Book Shelf Clean Out: Bruce Coville

Book shelf clean out: Bruce Coville

I loved these two series.

The Magic Shop books were fantasy about kids getting magical creatures they had to care for. It was my introduction to "little magical shop that wasnt there yesterday." I so badly wanted to be Jeremy and have my own dragon ^_^ there was another in this series too but I must have just borrowed it from the library.

The Aliens Ate My Homework series was sci fi. It was about a kid who gets pulled into adventures with some nonhuman aliens. Among other concepts, it talked a out how the worst thing you could be was cruel. It talked about the importance of finding a code of conduct that worked for you. It had cool aliens with cool alien jobs, including a Mr Snout who could mentally bond with people. There were relationships I didnt really understand (not in a sexual way just like they were aliens!). There was a guy who has modules that his friends click into and iut of his brain to give him different uhhh behavior patterns. There is a funny height joke. There was a talking plant who went by Phil O Dendron. The family characters (mom and siblings) come back during the series and clearly have been doing some character growth offscreen.

Book shelf clean out: young wizards

I loved this series! I don't know where my copy of the 1st book went but the others are on their way to the library bookstore, and I hope they find a new home there

It was hard to say bye to these books (but I plan to get the new millennium editions in ebook soon... and i need the space). I read them when I was in high school and college.

They're really excellent, set in Our World (not fantasy whatever land). They remind me in some ways of Terry Pratchett's work--not the setting or voice, but in the underlying ethos of the work. Although the characters go through difficult things (big warning for A Wizard's Dilemma), the world overall feels... kind?

More things to love about this series

Hispanic & queer representation, if you pay attention. In other, more recently-written series, these aspects of the characters might have been played up. In this series, those aspects are still present but more subtly. I actually like this because it's more fitting with my experience of the world. It also serves the story itself better and allows the characters' choices and actions to be the focus of the story.

Even in the case of the antagonists, the characters are... They extend civility and understanding to the antagonists, but they don't veer into "all-forgiving hero" territory. The story doesn't get into really black-and-white good-and-evil morality, but it isn't that tiresome "everyone sucks enjoy your undifferentiated grey." The heroes are heroic because of how they choose to treat others.

I love it when stories say "the way you treat others does matter." Kindness is repaid with kindness.

The styles of magic are cool too! I think many people have read "this character has a connection with plants and growing things" magic before. One of the other characters has a connection with mechanical and technical things! There's a scene in one of the books where he communes with, I think it's an airplane? And he can feel its eagerness to be flying, its fierce joy in speed and movement. I think that's lovely.

There are some good jokes in there, like the pig!

If you love space and astronomy, you'll probably like this series :) Especially the later books.

If you like alien cultures (and more traditional fantasy other-cultures) you'll probably like this seriies

Overall I just really enjoy these books and recommend them okay byeeee

The Archive Undying (thoughts in process)

I am still working my way through The Archive Undying (Emma Mieko Candon) but here are my in the middle thoughts.

Oh, and on the very off-chance that the author or a personal acquaintance of same is on this website, please don't read this post, thank you. (I posted about a recent release and then I'm 90% sure the author of that book liked the post and thought I was going to pass out. If you see something, say nothing.)

First impressions: Good gracious this book is making me work. I have completely filled the back of an envelope trying to keep track of the names of people, places, AIs, and in universe terminology.

This is NOT a book I can read before bed. Nor is it one I can read in an environment where i need to half-pay attention to my surroundings.

Due to the need to constantly take notes, I am progressing very slowly. I was like "sheesh this book is taking FOREVER" and then realized I was interrupting myself like every single page trying to keep my notes up to date.

If you have a better memory than I do, none of that might apply to you! I don't know why I've been relying so heavily on note taking while I read this year.

Characters: my personal favorite soft squishy boi got squished so that's a bummer. The protagonist and his love interest have a fucked up thing going on (I mean that in a positive way) (I'm radiating approval) (fictional fucked up relationships can be so interesting). I wish the women in the story got more time, but that's not a problem, I just think the women who are there are neat and I'd love to spend more time with them :)

World building: the world building is interesting, but it's hard for me to fully appreciate it because waves at notes I find it obfuscated by the terminology. I don't know why I can't keep the Harbor, Engines, Frags, Relics, and whatnot separate, but I can't. 😭

Writing style: the writing is good. It pulls me through and I want to keep reading. There is some playing with the person and tense for story reasons, which I enjoy.

