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Cringe But Free
Cringe but free
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More Posts from Solitudewall
Pretty boy natural blood-stained blond With the holes in his sneakers And his eyes all over me
inspired by @mothercain
#she may be The Queen That Never Was, but she is MY QUEEN™️
Eve Best as Princess RHAENYS TARGARYEN GOT’s HOUSE OF THE DRAGON 1.05 We Light The Way
Been seeing talk about Orpheus and Eurydice and thinking about satosugu being like a dark version or subversion of them. Like Kenjaku forcefully bringing geto back from the dead to force gojo to look back and have a moment of weakness, of hope, even despite his better judgement and dooming him in an even more tragic way than how Orpheus was doomed (because at least it was their choice). Idk...but I feel like there could be something in thinking about the parallels and also the differences.
hello, sorry for taking so long to answer but i was kind of busy and i wanted sooo bad to sit and think properly about this wonderful concept before saying anything. (BTW THANKS FOR THIS ASK IT RUINED MY LIFE)
to get started i have to talk briefly about orpheus and establish my point of view on his act of looking back. this scene is, in some interpretations, about a lack of trust or defiance of hades' orders. i am, however, much fonder of the more popular interpretations (and the same as yours) about how he looks back not in rebellion, but in wistfulness. so thats the route im taking here. this is ironic, because even though stsg is in my brain 24/7 i've never put gojo and orpheus together, and i feel particularly dumb because whats gojo's story besides him keeping looking back again and again even though he knows he's not supposed to?
"[eurydice] now, who must die a second death / did not find fault with [orpheus], for what indeed / could he be faulted for, but his constancy?"
when it comes to the differences between those stories, what i like the most is the details of what they had to lose and gain, and how many chances they got to do so because, as you said, gojo's dooming is even more tragic than orpheus'. orpheus reward for obeying this rule was gaining eurydice back. when he looks back too soon (in most of the tellings by mistake), it's because he considers that moment the greeting of their new start, a greeting he simply couldnt wait to have in front of him. im most definitely sure that, if given another chance, orpheus wouldnt make the same error. whilst gojo, by not looking at geto, doesnt have anything to win, he only has something to avoid losing. his choice of glancing back whenever geto is there doesnt have any other meaning behind it, its just looking at him for the sake of remembering what he is grieving for. and not only that, but gojo has multiple chances to stop doing so, but he doesnt. he never goes forward. geto dies his premature death when gojo lets him go in shinjuku. then he dies the second time in jjk0, hearing something so kind that he has to ask to be cursed, he has to ask gojo to stop looking back. and now he's "back" again, to his third death, because kenjaku knew gojo would still look back. because gojo's worst fault (when it comes to geto) is his constancy. and this connects to the last point, which is the possibility of kenjaku using this against him again. my opinion is that, if gege plans to keep the coherence of gojo's arc, you're totally right and that'll surely be part of his ending. yes, the main point of his fight with sukuna (from a plot relevance perspective) is obviously weakening him before he fights kenjaku. but this, to me, is much more about laying the groundwork for a heavy and final fight, than to actually being the reason why it'll be special. gojo is a man equivalent to a deity, whose only real weakness is his heart, so if he gotta lose, it'll be through that. it'll be because no matter what he has to give up, he cant keep his eyes from going back to geto. and thats not only if he is to lose, obviously. if gojo survives, he needs closure. we need to see him freeing himself from the mourning of his lost days and make the conscious choice of keeping his head forward.
also, this is just an obs but i really hope we get to see geto at least once again, so we can have his perspective on this whole situation. as much as gojo is similar to orpheus, i can see geto being similar to eurydice. while i do think he will be furious at gojo for being captured because of him (we already saw how he thinks gojo should hate him by now), i cant help but also see him being quite understanding. in jjk0 geto gets to hear gojo expressing how important the days they were together were for him, so his view of that has changed a little now. what could geto say about gojo, but that too well he loved?
Longlegs (2024)
i want it to be put on record that when i posted this to tiktok, i did not think it would blow up, nor did i ever imagine that the ship name would be "billfiddlesford"
the council decided that name without my consent, but i do appreciate the whimsy of it /j
i made these comics as a joke with myself about "what if fidds just got tired of bill's nonsense and teased him 24/7 bc Bill's a menace but Fiddleford grew up on a farm" type of thing, which has now spiraled.
also bc consider; I want Fiddleford to have a win? i want him to be happy and healthy and also in a polyamorous gay marriage with his college friend and his muse, nothing too dramatic