My Favorite Thing About Corporal Carrot Is That Hes A Romantic Hero Plopped Right In The Middle Of The

my favorite thing about Corporal Carrot is that he’s a romantic hero plopped right in the middle of the greediest cesspit of a chaotic neutral city ever to debase the pages of literature, and yet instead of having his shining idealism destroyed by an uncaring reality, he makes reality embarrassedly put down the weapons and agree to make nice, and then mutter an awkward “Good morning” whenever it passes him on the street.

how jingo went

close ups on his face, bc i like when hes holding on by a thread

i was just thinking about how in later Discworld books, even as its an unspoken understanding among everyone in Ankh-Morpork that Carrot is the King of the city and he's probably the last descendant of the original ruling line, not only does Carrot avoid pushing the narrative to exploit it unless absolutely necessary, but it never de-emphasizes the fact that he's a dwarf by adoption

Even in later books Carrot is still regularly writing letters to his family in their mine; he thinks of himself as a dwarf, he is CONSIDERED to be a dwarf by all except the most hardliners of dwarf society (and even they can't outright deny him dwarf status, the best they can do is say he is an anomaly); he might USE his narrative status as the One True King, but in his heart, to himself, he is still the child of the Ironfounderssons.

His human heritage is functionally irrelevant to him unless he needs to make use of it, much like his ancestral sword. And it occured to me, what if he actively chose to distance himself from his human heritage because he learned about them in later books and found nothing worth acknowledging?

Carrot is in a weird place because he is the One True King, a narrative status that makes him the good and wise king who knows only truth and justice and comes bringing goodness to all, and this is quite a contrast to the ACTUAL kings of Ankh-Morpork, who were universally at BEST a bunch of horribly useless and inept absolute rulers that are living embodiments of 'the aristocracy are dumber than a sack of doorknobs' the series leans into, and at worst are implcitly some of the most horribly sadistic and cruel people in the setting.

One particular example is Lorenzo the Kind, the last king of Ankh-Morpork, whose name was deliberately ironic; he was so horrifically sadistic that he spelled the end of the kingship because he's the one who was killed by Suffer-Not-Injustice Vimes, who because no one was willing to judge him because kings were considered Special, just dragged him off his throne, cut off his head, and the surviving family members were exiled from the city.

Lorenzo is the last member of Carrot's biological ancestry we have definitive information on, off the top of my head, and he paints a dark, horrific image. He's painted as the absolute nadir of horror from the ruling classes, and is heavily implied to have been a sadistic pedophile with a penchant for torture (at the very least Carrot and Vimes both note that he was apparently fond of children and was painted with a lot of them nearby at all times, discussing it in a way that suggests a DEEPLY uncomfortable topic neither of them wants them to address, and later in Feet Of Clay Vimes points out that Lorenzo had unspecified but horrific machines in the basement).

Carrot is very strongly implied to, at least starting from Men At Arms (in which he discovers he is the king), have investigated his ancestry, and he's able to elaborate on their actions and history, and this also marks the point where he carefully but firmly emphasizes his dwarf heritage for the rest of the series.

He found out who his ancestors were, and discovered they were horrifically evil people, and that Mister Vimes was fully justified in being proud of his ancestor putting them down like rabid beasts, and it leads to him firmly emphasizing that his family are the Ironfoundersson dwarfs.

I don't know how Terry managed it. There's just nothing on this earth like a Discworld book. I'll be listening to a book I've read countless times over and suddenly, a single line I've never even really noticed before will tear me open. They just reach right inside me and open my ribcage to expose my very heart.

Tonight, it was Hat Full of Sky and Granny Weatherwax saying, "The world is unfair. Be grateful you have friends." On their own, the words are unremarkable. But juxtaposed together, with the context they are operating in....they had tears flowing down my face before I knew what was happening. The world is unfair; sometimes, the wonderful happens when it shouldn't (and/or when you feel you deserve a divinely wrathful torment) because you have friends. The world is unfair. That doesn't just mean that the horrible happens when it shouldn't. It means that the beautiful does too. Be grateful you have friends. They are the hub on which that beauty spins, turning the theft into gold.

A lot of people I've introduced to these books haven't liked them — they find them too silly, or preachy, or nonsensical, or even puerile. I am never upset or really disappointed when they don't like them. To each their own. But I will never understand it. They are baked into my being in a way that few things are and I am better to myself, to other people, and to the world because of it.

Sir Terry, you were a gift nonpareil. Thank you for your words and for shaping my world.

i LOOOOVE one esk being SO petty. you're sticking up for lieutenant awn? you get eleven millimeters of tea in your nearly full cup 😊😌 you over there are badmouthing lieutenant awn? you can wave your empty tea bowl all you want 😤😠