skritz704 - Skritz407
Skritz407

New to thisCurrently obsessed with One Piece

28 posts

Today, Many May Be Getting Ready To Sit Down To A Feast With Their Families In Celebration Of Whats Commonly

Today, Many May Be Getting Ready To Sit Down To A Feast With Their Families In Celebration Of Whats Commonly
Today, Many May Be Getting Ready To Sit Down To A Feast With Their Families In Celebration Of Whats Commonly
Today, Many May Be Getting Ready To Sit Down To A Feast With Their Families In Celebration Of Whats Commonly

Today, many may be getting ready to sit down to a feast with their families in celebration of what’s commonly called “Thanksgiving”. Before you do so, take some time to think about the real significance behind this day and the histories that have been buried deep from view. Learn about National Day of Mourning and why this day is treated much differently among First Nations peoples. For many, this day marked the beginning of a long, horrific, still-ongoing history of violence. Talk to your family members about what truly occurred this day and what it means to the Native people of these lands. Find out what Indigenous lands you’re currently on and the ways you can help to support, uplift, and amplify the First Nations people in your area. Wishing everyone a meaningful National Day of Mourning. 

Note: while the term “Indian” is used by Wamsutta James in his quoted speech, and some Nations use it to refer to themselves, it’s best to refer to Native people as Indigenous, Native, or First Nations out of respect (especially if you’re not Indigenous yourself).

  • kaajhuab
    kaajhuab reblogged this · 11 months ago
  • spookymercmayhem
    spookymercmayhem reblogged this · 11 months ago
  • veluigi
    veluigi liked this · 11 months ago
  • w1zardcore
    w1zardcore liked this · 11 months ago
  • thatsluttytiefling
    thatsluttytiefling reblogged this · 11 months ago
  • king--bee
    king--bee liked this · 11 months ago
  • molloytheboy
    molloytheboy reblogged this · 11 months ago
  • molloytheboy
    molloytheboy liked this · 11 months ago
  • purplehandshumanfeelings
    purplehandshumanfeelings liked this · 11 months ago
  • orchidreign
    orchidreign liked this · 11 months ago
  • meerawrites
    meerawrites reblogged this · 11 months ago
  • little-desi-historian
    little-desi-historian reblogged this · 11 months ago
  • ladyimaginarium
    ladyimaginarium reblogged this · 11 months ago
  • justsayinghi5
    justsayinghi5 reblogged this · 11 months ago
  • yesitsanusha
    yesitsanusha reblogged this · 11 months ago
  • drsunshineee
    drsunshineee reblogged this · 11 months ago
  • hanged-man-is-trans
    hanged-man-is-trans reblogged this · 11 months ago
  • ladyimaginarium
    ladyimaginarium reblogged this · 11 months ago
  • anoni004
    anoni004 liked this · 11 months ago
  • goobertroll
    goobertroll liked this · 11 months ago
  • kinnoringo
    kinnoringo liked this · 11 months ago
  • squeackygee
    squeackygee liked this · 1 year ago
  • moththesadmage
    moththesadmage liked this · 1 year ago
  • cryingwytch
    cryingwytch liked this · 1 year ago
  • sassybabygirlprincessqueen4u
    sassybabygirlprincessqueen4u liked this · 1 year ago
  • waywardtricksterfox
    waywardtricksterfox liked this · 1 year ago
  • tolkienlover15
    tolkienlover15 liked this · 1 year ago
  • dewdropdoll
    dewdropdoll liked this · 1 year ago
  • deepforestdarling
    deepforestdarling liked this · 1 year ago
  • tangeerines
    tangeerines liked this · 1 year ago
  • anne-the-historian-ish
    anne-the-historian-ish reblogged this · 1 year ago
  • anne-the-historian-ish
    anne-the-historian-ish liked this · 1 year ago
  • atlas-battles
    atlas-battles reblogged this · 1 year ago
  • thefragile-left
    thefragile-left liked this · 1 year ago
  • creeironman
    creeironman liked this · 1 year ago
  • shhxstopxyelling
    shhxstopxyelling liked this · 1 year ago
  • goldsunrays
    goldsunrays reblogged this · 1 year ago
  • toynbeetile
    toynbeetile liked this · 1 year ago
  • jennymf
    jennymf liked this · 1 year ago
  • redcharger653
    redcharger653 liked this · 1 year ago
  • bladderisfull
    bladderisfull liked this · 1 year ago
  • wbworkout
    wbworkout liked this · 1 year ago
  • slick86
    slick86 liked this · 1 year ago
  • forsythien
    forsythien liked this · 1 year ago
  • anik-moon
    anik-moon liked this · 1 year ago
  • eienn0
    eienn0 liked this · 1 year ago
  • rhetoricsofraceandidentity
    rhetoricsofraceandidentity reblogged this · 1 year ago
  • niiniixxk
    niiniixxk liked this · 1 year ago

More Posts from Skritz704

1 year ago
Cover: a pink and blue digital illustration of doflamingo and law from one piece. Law is in the foreground and coloured in blue tones. He stands so that his side profile can be seen, facing to the right with his head bowed. He wears his corazon coat from dressrosa and his hat. In the background, doflamingo can be seen in pink colours, blending into the pink background. He faces to the left and is smiling. His hair blends into his skin in a pink to white ombre. The words ‘swan song’ are overlain over the image in handwritten font, with ‘by sirlanval’ written at the bottom.

