Bring Back Etiquette Manuals. What's Expected Of Me As A Writer At A Dialogue Recording Session? Should

Bring back etiquette manuals. What's expected of me as a writer at a dialogue recording session? Should I speak only when spoken to? Bring biscuits for the cast and crew? Consult Debrett's!

WE DO IT ALL AGAIN X3 TOMORROW BAYBEEEE

I Need A Miracle:

Recording day 1

Pulled my usual stunt: gave myself way too much contingency travel time and got to the studio (or the nearest tube, anyway) over an hour early. Currently sitting in a cafe between the tube and the studio consuming black coffees and distracting myself by blogging and by thinking about topics I could speak about that would be useful or interesting to small business owners (an ask from Dad). Oh ever-growing to-do list, you are a boon in times like these of twiddling thumbs and tapping toes.

I like the ceiling roses in this cafe. Wonder what the building was before?

Soon as I saw that Apple Music lists HIT ME HARD AND SOFT under Electronica, I knew I was going to FEAST

Doctor Who The Devil’s Chord

At the end of this episode, in response to a missed Act Under Pressure move, I asked the players to describe "an extremely short, extremely stupid car chase" that wouldn't be out of a place in a British black comedy – and what they came up with cracked me up

Anyway here's the stupid car chase from Knives Out, which isn't British but is one of the best:

Now playing in the Main House

Act Two of Four: The owner of the severed arm is in town hoping to witness something earth-shattering.

Coming next on 28 May – Mick, the Mundane Chosen (Vigil Backstage)

Programme notes

This production includes a natural disaster, fantasy violence, blood, and dismemberment (the dismemberment is not bloody).

Nominations are open for the CRIT Awards 2024!

In case you’d like to nominate us but you’re not sure what we’ve done that’s eligible, here’s a post that lists it all, along with any links you’ll need for your nominations.

Dramatis personae and other definitions

Mick Mason: Sherrydown’s favourite builder and bricklayer. His life has been getting weirder since he dug too deep and hit a leyline.

Melody Bantham: The owner of Melodies, the cosy cafe and vinyl shop on Market Street. Melody is an ageless patchwork person animated by music, who fled her creator ages ago and has owned a music shop on this spot ever since.

Brier: A mischievous shapeshifting púca, the fae guardian of Sherrydown’s Rosebrier Forest.

Department of Omissions (DO, DoOm): The UK government department tasked with preventing harm to citizens from supernatural phenomena. Severely defunded under Tory austerity policies and currently prioritising major urban population centres.

Sherrydown, Brackshire: A historic English market town. One of the first towns to lose its DoOm office.

Omission effect: The rejection of certain beings and phenomena by long-term memory. Can be suppressed by concentration, mnemonic techniques, hypnosis, trauma, or the light of the full moon.

Credits

COMPERE: Matt Boothman

STARRING:

Dave as Mick Mason, the Mundane

Helen Stratton as Melody Bantham, the Constructed

Strat as Brier, the Monstrous

ROLEPLAYING GAME SYSTEM: Monster of the Week, designed by Michael Sands

MUSIC BY: Alexander Pankhurst

SOUND DESIGN BY: Matt Boothman

SFX AND INCIDENTAL MUSIC INCLUDES: Ritual by Kevin MacLeod; and may include others made available to use without attribution.

EDITED AND PRODUCED BY: Matt Boothman

I've spent today sitting on a plush sofa and being moved by actors finding meaning I didn't know was there in words I wrote. I've heard flaming hubris in a monologue I thought was sad and tragic. Comedy in a script I thought would make parents of small children cry. I've eaten Krispy Kreme and given one (1) note and that was a brilliant day's work.

And now I'm heading home a couple of pints deep after drinks with the crew (and our final act of the day), where we mooted probably 100 more new projects that are gonna be artistically amazing and make us friends and maybe even money

Sarah Golding (you know Sarah Golding right?) yes that Sarah Golding has a way of drawing all your back burner ideas and ambitions out and making them seem achievable

Audio drama world is best world, audio drama people are best people

I Need A Miracle:

Recording day 1

Pulled my usual stunt: gave myself way too much contingency travel time and got to the studio (or the nearest tube, anyway) over an hour early. Currently sitting in a cafe between the tube and the studio consuming black coffees and distracting myself by blogging and by thinking about topics I could speak about that would be useful or interesting to small business owners (an ask from Dad). Oh ever-growing to-do list, you are a boon in times like these of twiddling thumbs and tapping toes.

I like the ceiling roses in this cafe. Wonder what the building was before?