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Part Seven Of How About A Nuke Is Up!
Part seven of How About a Nuke is up!
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More Posts from Not-neverland06
The way this chapter made sobđ it got me so emotional and the hallucination was the cherry on top for međ I had to take breaks from in between reading from how much I was cryingđ
You know whatâs funny is how many messages/comments Iâve received talking about how this chapter made them cry
I thought it was funny lmao, like, I was legitimately laughing writing this one bc heâs such a dick and I thought that would be everyoneâs reaction
I didnât mean to cause mental anguish but Iâm loving it lol
Part eight should be posted within the hour!
The final part of How About a Nuke is now posted!
How About a Nuke?
Part VII / Part VIII / Part IX
Series Masterlist
The ghoul x fem!reader A/N: PLEASE READ, this will be one of my darker chapters. Iâm really sick right now, I have a bad fever, and when Iâm sick I tend to write darker things. Iâm not sure why, just keep that in mind while you read. Summary: You wake up alone surrounded by people with strange smiles and empty gazes. Youâve been left behind and you donât know if youâll be able to make it out of the compound alive.


You shift on the thin fabric of the cot and rub at your eyes. Theyâre crusted over with evidence that youâve been sleeping for a lot longer than you meant to. You shoot up in the bed, panic flaring in you, and look around the room. He isnât here, neither is his bag. The chair heâd been sitting in is still at the side of your bed, but no other evidence of him having been here.Â
You throw your legs over the side of the cot and rip the IV out of your arm. You press your thumb down over the bubble of blood and walk towards the doorway of the room. The lights are out in the compound. You can tell from the window in the hall that it's night now, dim candles are lit along the hallway but thereâs no other light.Â
âCooper?â You whisper, afraid to wake whoever lives on this floor. You look down each end of the hallway but you donât see his silhouette or hear his spurs coming towards you. You can feel yourself starting to freak out the longer you stand alone in the dark hallway.Â
With only a thin gown on and no weapons to protect yourself, you duck back in the room and lock the door. Youâre sure thereâs a reasonable explanation for where he is. He promised he would be here when you woke up. Maybe theyâd just given him a different room.Â
Though, youâre still frightened, you let yourself fall back onto the cot. Youâre still exhausted, despite how much sleep youâve already gotten. This is the first time in a while that youâre clean, not sleeping under the stars, and you donât have to worry about radroaches gnawing on you. You donât have enough adrenaline to keep you upright and find yourself slipping back into a dreamless sleep.Â

The doorknob rattles and you jump out of bed. Without much thought you rip the door open, assuming Cooper would be on the other side. Instead a woman with bright red hair and an eerie smile looms over you. Sheâs startling tall, taller than anyone youâd encountered so far in the Wastelands.Â
You stumble back as she advances, two armed men flocking her. âWhereâs Cooper?â You demand, eyes darting around to try and find something you can use against her. Youâre woefully unarmed in the room. Besides throwing a chair at her you canât find anything to defend yourself with.Â
âWho?â She asks, moving to take a seat in the chair heâd been occupying. You keep yourself backed in the corner of the room. Your eyes dart between her and her men but they seem completely at ease, the pistols on their hips going ignored.Â
You glare at her, âYou know who. The man I came here with.â
âOh,â she laughed, the sound made your hair stand on end. There was nothing outwardly wrong with this woman, nothing you could point out anyway. Maybe it was the unusual length of her smile, or the lack of anything real behind her eyes, but you felt deeply uncomfortable around her. âThe ghoul,â the word rolled off her tongue with a clear distaste. She sighed and shook her head, standing back up.Â
She turned towards the door and looked back at you. âJoin me.â It clearly wasnât a question, not with the way her guards grabbed you by the arms and shoved you forward. You stumbled, bare feet tripping on the uneven tiled floors.Â
She made her way down the hall, not once looking back to make sure you followed. It was clearly assumed that you would just obey. Despite how much you didnât want to, you figured you would have a better chance of living through the next hour if you didnât test the men with guns.Â
You kept one arm around your abdomen, the raw wound aching. It wasnât burning or itching like yesterday, but your skin was so sensitive it felt as though your stomach might fall through the stitches. âLights,â she started, causing you to nearly jump out of your skin at the abrupt noise. Your eyes kept darting around the hallway, like someone was going to jump you any second.Â
âRunning water,â she continued, âagriculture. We have a steady supply of Radaway, meds, food. We are very fortunate here at the compound.â
âIâm sure,â you muttered. You passed by a room and she came to a stop. You glanced through the window of the room, little kids surrounded by pregnant women stared up at a man teaching them something on a chalkboard. You moved a little closer and frowned when you saw the diagram of a man and womanâs anatomy on the board.Â
These kids were barely walking and they were already learning about the birds and bees?
