Does Anyone Want To Be Affiliates / Mains . . Exclusives ?
does anyone want to be affiliates / mains . . exclusives ?
More Posts from Marusekai
¹ .ㅤ‘ via the system of touch ’ . the following is a compilation of action based prompts , originally created by me . warnings applied for : some potential nsfw / suggestive themes . ( additionally : send ‘ + ’ to reverse the roles , and have the receiver be the one to perform the action ) . do not add anything on to these memes .
hands. for your muse to take a hold of my muse’s hand.
tie. for your muse to adjust an article of clothing on my muse.
combat. for our muses to train together in combat.
pin. for your muse to pin mine to ( the ground / the wall / a surface ).
push. for your muse to push mine in a playful manner.
shove. for your muse to shove mine in an aggressive manner.
tend. for your muse to help tend to my muse’s injuries.
trace. for your muse to trace their hand along my muse’s ( skin / scars ).
gag. for your muse to place their hand over my muse’s mouth, to try to keep them quiet.
kiss. for your muse to kiss my muse.
hair. for your muse to brush my muse’s hair from their face.
pull. for your muse to pull my muse close to them.
sit. for your muse to encourage mine to sit and rest.
lap. for your muse to pull my muse onto their lap.
tackle. for your muse to tackle my muse to the ground.
fight. for your muse to physically attack my muse ( by hitting / punching / kicking / etc).
neck. for your muse to place their hand around my muse’s neck.
throat. for your muse to hold something against my muse’s throat.
collapse. for your muse to catch mine, preventing them from falling to the ground.
carry. for your muse to insist on carrying my muse when injured.
warmth. for our muses to seek warmth from each other, after being caught in a ( snow storm / rain shower ).
morning after. for our muses to wake up together the next morning, after having a one night stand.
wake. for your muse to wake mine up by kissing their ( shoulder / neck / lips / etc ).
dance. for your muse to force my muse to dance with them.
drink. for our muses to spend time together whilst drunk.
swim. for our muses to go for a late night swim.
intimacy. for our muses to embrace each other after sex.
death. for your muse to comfort mine after they have lost a loved one.
goodbye. for your muse to hold mine as they lay dying in their arms.
HEROIC INTERVENTION. ( A PROMPT LIST! )
so i was writing this headcanon for one of my characters, and it got me thinking about how some characters are absolutely, to their very core, protectors, and even then they still need protecting! so i made this list which is similar to about five other memes i've made. feel free to add a "reverse" if you so wish! DO NOT ADD TO THIS LIST NOR CLAIM IT AS YOUR OWN. THANK YOU.
FROM THE SENDER TO THE THREAT:
[ TO THE THREAT ]: " is there a problem over here? "
[ TO THE THREAT ]: " can i help you with something? "
[ TO THE THREAT ]: " i think it's time you were leaving. "
[ TO THE THREAT ]: " why don't you and i go outside for a sec? "
[ TO THE THREAT ]: " you wanna tell me why you're hassling my friend? "
[ TO THE THREAT ]: " you better start running before i really get pissed. "
[ TO THE THREAT ]: " i'm sure there's a rational explanation behind you upsetting this person? "
[ TO THE THREAT ]: " i hope you're not thinking of staying here a moment longer. "
[ TO THE THREAT ]: " get out. "
[ TO THE THREAT ]: " right, either you leave or i kick you out. your choice. "
[ TO THE THREAT ]: " i think it's fairly obvious my friend doesn't want anything to do with you, don't you? "
[ TO THE THREAT ]: " leave them alone. now. "
[ TO THE THREAT ]: " didn't you hear them? back off! "
[ TO THE THREAT ]: " don't even think of pretending you didn't hear me the first time: leave! "
FROM THE SENDER TO THE RECEIVER:
[ TO THE RECEIVER ]: " hey, are you okay? "
[ TO THE RECEIVER ]: " don't worry. i'll take care of this. "
[ TO THE RECEIVER ]: " why don't you go on out back? i got this, it's okay. "
[ TO THE RECEIVER ]: " here. you go on into the car, alright? i'm right behind you. "
[ TO THE RECEIVER ]: " is this person bothering you? "
[ TO THE RECEIVER ]: " it's okay. hey, hey… look at me. they're gone. "
[ TO THE RECEIVER ]: " hey… what's going on? what's wrong? i… has this person said something to you? "
[ TO THE RECEIVER ]: " it's alright. the others just went out to the car; why don't you join them? i'll handle this. "
[ TO THE RECEIVER ]: " hey, hey… talk to me, huh? what's the matter? you look like you've seen a ghost… who was that? "
[ TO THE RECEIVER ]: " don't be scared. i'm going to take care of this. i promise. "
[ TO THE RECEIVER ]: " you don't need to say anything. just nod if you want me to kick them out, okay? "
[ TO THE RECEIVER ]: " you're alright. i'm right here, don't worry. and they'll be gone before you can blink, that's another promise. "
ACTIONS:
[ HAND ]: sender, having seen the receiver's encounter with the threat, gently takes the receiver's hand to assure them they aren't alone.
[ INTERVENE ]: sender wordlessly steps in between the receiver and the threat, facing the threat while shielding the receiver from them.
[ BLOCK ]: sender steps in between the receiver and the threat, this time facing the receiver while turning their back to the threat and blocking them from the receiver's line of sight.
[ BACK ]: sender places a protective and gentle hand on the receiver's back, preparing to guide them away from the threat.
[ DOOR ]: sender firmly but politely insists that the threat leave the building, and escorts them out of the door.
[ EXIT ]: sender physically catches hold of the threat and drags them away from the receiver, and outside of the building.
[ PUSH ]: sender places a careful hand on the threat to keep them at arm's length, and steps forward again to give the receiver more space between them and the threat.
[ SHOVE ]: sender runs over and forcefully shoves the threat back and away from the receiver.
[ SPACE ]: sender pushes between the receiver and the threat and begins to move forward, invading the threat's personal space as both a means of intimidation and a way of getting them away from the receiver.
[ DIVERT ]: sender arrives behind the threat and gains their attention, distracting them from the receiver so as to give them time to leave the area.
[ CLEAR ]: the sender firmly and clearly tells the threat that they are no longer allowed in the premises nor anywhere near the receiver.
[ ARM ]: sender wraps a protective arm around the receiver and guides them away from the threat and out of the premises.
[ PUNCH ]: the sender, having seen the receiver's reaction to the threat and the threat's lack of consideration, moves forward and punches the threat in the face.
her forehead is pressed to floor mats, body low to the ground. there’s a tremble in lace before him, silky hair thrown over her shoulder. his presence was unexpected, but he stands before her from the window. “ lord muzan. ” she greets, voice low against the floor.
moonlight shines through , revealing the king of the night . . . “ daki, ” name falls from his lips as sliding door closes. the immediate reaction , crimson hues watch as her forehead meets the floor. uncrossing his legs , he stands & makes his way over to her , right knee drops --- finger lifts her chin upward to meet his gaze. “ i need you to do something for me, ” words chill , he takes a softer . . . sweeter approach. manipulating her into his favor, though doma had created the pair . . . without his consent , they've proven to be of use. continuing this little act of kindness : muzan wishes to fuel her desire to serve him and to eliminate any obstacles . . . big or small.
“ someone is going around taking out demons in this district, ” they've brought in a hashira . . . hindering their business , while also avoiding one another to stay within the shadows and allowing the siblings to go unnoticed “ find them and eliminate the hashira before they can do anything. ”