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Two Up, Two Down

Two up, two down

We talk about Potter as a timeless series, as quills and parchment will never date, but there are a few key elements which are of their time, and I sometimes suspect that eventually, their original meaning may be lost.

Snape’s house in Spinner’s End is one of these. If you visit Surrey, a house akin to Number 4 on Privet Drive can be found on hundreds of identical estates. Indeed, the three-bedroom house with a garage, and both front and back gardens, situated on a private housing estate in leafy surburbia is one that most British people will have strolled through at some point.

But Snape’s house in Spinner’s End is the opposite of the Dursleys’ aspirational abode, and is somewhere that few modern readers will have seen in its original form with their own eyes. Snape’s house in Spinner’s End is a traditional two up, two down through terraced house, mired deep in a maze of identical cobbled streets, overlooked by a looming mill chimney, and seemingly – by the 90s – entirely abandoned.

The difficulty that some may have in accurately picturing this scene is because these houses, in this state, no longer exist. A large percentage of two up, two down terraces were demolished as part of slum clearance, which should tell you all that you need to know about the state of the houses.

Those which remained have been extensively modified – usually knocking down the privy (outside toilet), and then building a two storey extension across the bulk of the yard to create a third room downstairs, and a bathroom upstairs. Some houses only have a single extension; it is rather common in some areas of the Midlands to have a bathroom that leads off the kitchen downstairs – because the bathroom was the missing room, and it was cheaper to build one storey than two.

Pottermore had an article earlier in the year which explained how the filmmakers originally wanted to film on location, but could not, because the houses simply did not exist in their traditional state.

The houses were typically constructed with two rooms downstairs and two rooms upstairs with a tiny backyard entry leading to the outhouse. Craig actually considered shooting on location, but even though the buildings were intact, they had been brought into the modern era, with up-to-date kitchens and plastic extensions, so the set was built at the studio.

Throughout the 20th century, cobbled streets were routinely replaced by various other road surfaces, namely tarmac and asphalt – and, of course, the scarcity of cobblestones now means that such streets are aesthetically desirable. However, the cobblestones in Spinner’s End are not an indication of affluence, but an indication of an area left behind. This is further illustrated by the rusted railings, the broken streetlights, and the boarded up windows.

These were workers houses, often funded by the owners of the mill, and therefore tied – meaning that rent was deducted from your wage before you received it. There were benefits to being in tied accommodation, including being close to work and having a guaranteed landlord – but that was as much benefit to the mill owner as the worker. Seeing great competition, some mill owners invested in their properties to entice workers – but Spinner’s End is not an example of this; Spinner’s End would’ve been regarded as little better than a slum even when fully occupied.

The narrow streets are indicative of when these houses were built, presumably in the late 1800s – cars were not a concern, and the attitude was to build as many houses on as small a piece of land as possible.

By the time the 90s roll around, and we see Narcissa and Bellatrix descend upon the street, Spinner’s End appears to be mostly deserted. With the closure of traditional manual industries, families would be keen to relocate to where work could be found. Estates which hadn’t already been cleared by the 60s would find themselves left to rack and ruin, their former occupants long gone – whether seeking a new life elsewhere, or having died.

For once, Bellatrix is not being anti-Muggle when she sneers at the Muggle dunghill; she is unnervingly accurate. It is a slum by her standards, but most importantly, it was a slum by everyone else’s standards as well. By the time Severus was born, work should’ve been well under way to clear the area, or to renovate it. This evidently did not occur – which itself explains how undesirable the area is; nobody wanted to spruce it up - they wanted to leave. There were no jobs, no amenities, no services – and eventually, no people.

We often ponder why Snape remains at Spinner’s End, but perhaps there lies the answer; he wasn’t just hiding from the magical world, but he was also hiding from the Muggle world as well…

Two Up, Two Down

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