Is it like Murderbot?: no absolutely not. Murderbot is snarky and very accessible. That series is super easy to read/jump into, and the pacing of murderbot is very fast and straightforward.

Is it like a memory called empire: also no. One thing it has in common with Memory called empire is a feeling of a big, unfamiliar world and these big political dimensions, and the physically big and intimidating spaces. Big!

Is it like the Locked Tomb 4-book-trilogy? A little? You might notice the cover quote is form Tamsyn Muir, the author of the locked tomb trilogy. But it's not similar because of the tone--the narrative voice is not snarky like Gideon the Ninth--but because if you want to know what the fuck is going on, you need to pay attention. (I myself am not good at paying attention in that way so I suffer as a result.) I guess I'll report back on whether Candon has the same... approach... to ending books as Muir.

What is it like? It's a little like ninefox gambit (Yoon Ha Lee). There's a lot of terminology and a strong sense of big things happening that aren't simply elucidated for you. The worldbuilding also reminds me a little of Ninefox Gambit because you know the author has it all in here *taps head* but only a fraction makes it onto the page.

It's a little like the fifth season (NK Jemisin) the terminology, playing with the narrative form, and a somewhat shifting cast of characters. Information about the characters is hidden from the reader in service to the story and to support an overall suspense. There is nothing wrong with that in and of itself.

Cool things list:

The opening quickly engaged my interest.

I think the world is interesting!

I love the names of the different AIs, and I think it's cool to think about how their different "personalities" shape the different cultures that spring up in their cities.

I like the characters; they have good texture and voice. The author does a great job of making me feel like I'm meeting these people at a point in their lives, like they really do have their own personal histories.

It falls into a school of 'oh hey casual queer representation' like yeah in the future no one has to explain they/them pronouns, everyone just Gets It.

It also isn't explicitly stated but, like, all the characters are POC. For real. It's like in Avatar Airbender, people don't bring it up because it's just there. And I respect that!

Also the cover art is dope.

In summary I like the book so far. It's going to take me a while to finish, but I'm willing to keep pushing.

Treasure at the Heart of the Tanglewood

I loved this one, and it was interesting because it's not by an author I know. But i found it so fascinating.

Spoilers I guess?

The protagonist starts off as this mysterious girl living alone in the tanglewood, a mysterious forest. She eventually leaves the tanglewood and goes on an adventure. She has vines and leaves in her hair, and it later turns out she is the tanglewood. Her journey affects the seasons of the lands she visits. As she travels, the plants in her hair change. I don't remember a lot of it (obviously) but this is probably one of the first books I read where a character was also a place/thing

Chapters: 1/1 Fandom: Tortall - Tamora Pierce Rating: General Audiences Warnings: No Archive Warnings Apply Additional Tags: Meta, Art, Fanart, Heraldry, reconstructing heraldry, Art History, Medieval History, Embedded Images Summary:

A meta dive into the heraldry of Tortall, including drawings from the given descriptions and an attempt to blazon any coat of arms that was described enough.

Includes an instruction to basic heraldry concepts and conclusions about Tortallan heraldic traditions as distinct from real-world ones.

As a sort of spiritual successor to my Castlevania heraldry meta, have a meta on Tortall’s heraldic tradition and the arms of various characters.

Well fuck Balin

This is one of my favorite lines! It makes me smile every time

thoughts with spoilers for murderbot 6

Reasons "Well fuck Balin" is a great line

JollyBaby going "nah Balin is a manager" and MB being like "wait Balin doesn't lift heavy things because it's a manager? UGH" is just funny and relatable

It's also MEMORABLE

This means that later on, when we learn more about Balin, I'm not like "uh whomst the fuck?"

(I have a so-so memory and frequently struggle to keep track of different characters' names)

AND it's important that we remember Balin

I seriously think this one line is just... really incredible from a "how does the story fit together" point of view.

It's memorable, but it doesn't draw too much attention to itself. It's short and unobtrusive.

It's memorable because it's funny. It's not obvious like a character, I dunno, ominously standing in the shadows with its eyes/indicator lights turning red.

It helps the story function. Imagine how much worse the story would function if Balin was completely unmemorable.

And that's why "Well fuck Balin" is one of my favorite murderbot lines of all time.