You glanced up at the giant woman and shuddered, she had a predatory look on her face while she looked at the babies. What backwards hellhole did Cooper drag you into?
âWeâre much luckier than other surface dwellers, our children no longer have to worry about fighting to survive.â A woman rolled past you in a rusted wheelchair, her belly practically bursting through her white gown, three men flocked her, their eyes straying towards you. You glanced from her and back to the window of the room.Â
Was every woman here pregnant?
Feeling like a rat trapped in a cage you looked up at the red haired woman with trepidation. âWhereâs Cooper?â
She smiled, the corners of her lips stretching too far across her cheeks to look real. âYou no longer need to concern yourself with him. Your keeper has given you to the compound.â She kept talking but you couldnât hear anything past the high pitched ringing in your ears.Â
The room seemed to spin and you found yourself leaning on the wall for support.Â
Cooper left you.Â
A heavy hand landed on your shoulder and you flinched. You fought the burning feeling building behind your eyes and glared up at the woman. âWeâll finish the tour later. You seem to still be feeling unwell.â She looked to the men behind her and nodded, âTake her back.â
You didnât get a chance to argue before theyâd looped their arms through yours and were dragging you back down the hallway. They didnât throw you in the room like youâd expected. If anything they seemed to be treating you gently.Â
They laid you in the cot, propping you against the pillows and leaving without another word. You sat there stunned for a long time. You stared up at the cracked ceiling, surprised you werenât freaking out more. Maybe it was shock, or whatever drugs theyâd given you were keeping you numb.Â
The most likely reason, though, was that deep down youâd never fully let yourself trust Cooper. That was what he had been drilling in your head this whole damn time. No one was to be trusted, not even him.Â
You couldnât be mad at him because it was your own damn fault for getting stabbed. You should have just let it get him, would have saved you a whole heap of problems. You throw the blankets off and get up.Â
Youâre not just gonna sit here and wallow the whole time. You got yourself stuck here, youâd get yourself out. You approach the door, fully expecting them to have locked you inside, but it pulls open without a problem. They must really not think youâre a threat. Not like you could blame them, youâd been half dead when you were dragged here.Â
You creep down the hallway, going the opposite way the woman had been leading you this time. You round the corner, slamming into a little girl and and a man. You jump back, heart in your throat, but they donât do anything except give you a smile and continue on.Â
You suppose thereâs nothing to suspect about you. Youâre dressed like everyone here, in a gauzy white nightgown that goes to your ankles. You donât have any weapons on you. If you act natural, youâre sure you can just blend in.Â
You pass by another windowed room and risk a peek. You immediately wish you hadnât. The woman on the wheelchair from earlier is squatting on the floor, holding onto the arms of a man. Her face is red and her hair is plastered to her head. She lets out a loud groan and another man removes his arms from under her gown, something small and wrinkly in his hands.Â
He carries the baby to a table, weighing it, cleaning its face off and then hands it to her. You turn away, debating whether or not you should keep watching or just move on. This is incredibly intimate, a mother holding her newborn for the first time. But something about this whole place is off, thereâs a deep feeling of instinctual fear in your gut that is leaving you on edge.Â
You can make out muffled conversation from the room and peer back in. She smiles at the man holding her and he nods. She leans down and presses a long kiss to her babyâs forehead. The man whoâd been observing this whole ordeal with a blank face steps up. He presses a pillow to the side of her head and then a gun. You stumble away from the window just as he pulls the trigger.Â
