Unfortunately I Have Big Sad Eyes And People Keep Telling Me Their Life Story.

unfortunately i have big sad eyes and people keep telling me their life story.

one moment nesta is looking at her younger sister’s face, the depths of her lovely eyes suddenly cavernous. the next her vision goes black. just like that her body is no longer her own, and instinct tells her to fight, to kick and thrash her way back to herself, but a voice stops her. elain’s voice - almost. as much as she wants to cave to her instinct, she can’t. instead she leans into the strange merging of their powers as she had once leaned into her own, and her vision tunnels, transporting her to a foreign land; one far away from the safety of velaris, where their bodies remain.

the eldest sister takes a steadying breath and is filled with a knowing that they’re close to finding what they seek. "east…” she hears her voice - almost. “it's east of here...”

@moondevoured : you are here, you are here, you're still right here.

for a few moments elain can still feel nesta. it was comforting: that presence — her older sister's hands on her arm, brushing the hair from her face. but then, she is gone; following her mind elsewhere. not that she had much of a choice. when elain finally speaks, her voice is not her own. or, it is in part, but there's a difference. because nesta has taken her sister's hands and it's almost as if… the two have combined somehow. their voices, their powers. the vision elain sees has grown stronger than she's ever seen one. "don't let go." a command from the part of her sister's soul that has always been the leader. nesta, the first born, directing them both. "i can see better with you. i can see it all."

vampires of el norte by isabel cañas

today has been one annoyance after the other but on the plus side look at my boy.

@nessianweek | Day Seven: Free Day

And for the free day, I wanted a third perspective on what Nesta and Cassian might be like behind closed doors (I really loved this prompt as you can see). Who wouldn’t kneel before Nesta Archeron, right? I feel you, Cassian, I feel you.

As always, I can’t thank Pablo enough for being such a kind person and creating such incredible artwork.

Art by: Pablo Souza (pablochmn)

Commissioned by: @podemechamardek

🚫 Please do not repost.

KNOCK - KNOCK PROMPTS.

listen i recently became obsessed with the amount of television shows that have a mystery person knocking on the protagonist's door as a major finale cliffhanger, and it got me thinking, and now we have this list that a few immensely talented people helped me with! that said, we know the drill by now. DO NOT ADD TO THIS LIST OR CLAIM IT AS YOUR OWN! IF YOU HAVE IDEAS FOR MORE PROMPTS SEND THEM TO ME AND I WILL ADD THEM!

[ KISS ]: sender shows up at the receiver's door and impulsively pulls them in for a passionate kiss that punctuates a lengthy slow-burn between the two.

[ WOUNDED ]: sender arrives at the receiver's door with considerable injuries, in dire need of help and emergency care that only the receiver is either trusted enough or convenient enough to provide.

[ TEARS ]: sender shows up at the receiver's door in tears and in need of comfort after a long day (or week, or month…)

[ DEFEATED ]: sender arrives at the receiver's door after having lost a considerably important battle (metaphorical or literal) and needing a place to recuperate from the loss.

[ FUGITIVE ]: sender, having just become a fugitive from the law, runs to the receiver's home in the hopes of finding shelter and safety with them.

[ GIFTS ]: sender arrives at the receiver's house with gifts for the homeowner themselves.

[ APOLOGY ]: sender goes to the receiver's house to apologize to them for a past wrong-doing (specify if you wish!)

[ DATE ]: sender arrives at the receiver's house to take them on a romantic date.

[ HANG OUT ]: sender arrives at the receiver's house to hang out with them for the day.

[ GO OUT ]: sender heads to the receiver's house to take them out for a day of fun/relaxation.

[ COLLECT ]: sender shows up at the receiver's house to collect something that the receiver has either purchased for them or borrowed from them.

[ DELIVER ]: sender shows up at the receiver's house to deliver something to them that either the sender borrowed or the receiver requested from them.

[ CONFRONT ]: sender goes to the receiver's house to confront them about an on-going problem between the two of them.

[ FAVOR ]: sender goes to the receiver's house to ask them for a favour.

[ RECRUIT ]: sender goes to the receiver's house to recruit them for an upcoming task that the sender is unable to do alone.

[ ROOMIE ]: sender goes to the receiver's house to move in with them.

[ COMFORT ]: sender goes to the receiver's house to comfort them after the receiver has a difficult time or experiences a significantly difficult event.

[ HELP ]: sender goes to the receiver's house to help them with something that the receiver is either procrastinating or unable to accomplish on their own.

[ LEISURE ]: sender goes to the receiver's house for a movie night or a game night.

[ WARN ]: sender goes to the receiver's house to warn them against doing something that they suspect the receiver is preparing to do.

[ THREATEN ]: sender goes to the receiver's house in order to threaten them.

[ REUNITE ]: sender returns to the receiver's house after having been away for a while, intending to reunite with them.

[ GOODBYE ]: sender goes to the receiver's house to say a final farewell after learning they're due to leave town, possibly for good.

[ SECRET ]: sender sneaks out to the receiver's house to meet with them in secret.

[ BAD NEWS ]: sender arrives at the receiver's doorstep to deliver some bad news to them (SPECIFY THE NEWS).

[ PARTY ]: sender arrives at the receiver's house to attend a party that the receiver is hosting.

[ NEIGHBOUR ]: sender, having just moved in next door, arrives at the receiver's house to introduce themselves.

[ ENGINE ]: sender's car breaks down in the same street that the receiver lives on, leading the sender to knock on their door to ask for help.

[ PRETEND ]: sender knocks on the receiver's door to ask them to pretend to know them for the sake of a cover story.

[ VISIT ]: sender goes to the receiver's house for a casual visit.