I'm Going To Buy You The Tools So You Don't Hurt Your Nails.

I'm going to buy you the tools so you don't hurt your nails.

if assad and jacob don't get nominated for Emmy's next year purely based on the fight scene in the 70s I will personally carve their names into the awards myself

To the transmascs's memories, reading this: you're welcome and also I'm sorry. I know how it was/is and I thought that you could find appreciation for this post

ARMAND + masculinity, desirability, and arrested development

Transcript of "Beards" (August 2, 2021) from Not Just the Tudors Podcast, starring host Prof. Suzannah Lipscomb and guest Dr. Eleanor Rycroft

Excerpt from The Vampire Armand (1998) by Anne Rice

The discovery of the statue of Antinous in Delphi, 1893. Author unknown.

Excerpt from Black Hair, Brown Eyes by composission on Archive of Our Own

Screenshot of AMC’s Interview With the Vampire 2x4, “I Want You More Than Anything in the World”

“He looked like a boy, masquerading as a gentleman”: A meta on Amadeo, Venice, The Picture of Dorian Gray, and standing on the cusp of adulthood by @carveredlunds

no one talks abt how louis must have been dumbfounded when mister “you must not do this interview again for absolutely no reason this man is evil and will ruin everything” started wearing the sluuuuuuutiest skimpiest little outfits as soon as daniel arrived in dubai

I might be stupid for figuring it out just now but hear me out:

“No one has painted me in fourth hundred years”. With the general context it would make sense Armand would mention it, give Louis a part of his history perhaps in an attempt to detach from it, that is. The painting had been concrete evidence of who he was and Louis couldn’t easily discard it. Yet again Armand is being of service by giving Louis the answer to his question: “Who are you?” However, the line first line I mentioned coming right after “Who am I, Louis…. I do not know anymore” has just become more interesting to me, mainly because it reveals a crucial part of Armand’s character. Despite the fairly obvious fact that Armand is communicating here, that he hasn’t been around his maker and the human/innocent version of himself for centuries in order to be painted again, the statement is also a matter of perception. No one had painted him in so long, no one had shown him their versions of himself in so long that he could no longer be what others wanted him to because he simply didn’t know what that was. All Armand has done in his life is serve someone or a purpose that someone has presented to him so he never actually figured out who he was. He just wanted to be the object of admiration for others, he just wanted to be loved so badly that he would do anything, be anyone. They gave him the role of a ruthless coven leader, he became one. Louis wanted a cunning and gentle companion as not to think of Lestat and his chaos, he played the part. He embodied the roles until he could no longer survive outside of them, almost like a defence mechanism. He couldn’t possibly drop the facade, if his life depended on it, because he couldn’t stay with himself when he was just a stranger. He didn’t like the unknown, he couldn’t handle the lack of familiarity, of control.

if you think about it armand's memory wiping power opens up insane possibilities because devil's minion era could've happened at any time?? like they could've had a fight 45 min before the beginning of s1 and armand just ctrl+a+delete'd everything before daniel went to get the mail

they could've been speedrunning devil's minion era DURING the interview with daily memory wipes who knows?? not daniel

a friend of mine told me it has the potential of those sped up vids of cats chaotically making biscuits to the avant-garde jazz or classic orchestral music

which is

fair