The sound is muffled by the pillow, but the baby still cries as its mother goes limp. One of the men catches her body before she can fall, passing the baby off. One of them leaves with the kid, the other two collect her body and carry her out behind him. You make a run for it before they can spot you, the image of her blood spraying across the floor permanently burned into your brain.Â
You donât even bother trying to come up with a reasonable excuse for what you just saw. There isnât one, thereâs nothing that could explain what you just witnessed away. And Cooper had given you to these people.Â
You could feel the rage building in you now.Â

He stared down at the fire, the only sounds were the distant noises of bugs and the crackling of the burning logs. He felt odd, unsure of how to put it. It was quiet, despite the noises of the forest, everything seemed still to him.Â
He glanced across the fire, expecting to see her there, surprised to find himself a little upset when she wasnât. Itâs not like he could be blamed for missing the company. Being on his own for over two hundred years was hard enough. Being on his own after having her around seemed worse somehow.Â
Loneliness was easier when you forgot what you were missing.Â
He shifted around but no matter how he moved he couldnât get comfortable. The discomfort wasnât something physical, it was a restless feeling brewing under his skin. Poking and prodding him until it couldnât be ignored.Â
Leaving her had felt like a smart choice. It seemed like the right thing to do. The compound should be safe enough. Then again, all he really knew about it was that it was only slightly more civilized than the rest of the Wastelands.Â
He sighed and leaned back against the old wreckage he had propped himself against. He wouldnât have shelter tonight, it was rare to find any that wasn't overrun by radroaches out in the sands anyway. With the light from the fire he couldnât see much. But he could make out the old billboard across from him.Â
It was the one sheâd always hated and he loved. She was in that skimpy astronaut suit riding a rocket with a Nuka-Cola in her hand. Heâs constantly bombarded by his Vault Boy posters. Seeing her shouldnât bother him. Itâs not like itâs the first time heâs ever seen one of her ads out here, anyway.Â
But it hurts him in a way it hadnât before. Now he knew that sheâd never left him, that sheâd been screwed by the same company that ruined his life. He sighed and ran a hand over his rough cheeks. âYouâve got to be fucking kidding me,â he shouldnât be considering this.Â
He should just leave it be, leave her be. But he canât. Once heâs got his teeth dug into something, itâs nearly impossible to let it go.Â

You should have been paying better attention to where you were running, but all you could see was that womanâs lifeless body clutching her crying baby to her chest. You stumbled through a door, racing down the stairs until you were sure you were at the bottom floor.Â
You burst through the door, wincing at the bright sunlight that shone down on you. You heard the sound of laughter and childrenâs voices as they screamed and ran past you. You jumped out of their way, watching as they chased each other.Â
You glanced around, confused and disoriented, trying to figure out where you were. It mustâve been the back of the compound, beyond the different crops and gardens you couldnât see anything but a radiated ocean. It was the same odd blue the lake Cooper had taken you to had been.Â
Men in dirtied clothes were bent over different crops and vegetables, digging around in them and pulling out ripe foods. Some older children assisted them, holding tools of their own or carrying baskets of different crops. But you didnât see any women among them.Â
âLost?â You whirled around on the man behind you, he raised his hands up with a startled expression on his face. âSorry, sorry, I thought you heard me walk up.â
âWho are you?â
He held out his hand, an odd smile on his face. Everyone here had the same smile, nearly genuine but lacking just enough life to be. You looked at his hand and then back at him, making no move to take it. He was undeterred and just reached forward, yanking your hand into his and crushing your palm in too firm a grip. âBen, good to meet you, Sylvie told me to come find you.â He seems oddly familiar, but you canât place why.
