Yes

Yes

Fandom Problem #4482:

I hate it when a movie or series tackles the subject of identity and people immediately say that it's "queer coded". Like having issues with your identity is only an LGBT+ experience and not a human experience that everyone at some point goes through.

For sayo physical apperance  according to the author if i remember correctly shannon boob are fake. padded to complete her disguise. and Lion don’t have boob either so a boobless shannon with kanon black hair is probably the closest.

Really, Sayo?

You’re still wearing that ‘Golden Witch’ dress?

You know, I would prefer to know what you really looked like. I like to write based on canon, not assumptions of it.

I believe I've seen the argument that Arturia in the Fate Route isn't truly strong because she needed help from Shirou. Which...baffles me.

On the surface, it seems right. Shirou saves Arturia's life twice and helps her grow as a person. ... But that's on the surface. Throughout the route, it is emphasized that Shirou is nigh useless in a fight unless he Projects Caliburn, effectively borrowing Arturia's strength. And even then, he was aided by Arturia in one of his saves (vs. Heracles).

As for her personal development- Yes, he pushes her to make peace with her past and move on. ... But in turn, Arturia gave Shirou a human attachment.

See, remember Archer? How he's the end result of Shirou's life, where he will never know peace because he keeps sacrificing himself with no relatable human connection to understand why or give him an end goal to strive for or meaning to push him on? Arturia gave Shirou that. She gave him a deeply human reason to fight and sacrifice as he will, all with the end goal of meeting her again. Through coming into his life, Arturia saved Shirou from becoming another Archer and let him live at least a meaningful life.

To say that Shirou saved Arturia alone undermines the very idea of the routes' romantic side- That they each save Shirou from a horrible fate.

Captain Marvel in Whiz Comics #31 by C.C. Beck

where is this from