So Who Started Hood Aot Men

so who started hood aot men😭

THE 10 STAGES OF GENOCIDE, AND HOW FAR PALESTINE IS ALONG WITH THEM

This will be using the UN's ten stages of genocide map (as seen above) as a base for each stage.

So far, palestine is within its ninth stage of genocide.

*although I do not believe isreal is a real or valid country, this will be referring to its citizens as "isrealis"

First Stage: Classification.

This stage is about us and them narratives. In the Holocaust it was Jewish vs Germans, in this it is Palestinians vs israelis.

The ‘us vs them’ narrative has been drilled into young "isreali's" minds for decades and has only gotten worse.

Second Stage: Symbolism

I do not believe there are any symbols to tell an isreali apart from a Palestinian person.

Most of the time it is based off their religion, however not all Palestinians are Muslim nor are all isrealis Jewish.

Instead of symbols, they segregate.

Third Stage: Discrimination

This stage is about taking things away from their target group. isreal has taken away their housing, their land, and their property as seen in the west bank.

Fourth Stage: Dehumanisation

Dehumanisation refers to distancing the target group from humans, and making people less inclined to empathize with them.

Isreal refers to Palestinians as both animals and derogatory words such as "whores" or "monsters."

Fifth Stage: Organization

This stage is about planning the genocide, and training.

Many isreali students are taught in order for them to grow up and become IDF soldiers. They are taught how to kill without remorse and enjoy it.

Sixth Stage: Polarisation

Polarisation is about the media and spreading hate about their target group in media.

The IDF not only go on international TV and talk about palestinian "terrorists" but also spread misinfo on social media.

(see this post)

Seventh Stage: Preparation

When preparing perpetrators use code words in order to make their intentions seem brighter.

Isreal calls it "land disputes" or "self defense" when it is a genocide fueled by colonialist ideologies.

Eight Stage: Persecution

Persecution is about rounding up their target group and committing mass killings.

Isreal has rounded Palestinians up into Gaza, an open air prison, and continues to bomb their homes, shelters, and hospitals.

There is nowhere for palestinians to go.

Stage Nine: Extermination

This is the stage we are on. Isreal is destroying hospitals, relief centers, communities, and families.

They are attempting to find and kill every palestinian. Class of 2024 has been canceled due to all students dying.

This cannot continue.

Stage Ten: Denial

If we continue to let isreal kill off Palestine, we will get here. To the point where zionists will deny the genocide entirely.

SPEAK UP. DO NOT LET IT COME TO THIS.

Thank you for reading. The original post can be found under the Twitter/X account @aligaytor_. OP has given me permission to share it to Tumblr.

i swear some of you adults on this app are actually brainless. fucking braindead. there are better things to worry about than a minor who has a dream to become a writer and get better. you're upset of minors writing smut yet YOU turn around and read smut about having sex with an UNDERAGE CHILD.

who gives a fuck if i (a 16 years old) writes smut about Nanami, Geto, John Wick, The Arkham Knight? i am thriving. and at the end of the day, i know i'm a minor. i understand that every day.

you attack writers on here like it's your fucking job. like your social security is paying the bills for you. YOU HAVE NO LIFE. and instead of storming people's inboxes full of hate and "concern", press that gracious button that has the word 'blocked'.

you can not have "minors dni" "18+" in your bio while you write for an underage character. you are a pedophile. a sicko. you dream and fantasize about fucking children. bottom line.

maybe we should stop worrying about if a FICTIONAL (not real) character is a top or bottom, getting into any general discourse about her, AND actively uploading fics when there’s a strike going on because there’s a literal fucking genocide happening right now. get your priorities straight guys seriously it’s sickening to see. i refuse to believe anyone doesn’t know what’s going on at this point there’s no excuse if you’re on tlou tumblr there’s like .01% chance you have not seen people talking about israel and palestine. i know this second strike isn’t getting as much attention but if you do see the post please participate in it, it’s really not that hard just for one week.

THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing conflict, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami when he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you. let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along w/the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people safe (the wlf), and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing conflict, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss here.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

—

⠀⠀⠀𝐖𝐎𝐑𝐊𝐈𝐍𝐆 𝐀𝐓 𝐓𝐇𝐄 𝐏𝐘𝐑𝐀𝐌𝐈𝐃 𝐓𝐎𝐍𝐈𝐆𝐇𝐓

alt text ✘ jjk men as lyrics from pyramids

contains ✘ fem!reader , satoru gojo , kento nanami , toji fushiguro , fingering , broke!toji , DOM!toji , cowgirl with nanami

announcement ✘ this is my 200th post on this account which is crazy because i thought i would've ditched this account by now. and a mini celebration for hitting 2.5k🥳 thank you so much. i know haven't been very active with the fan fictions and i appreciate the patience. thank you.

𝐜𝐨𝐧𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐬 𝐟𝐨𝐫𝐦

𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

" you showed up after work, i'm bathing your body

touching you in places only i know

you're wet and you're warm just like our bath water. "

the pool of warm water surrounded you and Gojo as he had you pressed up against his back. the pads of his fingers would glide up and down the meat of your thighs, beginning as chaste touches. the foaming of soap covering your breasts was enough to turn a switch in his brain, his length rising a bit.

you were in the midst of telling Gojo about your week until he interrupted you, kissing a trail up your neck before mumbling "you're so beautiful." his fingers drop down a level, meeting your inner thighs. he knew you enough to know it's not just the wet water he's feeling.

he turns your head you him, taking your lip to his as he plunges two fingers into you, taking your moan in his mouth. his unoccupied hand gently glides up to your breast, two fingers pinching and rolling around your nipple.

"so pretty." he whispers before plunging his tongue into your mouth, leaving no crevice undiscovered. he had a habit of making you melt under his touch. he was a natural at this point--he was amazing at it.

Gojo felt your walls pulsate around his digits, giving signs of your release being close. he chuckles, "not yet, baby."

𝐓𝐎𝐉𝐈 𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎

" the way you say my name makes me feel like i'm that nigga

but i'm still unemployed. "

the headboard continuously rocked against the wall, creating mini cracks in the walls as Toji pounded himself in you. one moment you were complaining about him not having a real job, and the next, you were chanting his name like a mantra. "Toji!" you whine. the side of your face was pressed down on the mattress, your back arched, giving him more space for his cock to explore.

"that's it, baby." he groans, his head hanging low, watching as he disappears inside of you. "fuck." a hand strikes against your ass, your bottom recoiling. your body leans forward, moving away from where Toji's hips met yours.

"don't run away, girl." he chuckles. his large hands grip both sides of your hips, pulling you right back on his length. you squeal, the pleasure becoming overwhelming.

"please!" you sob. your hands reach back to push Toji off you. he takes both of your wrists and holds them into an X behind your back. now you have nowhere to run. "just fucking take it."

𝐊𝐄𝐍𝐓𝐎 𝐍𝐀𝐍𝐀𝐌𝐈

" you say it's big but you take it.

ride, cowgirl. "

the sounds of Nanami's frequent grunts and moans and your slick covering his length filled the room. you needed a sexual release and the toys just weren't doing it.

you needed your husband. your husband who would only come home at the asscrack of dawn just to restart the same routine. as they say, absence makes the heart grow fonder. it also makes the body grow hornier.

the pace you rode was unbearable. he's never seen such intensity from you. he wasn't complaining either, he loved to see you on top of him. it saved him the worry of hurting.

"fuck." you bit your lip, leaning forward. your hands were pressed against his chest, propping yourself. Nanami's hands wander up your hips, helping you out a bit as he could sense that you were tired. "i missed you," you whisper, leaning down to plant a kiss on his. he moans at the contact, chasing after you as you pull away. "i'm make sure this i'll never leave you this needy."