It didnât take a genius to figure out Sylvie was the red head whoâd been showing you around earlier. With one glance at the gun on his hip you figured this was another demand. You peered over your shoulder at the children again, surprised to find them already staring at you. The boys grinned but the girls didnât even blink as Ben showed you back through the door.Â
You took in a shaking breath and ascended the stairs once more, feeling your freedom slipping further away from you. Ben kept a tight grip on your wrist the whole way up. âIâm excited to get to know you.â
You shot him a distrusting look and tried, unsuccessfully, to once more get him to release you. âWhy would we be doing that?âÂ
He stopped and you were forced to follow. Your eyes bounced around the empty hallway, feeling incredibly on edge with the way he invaded your space. He had the eerie smile again, eyes roaming slowly up and down your form. âYou are to be my breeding partner after all.â
What. The. Fuck.Â
âBen!â
You didnât think youâd be happy to see Sylvie again, but right now you were ridiculously grateful for her interference. He backs off and itâs only then you feel like you can breathe again. You rip your wrist out of his grasp, rubbing away the bruise that bloomed under his hand. He doesnât take his eyes off of you when you walk away and it takes everything in you not to turn around for another glance at him.Â
Sylvie holds a door open for you at the end of the hall and you duck inside, trying to calm your racing heart after that interaction. âI apologize for Ben, heâs a bit overeager. He lost his partner this morning and I did promise him you,â she laughs and steps inside.
Itâs only as she passes by you that the light goes on in your head. Heâd been one of the men in the room with the mother. Heâd been holding her.Â
Your fists dig into the white fabric of your gown and you have to swallow the bile building in your throat down. Your hands are shaking horribly and your eyes go fuzzy. Lack of any real food is starting to catch up with you as your adrenaline spikes and plummets again.Â
Youâre not sure your heart can take much more of living in the Wastelands.Â
Sylvie sits down at a long table, plates piled with food enough for ten people before her. But there are only two chairs, one for her, and you assume the other is for you. âPlease,â she motions to the chair across from her, âsit.â Her tone brokers no negotiation and you find yourself walking on shaking legs to the other chair.Â
You throw yourself down in it, staring blankly down at the plate. âWhat happened to his partner?â You whisper, unable to bring yourself to speak any louder.Â
âIt is the cycle of life here at our compound.â You glance up at her in astonishment but sheâs not paying attention, just digging into her food. âOur goal is to repopulate the earth. Bring back society as it should be.â
âAnd how should it be?â You interrupt, fully disgusted by the people surrounding you now. âBecause what I saw was sickening. You slaughtered her like she was an animal.â
Sylvieâs fork slams against the table and you jump in surprise. âThatâs what she was, is.â She sighs and shakes her head, âItâs hard for an outsider to understand.â
âThen explain,â you order, voice sharp. Youâre not going to play games with this woman. You want answers and you want them now. But more importantly you want to know why he would leave you here. How could he?
