The Kneeling, Gazing Into Each Other In Horror And Love And Grief

the kneeling, gazing into each other in horror and love and grief

"Leave him! Just, please, leave him alone!"

Today, the world feels too big.

I’m too small, too insignificant, too temporary. My mind keeps shredding itself at the realization.

Normally, I’d take refuge in the vastness of it all, hide within it like a freshly dried blanket.

Today, it feels like being left astray in the middle of a cold ocean. I want to drown.

Individual Analysis of A Quiet Place: Day One

so so grateful for the reblogs and interactions <3

SPOILERS AHEAD!!! SPOILERS AHEAD!!! SPOILERS AHEAD!!!

Few films (or media, for that matter) manage to captivate me or make me feel as deeply as this one did. I say this as someone who sat through the ending credits with tears streaming down my cheeks and a stinging lump in my throat threatening to undo itself into a sob.

What makes this film so special is the way it managed to achieve this even with such scarce dialogue, such little background information of the characters during the exposition.

I believe this is due to a highly skilled cast and compelling narrative. The way LUPITA NYONG'O and JOSEPH QUINN projected emotions through the screen with nothing but a quivering hand, a watering gaze, hesitance to speak when given the opportunity to, had me in awe (I literally lost all interest in my concession snacks, becoming so enthralled in their performance). But the performance skills were not limited to the starring actors, and, rather, extended into the acts of ALEX WOLFF and DJIMON HOUNSOU.

It really made me sit there in the theatre and recite in my head "This is it! This is why I love writing! It's so powerful. So beautiful. It's the only thing that makes sense to me."

I’ll make this quick! I’ve got school assignments due at midnight.

If I don’t take this brief moment to vomit my thoughts out, they’ll be gone forever.

Analysis of character:

SAM

A character crippled by a terminal illness, on Hospice services with no hope of surviving. She's come to acceptance with her fate: death. The irony, the interesting twist, though, arises when she is forced to consider the possibility that death will be quicker than she'd been counting down towards, and be delivered via a different medium than she'd steeled herself for from hearing countless of specialists.

She's only got months to live, we, the audience are reared into believing. It is alluded through her Hospice membership, heavy reliance on chronic pain management as opposed to treatment, the flashing alarms at the Hospice facility indicating the death of a fellow member likely in her condition, and her writing tone. This fact makes it the more interesting to watch this character escape from death by the hands of the "aliens" time after time after time. Perhaps she is not ready to face a death that differs from that which she's prepared herself to accept. Perhaps she's not ready to die before she gets that one last glimpse of home (the jazz bar, the pizza parlor and memories of her deceased father). Or, perhaps, most probable, Sam didn't die early on in the film because she had a purpose to fulfill - in my interpretation, she was pivotal to the survival of Eric, and catalyzed his evolution from a scared, lonesome, helpless character into one that is strong enough to venture into the unknown world with the hope of surviving.

A trait that weaved in and out, entirely through the narrative was Sam's kindness towards strangers. It is shown when she first visits the city, during the marionette show; she speaks softly at the curious child seating in front of her, tells him the cat's name, reassures his parents that the child is no nuisance. Then again, when she finds two stranded kids by the fountain, offers them food she'd bought for herself, and attempts to guide them towards evacuation. Then again, when she takes Eric under her wing, steers him away from the edge of dissolution into panic. Oh! and how could I forget the numerous times she risked her own life to save the cat!

ERIC

Found him comical, endearing, sweet and lovable.

My first impression of him was that of someone who doesn't know how to exist alone. Doesn't like to be alone. Doesn't know how to follow his own volition, because he's rather used to having orders barked to him by his superiors - it is implied his parents forced him into law school.

He's likely never had an opportunity to secede from all the orders and just exist for himself so when he's catapulted into a world where literally it's everyone for themselves, he freezes, stammers, and clings to the nearest form of refuge (the company of Sam and cat).

My impression of him being a constant people-pleaser, and dependent on extrinsic validation/orders became solidified when Sam instructs him to knock the door to her apartment down during the storm. The stakes are obvious: agonizing shredding and death. Yet, he proceeds to do as he is told. Under the rain, he speaks when instructed to, despite being at risk of...you got it, death. For someone who verbally states he "doesn't want to die," he sure places himself in situations that almost negate that believe. Perhaps it is because he doesn't have an internal sense of self (yet). Perhaps because he is selfless.

Throughout the film we see him face challenges, see him evolve into someone who faces his fears - from the scene in the drowned subway, to the lone mission for meds, to retrieving the cat from the "alien" nest. In the end he takes this big leap into the sea, which in itself could be a metaphor; willingly jumping into the unknown instead of stalling at the dock and waiting for death.

