skritz704

Skritz407

New to thisCurrently obsessed with One Piece

28 posts

OH WAIT, WAIT, IM BREAKING, CALL HOUSTON BECAUSE I HAVE A PROBLEM.

OH WAIT, WAIT, I’M BREAKING, CALL HOUSTON BECAUSE I HAVE A PROBLEM.

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More Posts from Skritz704

skritz704

2 years ago

End Simulation… (This was a mistake)

Will you come back again? I only need a friend (When it’s all said and done Will you need me too?) Only Friend - Wallows

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skritz704

1 year ago

Fun History Fact: The overwhelming majority of cowboys in the U.S. were Indigenous, Black, and/or Mexican persons. The omnipresent white cowboy is a Hollywood studio concoction meant to uphold the mythology of white masculinity.

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skritz704

1 year ago

Swan Song: An illustrated poetry zine about Law and Doflamingo (by me!)

Page 1: the inside cover of the zine. An image of many photos of eyes, arranged together and scanned, is overlain with a blue filter. Some of the eyes are filled in pink, and a few pink details are drawn over others. A white box with the words ‘by sirlanval’ sits in the middle. Page 2: the text reads: ‘he pretends to be asleep when the bird enters a room’. The page features young law, curled up and lying on his left side in the middle of a blue background. He is lined in dark blue, and coloured in shades of pink. Surrounding him are the pink outlines of a heart, lungs and stomach (on his left) and a tooth, brain and liver (on his right). Page 3: the illustration takes up two pages. The text reads: ‘it’s no use, he knows that a beast like that moves as if in a spotlight, that no amount of hiding will be enough to avoid his fate, but he cannot help sometimes but to prologue the inevitable’. This page features a dark blue corridor, with doflamingo walking down it. He is coloured with blue, except for his coat, which is pink. A light blue spotlight falls over him, and he walks towards a white and pink door. On the wall, there is a ‘joker’ playing card, and doflamingo’s shadow, which resembles a huge, monstrous bird.

Page 4: the illustration takes up two pages. The text reads: ‘he will watch with one eye squinted as it lopes inward and sits on the bed, legs bent, twisted, long enough to knock against the opposite wall’. This page features doflamingo, who takes up almost the whole image, curled up with his long legs propped up against the left side of the image. He is now fully coloured in blue, with the exception of his pink skin and tie. Law’s hat and hand can be seen poking out from the bottom. The background is bright pink, with more real eyes looking out in blue. Page 5: the text reads: ‘the grotesque image of cramming an animal into a cage too small, bones protruding, teeth bared’. This page features a scanned blue collage of a collection of animal parts arranged strangely together on a pink background. Multiple eyes and a pair of realistic hands can be seen. This is overlain with the pink outline of a cage, and many pink strings that protrude from the hands. Page 6: the text reads: ‘what it wants it never says. But there’s never any doubt that it wants something. There is no greater believer in the sentiment ‘an eye for an eye’ than donquixote doflamingo’. This page is white with the text in a block in the middle. Above the text, there is a pink and white spiral with a cartoonish blue outline of an eye drawn over the top. Beneath the text, a realistic pink mouth with bared teeth can be seen.

Page 7: the text reads ‘a smile stretched impossibly wide, gums pink as pigs skin, carnivorous, omniscient. “What makes you think I want something?”’ This page features a dark blue silhouette of doflamingo on a white background, with the pink outline of a skull with a grotesquely stretched smile over the top. A part of doflamingo’s pink coat can also be seen, which overlaps onto the next page. Page 8: the text reads ‘it makes him laugh. Neither of them can hide their hunger’. This page features child Law’s hands reaching in from the top right, drawn in blue over a darker blue background. The pink outline of the ope ope no mi overlaps his hands. Parts of doflamingo’s pink coat also poke in from the top and bottom right corners. Page 9: the text reads ‘they spit and slobber at humanity’s feet like logs, ready to break if the world will not bend’. The page features a blue background with pink scans of lots of dogs curving up from the bottom, many of them barking. In the top right, the pink outline of a log pose can be seen. Page 10: the text reads ‘he won’t answer. The beast leers ‘clever boy’’. The page features child Law standing in a pink corridor, in front of a darker pink doorway. He is coloured in blue and looking up. In front of him, the shadow of doflamingo takes up the bottom half of the page, also dark pink. He looks to the left and is smiling.

Page 11: the illustration takes up two pages. The text reads ‘the bird is unfamiliar with starvation, he could hold his own bloody heart before them, and doflamingo would devour it whole, just to revel in the action of feasting’. This page features adult Law, his back facing the viewer. He is coloured in blue, and his arms are stretched above him, holding a bright pink heart. He is wearing his corazon coat, but where the jolly roger would be, there is a square hole. Two realistic blue wings stretch out from his back, which are held on both ends by two giant pink hands. A third pink hand comes out of the bottom of the page to hold Law in the middle. The background is a pink starburst over blue. Page 12: the illustration takes up two pages. The text reads ‘the air stagnates. Heavy is the head that bears mottles swathes of cadaver-pale skin, limbs that cowered beneath the putrid swell of bloated bodies, escaped from the oil slick of flevance’. The background is different shades of blue. Two white cloud shapes take up the left side of the image, overlain with the pink limbs of what is implied to be corpses. On the right, the blue background becomes the skyline of flevance. Two windows have pink fire coming out of them. Child Law, also pink, stands in the foreground, looking at the city.

Page 13: the text reads ‘or, perhaps, unleashed, a scourge in the shape of a boy, clawing up just to be drowned’. This page features a blue scan of a family photo over a light pink background. Child Law stands at the front of the family, and his skin has no lead patches. The rest of the people in the image are blocked out into pink shapes. Bright pink splatter overlaps the right side of the page from the next page. Page 14: the text reads ‘blood splatters against the plastic, as red as doflamingo’s stretched mouth’. This page features pink ‘blood’ splatter over a white image. The rim of child Law’s hat and his hands poke out from the top of the page, coloured and lined in blue. Some darker blue splats are dotted across the rest of the page. Page 15: there is no text on this page. This page features adult law, drawn in shades of blue over a bright pink background. His face and hands can be seen, and he is holding his hands over the bottom part of his face. His eyes are wide and frightened, and his nose and mouth aren’t drawn. His pupils are small and bright pink, and pink ‘blood’ spills out from between his fingers. Page 16: the text reads ‘he’s dying. This is his hulking reminder’. This page features just the text and a realistic dead bird in the centre of the image, coloured in pink.

Page 17: the text reads ‘strings pull sharp. Law tilts.’ This page features adult Law waist up at the bottom of the image, lying in his front and coloured in blue. His right arm is severed and bleeding pink. The blood trail leads in front of him to a blue landscape, with a pink windmill in the middle. Instead of sails, white strings protrude from the windmill and end at pink hands that stick out from the top and right of the image. Page 18: the inside back cover of the zine. An image of many photos of eyes, arranged together and scanned, is overlain with a blue filter. Some of the eyes are filled in pink, and a few pink details are drawn over others.

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skritz704

2 years ago

oh he is NOT listening 😭😭

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skritz704

2 years ago

AND A MOVIE!!!!!

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