âOur mission, requires sacrifice. When they are ready, the women here are assigned a breeding partner. They give birth until they canât and thenâŠâ That sickening grin was back and you found yourself shrinking back into your chair. âThey provide for us in other ways. Organ harvesting is a very lucrative trade, did you know?â You shake your head mutely. âItâs what provides us with the medicine that saved your life last night.â
âThe men? Does anything happen to them?â
She shrugs, digging into her meal once more. âThey can reproduce much longer than women can. And when they canât we find use for them in the fields. When they die, their body is used keep our agriculture thriving.â The woman you watched die this morning couldnât have been older than thirty.Â
And the man guarding Sylvie could have been the same age as your father.Â
Cooper had sold you to be bred and then harvested. Like you were cattle. You glanced up at the guards but they werenât looking at you. Why would they? Women clearly werenât more than animals here. You could never be a threat.Â
You slipped the knife off the table and into your sleeve. âAnd the women are okay with this?â
She looked at you like you were crazy for wondering such a thing. âOf course, they know theyâre serving a higher purpose than themselves.â You scoffed in disbelief. Not only was this a human farm where you were harvested like a cow, you found yourself in the middle of some fucked up new world cult.Â
âDid-â your voice cracks and you find the words difficult to get out. âDid Cooper know about this?â
âHe would have had to.â She puts her fork down and digs through her pockets. She throws the dog tags heâd been carrying around at you. You catch them, noticing the back of the chain looked oddly melted. âThe bounty he brought me, it was one of our old trading partners. Occasionally, we do business with the Brotherhood. One of their squires, he took a liking to one of our girls. She was sickly, too sickly to bring any more children to term. The day she was meant to be harvested he took her and they ran.â
She sighed and shook her head, a dark expression coming over her face. âI donât take kindly to thieves. I wanted the tags as proof of his death.â
You didnât know who the Brotherhood was, but you figured it was just another cult you didnât want to know about. You placed the tags back on the table and stared down at your plate. âCouldnât they have just stolen the tags and lied?â
She laughed and shook her head. âWhen his knight branded him, there was an accident. You couldnât get those tags without taking his head off first.â
âAnd the girl?â
She looked up at you, frowning, âWhat about her?â
âIs she dead?â You knew Cooper was a bad man, but the thought of him shooting some defenseless girl made you sick to your stomach. Who could blame her for wanting to get out of this place?
Sylvie shrugged, âI donât know. Iâm sure without her little savior sheâll die eventually. She wasnât made for Wasteland life.â Sylvie wiped her mouth and stood up. She rounded the table, coming to stand behind you, her rough palm circled around your nape and you whimpered at the tight grip. âSee, there are things a lot worse than death waiting for you out there, little lamb. So, I suggest you learn your place here and be grateful for the few good years youâll have left.â
She releases you with a shove and your hand shoots out to brace yourself against the edge of the table. She stalks towards the door, âYouâll join Ben tomorrow night. You have one night to make your peace with your place here.â The door slams shut and you finally feel the tears come.

He hears the coughing before he sees the shack. The smell of a rotting corpse overwhelms him and he figures the girl never bothered to move the body. How sheâs lasted this long with the smell and gasses, he has no idea. But she was sick to begin with, heâs sure she wonât be lasting much longer.Â
He throws the rickety wooden door open and steps over the bloated corpse of the squire heâd collected his bounty from. Sure enough, as heâd been expecting, the girl is curled up in the corner of the shed. Sheâs skin and bones at this point, her coughing causing her whole body to shake with painful tremors.Â
She peers out from between her arms and levels him with a glare. Her eyes are bloodshot, the whites of them now yellow. âYou.â
He leans against the table in the middle of the room and nods, âMe.â
âWhat,â she coughs again and his face screws up at the blood that dribbles from her lips. âWhat do you want now? Here to finish the job?â
He shakes his head, pulling out a Stimpak and some ration bars. She eyes the supplies hungrily, a rabid desperation on her frail face. She reaches for them but he places them just out of her reach, a cruel look on his face. âNeed some answers.â
âAbout what?â
âThe place your little boyfriend stole you from. My friendâs there, I need to know why exactly you left.â
She laughs, the sound cruel and costing. She wipes more blood from her mouth, a vicious grin on her lips. âSorry, but your friend is fucked.â She pauses and the shakes her head, âOr sheâs getting fucked at least. Over. And over. And over again. They certainly donât waste any time there.â
She reaches for a bar again but he glares and pulls them back. She sighs and slumps against the wall. âWhat,â he snaps, âare you talking about?â
âThey harvest us. The chickens are treated better than we are. They used us to make their little soldiers, until we canât push them out anymore. And then they harvest us for parts. My little brother was five when he was taken, he was sick like me. He just didnât hide it as well. They make sure youâre useful to them, dead or alive.âÂ
He doesnât waste anymore time with her. He tosses the supplies at her and runs back out of the shed. Maybe, maybe, heâd had some suspicions about them being less than kind. But it was the Wastelands, no one here was truly good.Â
He never would have thought it was going to be this bad. He never would have left her there if he thought something like this would happen.Â
Thatâs what that woman had been talking about when she said compensation. He was fucking selling her, like a prize pig. He had wasted too much time traveling here for the confirmation. He should have just followed his gut instinct and gone back. But he was too fucking stubborn to let himself.Â
He didnât want to think that he was panicking. He had at one point considered killing her himself. Hell, heâd shot the girl. Why would it bother him so much if someone else did it?
