mixdoesstuff - Mix does stuff
Mix does stuff

Main tumblr accnt. mostly reblogs, story and character concepts.

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How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly

How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)

AAAA THANK YOU!!

I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)

How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly
How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly
How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly
How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly

But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!

for example, a panel where the contrast between big and subtle expressions sells the contrast:

How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly

I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.

some misc expression tips:

Definitely prioritize eyebrows, eyes, and mouths!

Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!

Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!

Just subtly changing the placement of eyelids and location/size of irises can completely change an expression

Don’t be afraid to make your characters look weird or stupid.

Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA

Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.

some expressions I’ve done that have varying levels of nuance:

How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly
How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly

Also framing!! You can use the composition to help project how the character feels:

How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly

As for body language!

Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot

Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.

Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful

Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.

How Did You Get So Good At Drawing Such Expressive Bodies/faces??? Tell Me Your Secrets!! (But Srsly

Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.

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The curtains were blue because everything in the room was carefully colour coordinated, reinforcing the character’s stylish and controlled characterisation. The curtains were blue because everything in the room was a different colour, reinforcing the character’s eclectic and globe-trotting personality. The curtains were blue because the character is elsewhere established to hate the colour blue, subtextually implying that their deceased spouse was responsible for that decoration choice.

The curtains were blue because throughout their filmography the director consistently uses cool tones to mark moments of distance between characters. The curtains were blue to tie the events in that room into the broader oceanic motif of this particular novel. The curtains were blue because the assonance evoked a contrast with the following stanza of the poem.

Even the curtains looked expensive: floor to ceiling velvet drapes, in a flawless royal blue. She tucked the saucer up on the windowsill and tied back faded blue curtains with a loop of string. The narrow blinds were the same navy blue as the pinstripe suit of the man who served eviction notice that sent them to this office.

The curtains were blue because the author’s childhood home had blue curtains, which they discussed in their letters related to their feelings of comfort in that place. The curtains were blue because the author’s childhood home had blue curtains, which they discussed in their letters related to their feelings of grief in that place.

The curtains were blue as an allusion to the contemporary joke about literary criticism, an extension of the author’s autocritical approach that will be further discussed in section seven.

The curtains were red, as a pun on;

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I

I recently saw a post about how tumblr is the best platform for crypto to grow. Specifically NFTs and the web 3 communities behind them.. I agree. Tumblr is known for being home to some of the most amazing communities. There was a time were outsiders dominated this space and made it their own and still do.

The crypto community in its nature is everything that tumblr communities were back in the day.. the biggest difference here is power. Crypto has the power to give communities real power. Bigger than being famous is having the resources to grow and protect value. I never really had my tumblr era because to do that you have to know your people. I didn’t know who I wanted my people to be back then.

Now I do. People that are not scared to dream and change the world. People that take risks and believe in the power of community. People that understand the importance of a decentralized future where we have a say on where we are heading.

I want to build with tumblr to change the future of a great company.

I think this is going to be my tech era through and through and I love that we are choosing tumblr for this adventure. The platform is too cool to die ❤️

My first Music NFT will also be posted here as I continue to grow as an Independent artist. Alte Island, the web 3 project I have been working on is also going to have a big presence on this platform. I’m so freaking excited 🙃

I hope I find all my people and they find me. I’m ready for the moon 🌖

SHOW ME YOUR ART!!! SHOW ME YOUR PROJECT!! let’s open the floodgates ❤️🥹

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