nfnsng - No Fear, No Shame, No Guilt
No Fear, No Shame, No Guilt

A lofty goal, not a current state.

804 posts

My Mentor And Biggest Fan, Don King Of King's Recording Studio. Don Hired Me On As An Apprentice When

My Mentor And Biggest Fan, Don King Of King's Recording Studio. Don Hired Me On As An Apprentice When

My mentor and biggest fan, Don King of King's Recording Studio. Don hired me on as an apprentice when I was 12 years old. I worked in his studio until his death in 1972. He was perhaps the finest man I have ever known. More of a father to me than my father was. He believed in me. ~ Trabue Gentry

  • joe-brady
    joe-brady liked this · 11 years ago

More Posts from Nfnsng

11 years ago

reblog if its completely ok to see a therapist

this guy at my school thinks that only ‘crazy psychos’ see therapists, and anybody who does get a therapist is crazy. reblog, so I can show him how wrong he is.

11 years ago

Hi, Renata. Thank you so much for the follow. I really appreciate it. I hope you take the time to skim through my blog and give me some feedback. Oh, and feel free to ask me anything, though I will probably bore you to death w my answers :-). ~ Trabue

Nice to meet you, dear Trabue! I hope we can be good friends, I just checked your blog and I really like it…it is very interesting! ❥

11 years ago
One Of Several Smoking Pipes I Decorated W Brass Inlay And Plaster Relief. Age 18. Circa 1968. ~ Trabue
One Of Several Smoking Pipes I Decorated W Brass Inlay And Plaster Relief. Age 18. Circa 1968. ~ Trabue
One Of Several Smoking Pipes I Decorated W Brass Inlay And Plaster Relief. Age 18. Circa 1968. ~ Trabue

One of several smoking pipes I decorated w brass inlay and plaster relief. Age 18. Circa 1968. ~ Trabue Gentry


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11 years ago
nfnsng - No Fear, No Shame, No Guilt
11 years ago
A Bit Of Darkroom Darkroom Fun. I Know, Who W A Darkroom Hasn't Done This? Nevertheless, The Cliche Doesn't

A bit of darkroom darkroom fun. I know, who w a darkroom hasn't done this? Nevertheless, the cliche doesn't negate the simplistic beauty of this fairly primitive technique. For those who don't know, this image was made by holding a carnation on an unexposed sheet of black and white photographic print paper, turning on the darkroom light briefly, then developing the paper. It's a hit and miss process as far as length of exposure and development is concerned. Yes, those are my fingers holding the carnation. Circa 1981 ~ Trabue Gentry


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