rollforarcana - RollForArcana
RollForArcana

Tiff • She/They • genderqueer artist/cosplayer/prop maker who makes and posts lots of DND, Gravity Falls, Trigun, Dungeon Meshi, Star Trek, etc things. Art tag is #rollforart. 20y/o+ followers only please.

826 posts

Rollforarcana - RollForArcana

rollforarcana - RollForArcana
rollforarcana - RollForArcana
rollforarcana - RollForArcana
rollforarcana - RollForArcana
rollforarcana - RollForArcana
rollforarcana - RollForArcana
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More Posts from Rollforarcana

1 year ago

really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.


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1 year ago

So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:

So A Couple Days Ago, Some Folks Braved My Long-dormant Social Media Accounts To Make Sure Id Seen This

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)  

1 year ago
Watercolor comic in four pages. Page 1. 1) OP as a teenager, female-presenting, with a ponytail, listening to music. "When I was 14, I had a jean jacket. It wasn’t great quality, but at least I wasn’t too uncomfortable in it." 2) "One day, a girl in my class said: "ooooh, nice jean jackeeet!"" OP turns around, surprised. "I felt cool, for once." 3) "My mother loved to repeat that in a falsetto voice to humiliate me, but I still loved that jacket." OP’s mother on a couch, to a mortified OP: "a jeaaaaan jackeeeeet??" 4) OP with the ponytail, then a bit older with short hair, then a bit older with even shorter hair. "Little by little, I started to figure out what was wrong. It took a while." 5) OP in a big coat, sitting on the floor, drawing. "At university, I was locked out of the apartment sometimes, so I wore the same big black coat for years. It was warm, and it hid my body quite well. Some people in my classes called me ‘the hobo’." 6) "I found that jean jacket in my closet four years after I moved out."
Page 2. 1) OP trying to wear the jacket again. "I was 25. No longer a malnourished teenager. The jacket didn’t fit anymore, and it was very worn." 2) "But I was wearing it anyway. I even added a patch from the catacombs on it." 3) OP jumping over a fence. The jacket is torn in the middle of the back. "And then, one day, I tore it while hopping a fence. The tear was huge, and impossible to repair cleanly." 4) The tear. "I considered throwing it away." 5) "But I put it back in the closet." 6) OP repairing the jacket. "In early 2020, at the beginning of the first lockdown, I decided to repair that stupid jacket, even if it had to be ugly. The more I wore this jacket, the more it was disintegrating anyway. At this point, I was just over thirty years old. And that’s when something started to change."
Page 3. 1) Obvious repair on the collar of the jacket. "I realised I loved visible repairs." 2) "I started sewing with white thread." 3) OP’s back, with large patches saying "whatever forever" and "see you in hell", with several small patches of birds and leaves around them. There’s repairs everywhere. "And then the shoulders cracked, so I made a denim lining inside and outside." 4) Scissors cutting the side of the jacket. "I had to make some tough decisions." 5) OP, with faint scars, wearing the jacket which is now made larger under the arms. "But I always loved the result." 6) Patches saying, among other things, "queer magic", "explorer", "wild nature", "the Cure", "Placebo", "Book smeller", "friend to bugs" and "Van Isle". "And I kept adding more patches! From bands I liked, and from places I enjoyed".
Page 4. 1) Patch saying "down on fascination street". "Embroidery". 2) Patch saying "I refuse to die until things are better and that is a threat". "Cross-stitch". 3) Patch with the logo of the Serpent’s Hand from SCP lore. "Stenciled patches". 4) "It’s like an armor." 5) "It’s like a painting." 6) "It’s like a body." 7) A sleeve with five different repairs. "Every year, the jacket wears out a little more. The more it changes, the more I love it." 8) OP, now male-presenting, lying in the grass, wearing the jacket, smiling, eyes closed. "I’m 36 now. The jacket is 22. We’ve never felt cooler."

Repaired my fave jacket, got emotional, drew something about it

1 year ago

here's a random word generator--whatever word it gives you is now the thing you are the deity of


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