Can You Tell Me Why Frodo Is So Important In Lotr? Why Can't Someone Else, Anyone Else, Carry The Ring

Can you tell me why Frodo is so important in lotr? Why can't someone else, anyone else, carry the ring to mordor?

but someone else could.

that’s the whole point of frodo—there is nothing special about him, he’s a hobbit, he’s short and likes stories, smokes pipeweed and makes mischief, he’s a young man like other young men, except for the singularly important fact that he is the one who volunteers. there is this terrible thing that must be done, the magnitude of which no one fully understands and can never understand before it is done, but frodo says me and frodo says I will.

(when boromir is thinking of how he can use the ring to defend gondor, when aragorn is thinking of how it brought down proud isildur, when elrond is holding council and gandalf is thinking of how twisted he would become, if he ever dared—)

but then there’s frodo, who desires nothing except what he has already left behind him, and says, I will take the Ring.

it is an offer made out of absolute innocence, utter sincerity. It is made without knowing what it will make of him—and frodo loses everything to the ring, he loses peace and himself and the shire, he loses the ability to be in the world. It’s cruel, the ring is cruel, it searches out every weakness you have and feeds on it, drinks you dry and fills you with its poison instead, the ring is so cruel.

and frodo picks it up willingly. for no other reason except that it has to be done.

(the ring warps boromir into a hopeless grasping dead thing, the power of the palantir turns denethor into an old man, jealous and suspicious, it bends even saruman, once the proudest of the istari, into a mechanised warlord, sitting in his fortress and bent over his perverse creations—all the best of intentions, laid waste)

but there’s a reason gollum exists in the narrative, which is to show—well, to show what frodo might have been. because even as frodo grows mistrustful and wearied, as the burden of this ring grows heavier and heavier, he is never gollum. he is gentle to gollum. he is afraid—god frodo is so afraid for 2/3 of these books he is so tired and afraid, but he keeps moving, he walks though it would pull him into the ground, because he asked for this, he said he would.

someone else could have carried the ring to mordor, I suppose. the idea of a martyr is not dependent on the particular flesh and blood person dying for some greater purpose. but such a thing has to be chosen, lifted onto your shoulders for the right reason, the truest reasons, and followed into the dark, though it would see you burnt through and bled out.

I will take the Ring, though I do not know the way.

Thank you so much for replying! And also thanks to everyone who commented. This does give some rest to my doubts.

Hi Mr. Gaiman!

I hope you're happy and well.

A part of me hopes this ask gets lost, while another really strongly hopes you answer (not a good beginning, but fuck it).

Okay, so here goes *deep breaths*

My parents have some connections in the publishing industry (they know publishers, dad is an author, etc), and they want me to give them something, anything, that they will then get published. Because I write relatively frequently, stories, poems, research articles, and they know it, they keep telling me to create a book out of my written stuff. But I honestly don't want to, primary reason being that I really don't want to get published because of contacts and stuff. My first book was published that way, and while it holds a special place in my heart, I still feel it shouldn't have been published (some stuff is practice, and some maybe needs the right time - is what I feel). I want to do this on my own, and even if I fail, I'm good with it; but I don't want to get published like this, even if it's for initial books that might help me career-wise. But the parents say that time is running out (I'm 22 btw, and sometimes I do get scared that it's really running out), why not use opportunities when they're coming to you on a plate, doesn't matter if the quality is bad, nobody really reads, only the CV is read, etc. And while the idealistic part of me is strongly against it, another more sensitive part of me really gets affected and scared and just...fucked. When I decline, the parents get angry, say I'm stupid, idealistic, don't know what's good for me; and I get sad seeing them disappointed.

Could you please give some advice on this? Should I give in? Should I keep walking the idealistic path and keep trying on my own? I absolutely love the act of writing itself, and honestly, a lot of the time, finishing a piece of work and polishing it is usually enough for me. I can wait for however long, to first find a proper place(s) and then send it, and even then, rejection won't hurt. I'm already working on some stuff, short story collection, etc. but these talks (lectures and scoldings rather) really scare me. Am I doing the right thing, going against them, at least as far as my own writing is concerned (coz I'm usually pretty passive)?

Thanks for reading so much of my crap, and sorry if your time was wasted. It's perfectly fine if you don't answer.

PS really really love your works, and The Sandman (along with Discworld & Good Omens) honestly really saved my life in one of the darker parts - so thank you for that.

Hope you're happy!

Time is not running out. Don’t let anyone rush you. Write a book you are happy with first, and then see if you can get it published.

GOOD OMENS SEASON 2 IS COMING JULY 28😍😍😍🥳🥳🥳❤❤❤

WAHOOOOOO!

movies like nimona and across the spiderverse makes me realize that I never want to see another live action movie again. The way you can utilize animation and make visuals so interesting, as well as the flow and colors, is just something you can't do with real people

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't get admit you were sexual assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

over time the thing i have had more access to - through healing, maybe, or because i got out of that house, or because i was lucky, or because of those who taught me, or all of it - was this sense of a type of love that was all-encompassing and easy. nonromantic; it wasn't anything rose-colored but rather a world seen through honey.

it is this sense that i am in love with birds, and puddles, and how the nose of my dog moves. i am in love with my best friend's hands, and i am in love with your eyes, and i am in love with the little blades of wildflowers turning their heads towards the sun. today my mother told me one of my favorite flowers - lily of the valley - is endangered. i almost wept. i love them, i said.

when i was younger, and i said i am staying for the love, i thought love could only fit into a single birdwing. like a nesting doll; you could only find love somewhere balled up; hidden. you had to pry first, unlock. it would not absolve; only give you a moment's rest. somehow i thought - that was all.

oh but. this love, now. a love of how trains move, and how clouds scud the blue, and how when i asked does anyone have a bandaid i received offers from each person in the room. it is the love of a grey sunday and of mixing paint and of jazz music and seeing my neighbor sigh while he leashes his dog. this sense that it is all lovely and magical, that it is all romantic. the sense that i am in love with breakfast foods and i am in love with book nooks and i am in love with poetry and plants and how you braid your hair and how we shift our weight at the bus stop; and how each of these flood me, effortless and sleepy, like a memory of something i learned as a baby.

i think tomorrow for practice i will teach myself how to love the grey carpet of my ratty apartment; and how the fibers all hold hands with each other and snuggle into bed together, their forms all spooning. i think tonight i will love how my yoga mat leaves little imprints on my knees; a marathon of sticky kisses where the grooves all begged stay with me please. i think i will love the melon rind and i will love the ugly dark bruise.

while we're at it - although we are apart and have never met, i think right now, dear reader. i love you.