Tuesday Tips Head Space As An Audience, Our Eyes Are Mostly Tracking The Head (and Eyes) Of The Main

Tuesday Tips — Head Space — As an audience, our eyes are mostly tracking the head (and eyes) of the main characters on screen. As filmmakers, it would be a great disservice to not take that info into consideration. For clarity, try to make space around the head of characters on-screens. Too much visual noise around the face interferes with the message, unless that’s the point you’re trying to make make. Also, try your best to maintain the same head screen position when cutting to a new shot with the same characters, whatever type of shot it is. I know how simple this sounds but it’s very easy to forget if you’re not paying attention. -Norm @grizandnorm.com #tuesdaytips #100tuesdaytips #100tuesdaytipsbook #arttips #arttutorial #storyboard #grizandnorm

Tuesday Tips- Crowd Characters — When I need to fill a crowd with characters, I usually try to pick a few simple shapes and use those to build a series a characters to complete the scene. I may switch it up by adding a hat, glasses, switching gender, or a slight difference in posing. In essence, the goal is create a variety of characters without spending too much time on each one. That’s why repeating shapes or even entire characters saves a tremendous amount of time. -Norm

Hi! Happy Tuesday! Today’s tip is on one of my favorite subject, color theory; specifically on chromatic fringe. It is the red fringe or hot saturated color you see at the edge of cast shadow and where it meets the light area. The rougher the object edge casting the shadow or the further away the object is, the more red fringe you’ll see. This is different than chromatic abberation, which is color fringing caused by lens failure. You can see chromatic fringe with your eyes. The more you paint from life and make observation, the easier it is to see. It’s one of those things that once you see it, you cannot unsee. :) XO, Griz

#griz #grizandnorm #tuesdaytips #colortheory #chormaticfringe #grizandnormtuesdaytips #grizandnormkittycatclub ps. On stylized painting, where you want to have a hard edge on a shadow, you don’t always have to put it. Like everything in art, you can choose to put something in or not. But it’s always good to know your basic and know the rules before breaking it. Happy painting!

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

Highly suggest using it.^^

Follow me for more 🌿

Tuesday Tips — “It’s An Eyebrow Thing” — A recurring note a story artist may get in the production of an animated feature is to tone down the angry eyes. We all try to draw fast and loose but, in the middle of it all, nuance may escape us for a brief moment. Arched eyebrows and a furrowed brow usually tend to read “angry”, even if we’re trying to express focus or determination. I would even say that, overall, it’s easy to overdo an expression. I’m not saying a pushed expression isn’t exactly what’s needed at the right moment. I’m just saying that the audience literally looks for the character’s expression first when looking at a sketch or panel. Keep that in mind and lure you audience in with slightly more nuanced expressions, until the right extreme expression calls for it. -Norm @grizandnorm #tuesdaytips #100tuesdaytipsbook #arttutorial #arttips #itsaneyebrowthing