Swan Song: An illustrated poetry zine about Law and Doflamingo (by me!)

Page 1: the inside cover of the zine. An image of many photos of eyes, arranged together and scanned, is overlain with a blue filter. Some of the eyes are filled in pink, and a few pink details are drawn over others. A white box with the words ‘by sirlanval’ sits in the middle.  Page 2: the text reads: ‘he pretends to be asleep when the bird enters a room’. The page features young law, curled up and lying on his left side in the middle of a blue background. He is lined in dark blue, and coloured in shades of pink. Surrounding him are the pink outlines of a heart, lungs and stomach (on his left) and a tooth, brain and liver (on his right).  Page 3: the illustration takes up two pages. The text reads: ‘it’s no use, he knows that a beast like that moves as if in a spotlight, that no amount of hiding will be enough to avoid his fate, but he cannot help sometimes but to prologue the inevitable’. This page features a dark blue corridor, with doflamingo walking down it. He is coloured with blue, except for his coat, which is pink. A light blue spotlight falls over him, and he walks towards a white and pink door. On the wall, there is a ‘joker’ playing card, and doflamingo’s shadow, which resembles a huge, monstrous bird.
Page 4: the illustration takes up two pages. The text reads: ‘he will watch with one eye squinted as it lopes inward and sits on the bed, legs bent, twisted, long enough to knock against the opposite wall’. This page features doflamingo, who takes up almost the whole image, curled up with his long legs propped up against the left side of the image. He is now fully coloured in blue, with the exception of his pink skin and tie. Law’s hat and hand can be seen poking out from the bottom. The background is bright pink, with more real eyes looking out in blue.  Page 5: the text reads: ‘the grotesque image of cramming an animal into a cage too small, bones protruding, teeth bared’. This page features a scanned blue collage of a collection of animal parts arranged strangely together on a pink background. Multiple eyes and a pair of realistic hands can be seen. This is overlain with the pink outline of a cage, and many pink strings that protrude from the hands.  Page 6: the text reads: ‘what it wants it never says. But there’s never any doubt that it wants something. There is no greater believer in the sentiment ‘an eye for an eye’ than donquixote doflamingo’. This page is white with the text in a block in the middle. Above the text, there is a pink and white spiral with a cartoonish blue outline of an eye drawn over the top. Beneath the text, a realistic pink mouth with bared teeth can be seen.
Page 7: the text reads ‘a smile stretched impossibly wide, gums pink as pigs skin, carnivorous, omniscient. “What makes you think I want something?”’ This page features a dark blue silhouette of doflamingo on a white background, with the pink outline of a skull with a grotesquely stretched smile over the top. A part of doflamingo’s pink coat can also be seen, which overlaps onto the next page.  Page 8: the text reads ‘it makes him laugh. Neither of them can hide their hunger’. This page features child Law’s hands reaching in from the top right, drawn in blue over a darker blue background. The pink outline of the ope ope no mi overlaps his hands. Parts of doflamingo’s pink coat also poke in from the top and bottom right corners.  Page 9: the text reads ‘they spit and slobber at humanity’s feet like logs, ready to break if the world will not bend’. The page features a blue background with pink scans of lots of dogs curving up from the bottom, many of them barking. In the top right, the pink outline of a log pose can be seen.  Page 10: the text reads ‘he won’t answer. The beast leers ‘clever boy’’. The page features child Law standing in a pink corridor, in front of a darker pink doorway. He is coloured in blue and looking up. In front of him, the shadow of doflamingo takes up the bottom half of the page, also dark pink. He looks to the left and is smiling.
Page 11: the illustration takes up two pages. The text reads ‘the bird is unfamiliar with starvation, he could hold his own bloody heart before them, and doflamingo would devour it whole, just to revel in the action of feasting’. This page features adult Law, his back facing the viewer. He is coloured in blue, and his arms are stretched above him, holding a bright pink heart. He is wearing his corazon coat, but where the jolly roger would be, there is a square hole. Two realistic blue wings stretch out from his back, which are held on both ends by two giant pink hands. A third pink hand comes out of the bottom of the page to hold Law in the middle. The background is a pink starburst over blue.  Page 12: the illustration takes up two pages. The text reads ‘the air stagnates. Heavy is the head that bears mottles swathes of cadaver-pale skin, limbs that cowered beneath the putrid swell of bloated bodies, escaped from the oil slick of flevance’. The background is different shades of blue. Two white cloud shapes take up the left side of the image, overlain with the pink limbs of what is implied to be corpses. On the right, the blue background becomes the skyline of flevance. Two windows have pink fire coming out of them. Child Law, also pink, stands in the foreground, looking at the city.
Page 13: the text reads ‘or, perhaps, unleashed, a scourge in the shape of a boy, clawing up just to be drowned’. This page features a blue scan of a family photo over a light pink background. Child Law stands at the front of the family, and his skin has no lead patches. The rest of the people in the image are blocked out into pink shapes. Bright pink splatter overlaps the right side of the page from the next page.  Page 14: the text reads ‘blood splatters against the plastic, as red as doflamingo’s stretched mouth’. This page features pink ‘blood’ splatter over a white image. The rim of child Law’s hat and his hands poke out from the top of the page, coloured and lined in blue. Some darker blue splats are dotted across the rest of the page.  Page 15: there is no text on this page. This page features adult law, drawn in shades of blue over a bright pink background. His face and hands can be seen, and he is holding his hands over the bottom part of his face. His eyes are wide and frightened, and his nose and mouth aren’t drawn. His pupils are small and bright pink, and pink ‘blood’ spills out from between his fingers.  Page 16: the text reads ‘he’s dying. This is his hulking reminder’. This page features just the text and a realistic dead bird in the centre of the image, coloured in pink.
Page 17: the text reads ‘strings pull sharp. Law tilts.’ This page features adult Law waist up at the bottom of the image, lying in his front and coloured in blue. His right arm is severed and bleeding pink. The blood trail leads in front of him to a blue landscape, with a pink windmill in the middle. Instead of sails, white strings protrude from the windmill and end at pink hands that stick out from the top and right of the image.  Page 18: the inside back cover of the zine. An image of many photos of eyes, arranged together and scanned, is overlain with a blue filter. Some of the eyes are filled in pink, and a few pink details are drawn over others.
1 year ago
A group of four men gather around the body of a child. The little boy is dead and in the arms of two of the men. He is wrapped in a blue sheet. Text on image reads: BEFORE OCTOBER 7TH
A father holds his baby girl in his arms. Around him are other people. A soldier holds a gun against the little girl and her father. Text reads: BEFORE OCTOBER 7TH
A group of soldiers stand with rifles. Behind them are tanks and Israeli flags. In front of them is a wired fence. And in front of that wired fence is a little boy getting ready to throw a rock. Text reads: BEFORE OCTOBER 7TH
Soldier walking into a house. He holds a rifle against the older man opening the door to his home. Text reads: BEFORE OCTOBER 7TH
Soldiers hold rifles in a young man's face. Another man holds him back. Text on image reads: 'BEFORE OCTOBER 7TH'
A little boy sits on the floor and looks up at a faceless soldier, who holds a rifle in his face. Text on image reads, "BEFORE OCTOBER 7TH."
An older woman wearing a white hijab screams out, her hands clasping her head. In front of her, two soldiers walk. One of them casually chews gum while his hands are on his rifle. Text on the image reads, 'BEFORE OCTOBER 7TH'
A journalist wearing a press jacket and holding a camera over his head. His head is injured and bleeding. One of his arms is bleeding badly. Behind him, there's blood on the floor and people running. There is text on the image that says 'Gaza 2004'