HENRI

He's a leader, a strong patriarch with authority. Don't believe me? The first scene we see him in, he's ordering his son to stop bothering the lady (Sam). The next scene, he's got his hand over Sam's mouth, ushering her to silence before allowing her to join the rest of the refugees.

He's a man with responsibility. Keep his family safe. At first his family was just his wife and son, but then, perhaps it extended to encompass all who relied on him to maintain order in the refugee site. No one truly nominated him, he just assumed the position out of his own strength of will and duty.

So, it is in this sense of duty and responsibility that he commits his first murder. It is quick, rushed, blinded by fear, when he slams one of the refugee's heads against a concrete wall to keep them from killing and dooming everyone to the same fate. He kills one to save all, and perhaps that should be heroic? But it's tainted with guilt and disbelief, this fall into immorality and the conflict can be seen play across his face (super talented actor!!).

Analysis of symbols:

WATER

salvation. cleansing. catharsis. heaven/haven. sanctuary.

Sam first encounters water at the fountain where the kids are hiding. Then, while walking towards her apartment, being followed by Eric, she dares to talk, associates it with protection, safety from the perception of the beasts. In her apartment, while it is storming, she screams, venting all of her frustrations, unfulfilled hopes, fear; the white noise of the rain and the rumble of thunder serves to dampen her commotion from being perceived by the beasts. She feels light, relieved. Eric joins in at the next rumble of thunder.

Then it is flooding the subways, and muffles their steps from the sleeping beasts. It guides their way out of the depths where the beasts sleep (could this be perceived as hell? being underground and full of monsters?). The stream ends up leading them to a church (salvation, heaven?). I think this was purposeful symbolism.

WHITE CAT

drive of survival. strength and advantage. comfort, grounding energy.

The cat is the reason Sam escapes many killing sprees throughout the film. It somehow always manages to dash away just before the creatures arrive, luring Sam out of there.

The cat is said to be an emotional support animal. It is shown being cuddled and nuzzled by Sam on many occasions of distress, and eventually by Eric, who assumes ownership of it.

MARIONETTES

Sam visibly grows emotional at the sight of the marionette boy levitating with the balloon, only for it to pop and him to collapse. Perhaps she sees it as a reflection of her life; how it turned on her so quickly, how she might have been in the peak of her success (as a poet) just before being diagnosed with a terminal illness. Perhaps it represents lost innocence, when she was just a little girl at her father's side, listening to the piano, and now it's gone, she can't retrieve it.

YELLOW JACKET

Have you ever heard of that quote that goes something like "You are mosaic of the people you've loved"? People change people. People leave traces, imprints on others. The jacket originally belonged to Sam's father, as shown in the picture at the Jazz club. Sam wears it religiously, perhaps to feel close to him now that he's gone. Before she sacrifices herself, she lends the jacket over to Eric - it could symbolize the way he'll carry her with him on his journey.

Favorite scenes: - probably the one where they are screaming through the thunder. felt very cathartic and I do believe it was the first scene in which they weren't fearful of speaking and just being human. - the leap Eric takes with the cat into the sea. to be told he is safe by the members on the ferry, the tears of relief welling in his eyes, and maybe of grief at losing Sam, too. - when Sam miraculously makes it back to the marionette theatre refuge and Reuben gives her a hug of relief, tears streaming down his face, then hands over the cat. - the opening scenes of Sam navigating the city, and the way it was implied that the city was in danger of something strange without really spanning the cameras to the threat yet. i liked that we, as the audience, first saw the treat face-to-face as the same time as our leading character, Sam. It really aids in the sympathizing. It was interesting to hear the sirens and see the flashing lights, and hear the rumble of choppers over the city whilst the camera focused on an oblivious Sam.

I said I would be quick...lol

Can you imagine what I mean when I say I'll be slow???

🙌🏻 more talk of his dainty, slutty necklaces plz

I think Guildford’s necklaces work because on the one hand he’s so masculine, confident and sexy so it’s just those small necklaces that give a slight touch of softness/rocker edge to compliment his leather jacket, pants and boots…costuming just 🤌

Like I KNOW the show’s meant to be a feminist anthem but am I not allowed to absolutely shrivel at Lord Guildford’s sultry gaze, clever banter and dainty necklaces??? You esteem me too highly to think I would not FOLD instantly!!!

i’ve been bed rotting in a decidedly self destructive way lately

being and nothingness, jean-paul sartre // the metamorphosis, franz kafka // i am the architect of my own destruction, juansen dizon // albert camus // as consciousness is harnessed, susan sontag // ralph waldo emerson // allen ginsberg // tennesse williams // letters to felice, franz kafka // sylvia plath