I Have Come To The Conclusion That A Demon Apocalypse Is Kinda The Same As A Zombie Apocalypse In That

I have come to the conclusion that a demon apocalypse is kinda the same as a zombie apocalypse in that populated areas are a bad place to be. Thinking about Drevan and Ava from the no context dialogue entry and how they are going to deal with the fact Ava needs to not be permanently entrapped in Drevan’s stomach in order to not go crazy from/die of that thing that gets you on airplanes if you don’t walk down the aisle a little on long flights.

They also probably wanna try and contact Ava’s friends and family. I imagine Drevan probably stealthily warded and marked everyone he could get his hands on. But against some of the things that are closer to his level or too stupid to care they could be already dead/in major trouble.

Given this is fetish art I do kinda wonder if maybe I should just avoid writing or kill offscreen families with kids, to avoid vore happening around them. The storyteller in me says children are a good source of conflict in apocalypse based fiction. But the fetishist in me worries about the proximity. I wouldn’t have this problem if it were just erotica though. So I guess that might be an indication I’m just biased against my sexual fetish in a way I’m not biased against actual sex. Which is paradoxical when you realize how biased I actually am against actual sex in other contexts.

Note I mean adults having sex in a story in which children occasionally exist or are mentioned rather than the other way my vague way of speaking might be interpreted. 

Long story short if I do end up including child characters I’d prefer if I can keep them away from the vore but not the danger or drama. Which is difficult given it’s already been established that demons like to eat people. Though to be honest it helps that not every instance of consumption or death is sexual to me. So I can and probably will default to horror played completely straight in such instances. Although that could be an audience alienating premise in and of itself. People don’t always want reality (is horror really reality? or is it the worst outcome given life?) to interfere with romanticism.

Blah, This is why I tend to stick to oneshots and short stories. That way I don’t have to do any extra world building or try to ground the story in reality. But safe vore naturally lends itself to the idea of a continuing story so I’m tempted to actually bring in other characters and see where the story goes. Given the premise of Ava and Drevan is that they are engaged I imagine they are probably going to try and meet up with Ava’s friends and family and then the finale is probably going to be a wedding in a new very warded demon protected, safe area.

These are just ideas though, I might just end up finishing my draft that’s linked to their dialogue exchange and call it a day. But yeah I’d want Ava’s friends and family to have some kids among them for realism and also I kinda want a flower girl for that hypothetical wedding finale. You know this would be so much more clear cut if it wasn’t safe vore but reformation. Ain’t nobody gonna allow their child to so much as witness that shit. Like actual sex it’s very clear cut where the line is.

But since it’s safe vore which means at least ostensibly it’s “clean” it becomes more difficult because (and I might get into trouble for saying this): safe vore is still dirty and raunchy. It’s just dirty and raunchy in a plausibly deniable way.

Which for me is annoying for world building because from an in universe perspective it’s clean but from the outside it’s most certainly NOT. Which makes my inner storyteller want to cry in a corner because how the fuck do I address the existence of child characters in a universe where safe vore can be used to protect people but then make it look natural that children something people naturally seek to protect are not involved? The obvious solution is to Thanos snap all children, but in a story where the main characters are trying to recover their loved ones during an apocalypse that comes with it’s own dark and inevitable implications. Plus weddings need flower girls. Maybe I can hang a lampshade on it? Like yes kids never get eaten even though there’s an apocalypse going on wow that’s so weird hey look over there is that a butterfly?

You know I just realized it’s pride month. Should I dust off some of my F/F vore drafts and expose to the world how utterly cringe I am at writing lesbians? You know what? This is a rhetorical question, you’re getting lesbians. 

Abandon All Hope Ye Who Enter Here

Hi! I’m Jess! I’m currently 28, I like writing, horror and vore. But it’s debatable how good I am at it. This is at least partially a fetish blog.

So I’d prefer if underage people don’t talk to me. I might still accidentally like your stuff cause I’m a serial liker and don’t pay enough attention, but no talking, no reblogging and no asking me stuff.

Continuing on with the subject of people I’d prefer not talk to me or reblog my content: if you happen to be against people because of their sexuality, race or gender I’d prefer you keep your distance. I don’t condone the idea of demonizing people over things they cannot change. 

I should also mention that as this is a fetish blog, there might occasionally be content that is uncomfortable to the people viewing it. Just because someone has a vore fetish, it does not mean they will automatically like my content. I write both safe and fatal vore, vore is for the most part a sexual fetish to me. I have both male and female pred OCs but only female or ambiguous prey. This is because I identify more with prey than with predators.

While I don’t write them I do enjoy M/M vore content and occasionally F/M content might catch my eye, but the last combination in particular is not something I actively seek out. So if that is your favorite arrangement, I’m sorry to say you’ll find this blog lacking. I have nothing against those who prefer F/M vore but it’s generally my least favourite.

Also my content might be considered problematic if you dislike fetishisation of the damsel in distress archetype, or seeing female characters in danger. If bodice rippers offend you, then some of my scenarios will also do so. I do post the occasional, warning filled, nsfw drabble or scenario so yeah be wary of that.

Armchair psychiatry about what these themes may suggest about my mental health and self-image will be blocked. Asks with similar themes will be ignored, etc.

I may occasionally reblog non-fetish stuff, or vent and rant anxiously. This may or may not be fixed in the future. I’m kinda winging this blog thing if you hadn’t noticed. 

Sometimes I feel like half my world building hangups are just me stubbornly trying to fit a square through a circle. It’s not even really a hangup most people would share even. Like how many other people are going to care if their fetish art has fringe things in it that don’t actually make sense when you sit down and consider them? Almost nobody probably. If they can suspend their disbelief for vore they can probably suspend it for just about anything. But then another part of me points out that there are two factors in suspending disbelief: one in the control of the reader the other in the control of the author and then I begin getting a headache again.

Is there a hashtag for “I wish I could somehow be Neil Gaiman and slip an obvious fetish into a serious philosophical story about the state of American society and have it not only fit but add to the overall themes of the story?” It’s not even that I particularly think fetish art needs to be mainstream, I just covet  the sheer talent you’d need to pull it off.

You know another thing that doesn’t go well with fetish art? Serious themes. Now mind you, I’ve seen fetish art with serious themes. Heck I’ve seen fetish art where the serious themes are essentially the fetish and still manage to be done well. But just cause it can be done doesn’t mean it’s not fucking hard to pull off.