Repost of Instagram post by alessandra_sanguinetti:

“In 2004 I worked as an intern in Newsweek and had to go through the wires coming in from the Middle East.

The Iraq war was raging. Israel was committing its routine violations and killings.

The images were devastating and unequivocally condemning of both the USA and Israel, but I remember the editors would reject all my picks and demand images of burnt cars or vague images of destruction.

So I brought a hard drive and collected everything they didn't publish.

It was my first live glimpse of the lack of ethics or integrity in most US media.

Not the journalists on the ground, but of the senior editors making the calls - in their self important glass cubicles.

And no, to the cynics out there..it's not all too complicated to discuss on social media.

Social media is the only reason we know what's happening in Palestine.

And the only reason mainstream news has to keep up and sprinkle some actual news now and then.

Meanwhile we are seeing much less footage coming out of Gaza - Israel has been killing off all the journalists.

This is terrifying.”

Photo credits: Nasser Ishtayeh, Yossi Alon, Saif Dahlah, Jaafar Ashtiyeh, Musa Al-Shaer, Abed Onar Qusini

2 years ago
Oh He Is NOT Listening
Oh He Is NOT Listening
Oh He Is NOT Listening
Oh He Is NOT Listening

oh he is NOT listening 😭😭

1 year ago

i'm literally begging people to relearn how to use earbuds and headphones. i don't wanna hear your fucking tiktok while im waiting for my flight.