When You Exert An Ungodly Amount Of Self-control To Not Straddle Your Fake Husband:

When you exert an ungodly amount of self-control to not straddle your fake husband:

currently maybe possibly single-handedly crashing whatever servers eton hosts its archived student newspapers on because me and a friend are getting obsessed with a single outspoken prefect from 1883

This is exactly how her strange brain works and I love her for it!

Yes, get the most out of that assault charge right in front of the police! And the look on Ji-wook's face!

Forbes

Netflix Has Created A Self-Fulfilling Cancelation Loop With Its New Shows

A couple weeks ago, I remarked that Netflix now felt like it was “actively stealing time from me.” I can almost not even remember which canc

But what’s happened now is that this has happened so often with so many shows, that Netflix has created a self-fulfilling loop with many series that probably could have gone on to become valuable catalogue additions otherwise.

The idea is that since you know that Netflix cancels so many shows after one or two seasons, ending them on cliffhangers and leaving their storylines unfinished, it’s almost not worth investing in a show until it’s already ended, and you know it’s going to have a coherent ending and finished arc.

So you hold off watching new shows, even ones you might otherwise be interested in, because you’re afraid Netflix will cancel them. Enough people do this and surprise, viewership is low! And the show ends up cancelled. The loop is closed, and reinforced, because now there’s yet another example cited, causing even more people to be cautious the next time around. And now we’ve reached a point where unless a series is some sort of record-breaking fluke megahit (Wednesday) or established super franchise (Stranger Things), a second or third season feels like not even a coinflip, but more like 10-20% shot, at best.

Netflix’s cancelation policies have informed its viewers that if you want a show you like renewed, you need to watch it immediately, you need to tell all your friends to watch it immediately, and you need to finish all episodes in a short period of time. Anything less than that will result in likely cancelation, with the problem being, of course, that this runs contrary to the entire promise of a streaming service like Netflix in the first place. The core concept of “on demand” streaming was that ability to watch what you wanted, when you wanted to. But now binging a series in its opening weekend isn’t just an option to have, it feels almost mandatory, lest the negative data reflect poorly on a show you might otherwise like.

Something has broken with this model. It’s now created a system where creators should be afraid to make a series that dares to end on a cliffhanger or save anything for future seasons, lest their story forever be left unfinished. And viewers are afraid to commit to any show that isn’t a completely aired package lest they spend 10-30 hours on something that ends up unresolved, which has happened dozens and dozens of times, creating a vast “show graveyard” within Netflix, full of landmines viewers are going to be discovering for years.

More at the link.

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I've wondered if it's driving creators to their competitors too.

There's a scene in Pride and Prejudice that I'm relieved rarely makes it to adaptation because my secondhand embarrassment can't take it – it's where Elizabeth is staying at Netherfield to look after Jane and Mr Darcy randomly asks if she wants to dance a reel, but she doesn't reply so he asks again, and she's just like "no I heard you the first time, I just thought you were taking the piss" 💀

It's you. My wife.

No Gain, No Love (손해 보기 싫어서) 2024