Heâd lost too much. He wasnât entirely sure he could lose her again.

Your palm is wrapped around the handle of the knife youâd taken when the door creaks open. You tense up but otherwise remain still. The sound of muddy boots squelches across the tiles. You stay hidden under the covers. The moonlight from the window is just bright enough to cast a shadow over whoever is sneaking into your room.Â
You smell him before you feel him. The smell of earth and vegetables suffocating you just as rough hands wrap around your arm. âHey-â
You shoot up, uncurling like a viper and slamming your hand into his throat before he can even try to shout. Benâs eyes flare wide, terror consuming them before you twist the knife and rip it out. Arterial blood sprays across your face and he slumps to the floor, limp.Â
You rush to close the door and turn back to him. Heâs a big man, tall and buff with muscle, you strip off his work shirt and pants, figuring theyâll just have to work for now. You take his boots and stuff his socks into the tips so theyâll fit better. You grasp the pistol off his waist and tuck it into your belt.Â
You go through all the drawers and cabinets of the room. You take any supplies you can find and toss them in a pillow case before unlocking the door and slipping back into the hallway. You donât hear the telltale sounds of guards patrolling and figure you should be able to slip out through the stairs.Â
Youâre almost down the steps when you stop. Something in you wonât let you go any farther. Your mind jumps to Sylvie. How casually sheâd discussed the slaughter of women over her lunch. How quick she was to turn you into cattle rather than view you as something human.Â
That familiar rage you used to feel builds up in you. Your entire adult life youâd fought to be viewed as a real person. As someone who deserved the same care and respect everyone else got. And she, a woman, was so quick to tear that away from you. To perpetuate further suffering as long as she got to profit off of it.Â
You back out of the stairwell and head down the hallway. You blindly walk the path youâd walked earlier to her quarters. You see that mother in your head, clutching her baby as she drew her last breath. And sheâd known it was coming. Every girl here knew what was coming.
Little boys got to smile and laugh and play and the girls grew up knowing what their fate was going to be. And they were content with it.Â
Two guards are stationed outside of Sylvieâs door. You shoot them both. You know the sounds will alert others. You donât have much time left. You burst through the door of her room. Her lamp is on and sheâs already waiting for you. Her gun is on her lap, and sheâs smiling at you as you walk in. âYou can still turn around-â
âI know my place,â you interrupt and she frowns. âIâm not letting pricks like you, who think they get a gun and rule the world, make decisions for me anymore.â She reaches for the revolver on her lap but youâre pulling the trigger faster. The bullet tears through her throat and she lurches forward. Her hands claw desperately at her neck, blood pouring between her fingers.Â
You run forward, pulling the revolver from her lap and tuck it into the waistband of your pants. You make your way out the door and towards the stairs again. You can hear booted footsteps rushing towards you, nearly at the doorway just as you slam it closed.Â
You manage to fly down one flight of stairs before the doorâs crashing open and slamming into the wall. Shouts echo through the stairwell. Orders to shoot you are issued but youâre barreling through the gate of the compound before they can grab you.Â
You look behind you, watching as all the guards search the grounds for you and you laugh. You nearly canât believe it. That you made it out, that you finally stood up for yourself. For a moment in there youâd almost considered giving in and just letting it happen.Â
Living in the Wastelands was hard, giving in would be so easy. Letting someone just make the decisions for you would be easy. But the base instinct of survival is a tough opponent to beat. You couldnât let yourself give up and give in to another person who thought humans were just another form of compensation.Â
You only have one last stop to make.Â

Heâd had to camp for the night before he could make it back to the compound. He hadnât wanted to stop but he figured theyâd paid him so well that they werenât planning on just getting rid of her the first night. Heâd go by tomorrow and take her back. How well that went was up to them.Â
He stared into the fire and sighed. He felt like a fucking fool leaving her there. He should know better. But heâd been so desperate to just get rid of her it was easy to ignore all the signs telling him not to. He couldnât handle her anymore. Couldnât handle all the old emotions she drudged up around him.Â
He couldnât be what she wanted, what she needed. Deep down, maybe, the old Cooper was still in there. But he wasnât willing to bring him back. Not for her, not for anybody. That didnât mean he was just going to let her die, though.

