held.”

Some interesting little morsels I found regarding the role of infantry in battle!

I dread the day I have to do enough research to write a convincing full-scale battle set in the world of ArSen (though there's a good chance that maybe I will never need to). The Parsian army definitely have a reliance on their cavalry, specifically their cavalry charge on open ground but also tactics like feigned retreat or swift raids, where it's hard to envision the infantry playing a large role.

For bigger battles where they are fielding infantry units as well, perhaps they're used to give an initial volley of arrows (firepower, as mentioned above). I'm not sure where the infantry were at Atropatene but I assume behind the cavalry units, with the plan that they would move up to join them once the two sides had met? I did try to check the novels for details but aside from mentioning that the infantry were there, Tanaka didn't elaborate on their involvement. They're obviously separate from the Marzbans and their 10,000 cavalrymen, and I'd love to know how the two work together in terms of tactics and command etc.

There are situations where I could see infantry being better suited. Fortresses probably had a decent amount of infantry stationed there, especially those like Peshawar which were defending a border or access point. To take Peshawar Fortress as an example, there are 20,000 cavalry and 60,000 infantry. And inside Ecbatana before it fell there were 20,000 cavalry and 45,000 infantry (and given that the infantry were slaves you can imagine how fast things turned bad when the slaves revolted). The cavalry are good for sallying out in a charge, but the infantry must be invaluable to help hold a fortress or walled city when it comes under siege.

The Parsian forces that protect the border with Misr are also primarily infantry, and there's good reason for that. Unlike the Kaveri River at the eastern border, the Didjireh River (the Tigris) is shallow and relatively easy to cross; therefore the defensive measures include a wall of fortifications along the banks, which are probably better defended by infantry as a cavalry charge would not be that practical.

Other situations in which I could see the infantry being utilised are when that famed Parsian cavalry charge just isn't possible because of the terrain, or because they are using that terrain to trap the enemy (archers atop the cliffs of a narrow valley, for example). But I really know very little on this subject as a whole, so these are just my thoughts.

I think, because of the heavy reliance on cavalry, it's unlikely that the Parsian infantry used tactics as sophisticated as the Roman infantry squares, though I'm sure they would form up with shields and spears as a wall if they did happen to find themselves facing a cavalry charge from an enemy. And the info above about defending the flanks from attack with spears seems like it could well apply.

It's probably worth reading into Persian infantry specifically. There's some info on historical tactics in general here, and also the sparabara, with the caveat that none of this is going to match up perfectly to the composition of the fictional Parsian army. My partner suggested also looking into the Mamluks in terms of slave soldiers but again it's not going to be directly comparable.


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1 year ago

As requested by @lavender-100, some details about Layla's physical appearance. Some novel spoilers in this post so be warned!

We first meet her in Book 10, where she is a trainee priestess at the Temple of Ashi in the Oxus region. She is initially described as tall, well-proportioned, and wearing women's clothing that is white with blue trim. She is even taller than Farangis (and Farangis herself is described as being taller than average for a woman and a little taller than the average Parsian man). For reference, Layla is about the same height as Narsus.

Layla's hair is short, though no hair colour is mentioned. Her clothing is also short, and her long, slender, tanned arms and legs are exposed to the sun. She has a broad frame and a muscular build, and owing to her strong physique she almost looks like a young boy.

I have some illustrations to share, too!

As Requested By @lavender-100, Some Details About Layla's Physical Appearance. Some Novel Spoilers In

Book 10, Layla versus Namard, illustrated by Yoshitaka Amano.

As Requested By @lavender-100, Some Details About Layla's Physical Appearance. Some Novel Spoilers In

Book 11, Layla versus Alfarid, Kermine in the background. Illustration by Shinobu Tanno. You can see the silver bracelet on Layla's left arm clearly here.

Incidentally, the design of these silver bracelets given to the three girls (Parizad, Fitna and Layla) is described as being engraved with a design of a young man on the back of a bull, stabbing the bull in the head with a short sword. I'm assuming Tanaka drew his inspiration for this from tauroctony scenes.

Anyway, as you can see, in Tanno's illustration Layla's hair is white. It's possible I missed a description of her hair colour somewhere in the novels, but it's definitely not mentioned in Books 10 or 11, so I'd say it's possible this is a stylistic choice by Tanno that is intended to show the effects of Zahhak's blood on her (a form of mind-control). Since Don Ricardo's hair turned completely white after his encounter with Zahhak, I can see why Tanno might have chosen to portray Layla with white hair here, but I'll keep an eye out for actual written descriptions of her hair colours later in the novels just in case it's mentioned.

As Requested By @lavender-100, Some Details About Layla's Physical Appearance. Some Novel Spoilers In

Book 12, illustration by Shinobu Tanno, Tahamenay in the process of throwing herself in front of Gieve's sword in order to protect Layla. Gieve came very close to accidentally killing Tahamenay here but thankfully Isfan's quick reactions saved her life as he deflected Gieve's blade.

As Requested By @lavender-100, Some Details About Layla's Physical Appearance. Some Novel Spoilers In
As Requested By @lavender-100, Some Details About Layla's Physical Appearance. Some Novel Spoilers In

Book 13, another Shinobu Tanno illustration. Layla and Ilterish get to see Zahhak for the first time. The mage is Gazdaham.

The outfit Layla wears in Book 13 is described as completely unadorned, and she's dressed like a man, with only the silver bracelet appearing out of place with her warrior's attire. Even so, it's mentioned that Jalair thinks she is very beautiful.

(In terms of height, Ilterish is about average height for a man, so Layla's actually a bit taller than him.)


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