show-us-kaidenshenandoah - hiya, i'm Kaiden-Shenandoah
hiya, i'm Kaiden-Shenandoah

they ★ 2-spirit ★ est. in 1997 ★ student

608 posts

Preludes.

Preludes.
Preludes.
Preludes.

preludes.

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11 months ago
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his best running gag


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11 months ago
Sophie Age Seventeen Was Even More Of A Mess Than Sophie Age Twenty. She Had The Personality Of A Ball
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sophie age seventeen was even more of a mess than sophie age twenty. she had the personality of a ball of slime.


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11 months ago

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light, and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery — celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from — it’s where you take them to.’ 

Jim Jarmusch, Five Golden Rules of Cinema


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11 months ago
Chaos Buffet: A Short Comic On How Hai Xing And Anko Met
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chaos buffet: a short comic on how hai xing and anko met


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11 months ago

"What is fantasy? On one level, of course, it is a game: a pure pretense with no ulterior motive whatever. It is one child saying to another child, 'Let's be dragons,' and then they're dragons for an hour or two. It is escapism of the most admirable kind — the game played for the game's sake.

On another level, it is still a game, but a game played for very high stakes. Seen thus, as art, not spontaneous play, its affinity is not with daydream, but with dream. It is a different approach to reality, an alternative technique for apprehending and coping with existence. It is not anti-rational, but para-rational; not realistic, but surrealistic, superrealistic, a heightening of reality. In Freud's terminology, it employs primary, not secondary process thinking.

It employs archetypes, which, as Jung warned us, are dangerous things. Dragons are more dangerous, and a good deal commoner, than bears. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a real wilderness, and those who go there should not feel too safe. And their guides, the writers of fantasy, should take their responsibilities seriously."

- Ursula K. Le Guin, from "From Elfland to Poughkeepsie" (1973)


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