He was squatted by the dying fire, eating some jerky, when he heard someone approaching. He didnât get a chance to turn around before a shot was going off and his hat was flying off his head. It lands in the sand behind him and he turns, almost surprised to find her.Â
Sheâs got a revolver in her hand, dried specks of blood on her cheeks. âYou better pray you didnât just put a hole in my hat, sweetheart.â She narrows her eyes at him and lowers the gun.
âYou sold me.â
He stands up and raises his hands in a placating motion. Sheâs trigger happy, but he knows she isnât gonna shoot him. If she was, she would have done it a long time ago. âIn my defense, darling, I didnât know they were a bunch of sickos.â
She scoffs, eyes wide with disbelief. âReally? So they didnât pay you for me?â
He sucks on his teeth and frowns, âWell-â
âJust shut up!â She stares at him in astonishment, shaking her head and muttering something to herself. His eyes stay on the revolver in her hands as she waves it around wildly, trying to figure out the best way to get her to put it down.Â
âI was on my way back for you, darling.â
She whirls around, the gun up and pointing at him again. âYeah, like Iâll believe anything youâll say to me right now.â She backs away from him and her fists clench around something dangling from her left hand. He finally notices the tags sheâs holding now. The same oneâs heâd given Sylvie.Â
Just what the hell had she done to get out of there? Heâs almost impressed by her sheer stubbornness to stay alive.Â
âThe girl, the one who was with your bounty, what happened to her?â
He shook his head, âNothing. I left her where she was.â Her thumbs pulls the hammer of the revolver back and he laughs. He canât stop himself from antagonizing her, taking a sick sort of satisfaction from the fact that he could push her as much as he wanted and she still wouldnât pull the trigger.Â
âShe reminded me of you. Battered and bruised, used up and left behind. She couldnât protect herself, couldnât even drag her boyfriendâs corpse out of their little hut.â
Her eyes get glossy and he takes in the sight with a grin. She always had been pretty when she cried. âYou are a bad person. And I knew that and still tried to find something good in you. But you are rotten to your core, there is nothing human left in you.â
His mouth settles into a firm line and he finds himself a little pissed off. âNow, darling-â
He doesnât see it coming. Doesnât even realize whatâs happened until heâs flying back and hitting the ground. He doesnât feel any pain, his adrenaline pumping so much all he can feel is the vibrations. The impact of the bullet carving itâs way through his chest as he lay there on the ground.Â
She walks over to him, eyes empty as she stands over him and watches the blood pool out. âWeâre done, Cooper.â
She leaves him on the ground, not looking back as he presses his hand to his wound in shock. He didnât think she had it in her.Â

end. â I do not own the characters or the game/show Fallout, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.
iâve been listening to sooo much fallout radio on spotify (as per my current fallout obsession), and i canât stop imagining reader and cooper trekking thru the wasteland listening to radio new vegas and heâs ready to blow his brains out bc he just canât stand it. but every now and then a classic western tune plays and he canât help but nod along đ âyouâre my sugarâ by tennessee ernie ford makes me think of cooper and your reader so much lol
OHMYGOD
I have this perfect mental image of him tugging his gun out and aiming it at the Pip-Boy and heâs fully ready to shoot it off her wrist and then that song comes on. Heâs just like âthree more minute, then I shoot it.â She finally realizes he likes the westerns too much to risk destroying their only source of entertainment.