What If This Is An Affiliates Call? Hit That Heart If You Would Like To Be Affiliates!

what if this is an affiliates call? hit that heart if you would like to be affiliates!

hi hello wild things that happened today

i went to get a drink and somehow the barista misheard me so much they said my name was courtney.

a girl saw my cinderella’s castle hoodie and drew me a carriage because “cinderella has a castle you said but no carriage and that’s not okay”

the url i wanted was somehow open ( catch sideblog @oceancursed )

the  intimacy  of  hands.

[ win ]  –  for the sender’s muse to place a hand on the receiver’s neck and rest their forehead against the receiver’s own for a close congrats or excitement at something. [ brush ]  –  for the sender’s muse to give the receiver’s muse a passing touch along the shoulder’s / back as they walk by. [ hold ]  –  for the sender’s muse to hold the receiver’s muse by the face / neck gently and brush their thumbs along their cheeks to get them to focus on them. [ passing confidence ]  –  for the sender’s muse brush their finger’s against the receiver’s muse’s hand, too scared to hold their hand. [ intertwine ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and kiss the back of their hand. [ intertwine & kiss ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and kiss the back of their hand. [ intertwine & hold ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and hold them during an emotional moment to reassure them. [ wrap ]  –  for the sender’s muse to casually wrap their arms around the receiver’s neck and lean on their shoulder from behind. [ palm kiss ]  –  for the sender’s muse to kiss the palm of receiver’s hand. [ hand kiss ]  –  for the sender’s muse to kiss the back of the receiver’s hand. [ lay ]  –  for the sender’s muse to lay next to the receiver and lay their hand in the receiver muses’ hand. [ reassure ]  –  for the sender’s muse to place their hand over the receiver’s in a moment of stress and squeeze reassuringly. [ squeeze ]  –  for the sender’s muse to place their hands on the receiver’s shoulders from behind, and offer a reassuring / affirming squeeze before moving on. [ pluck ]  –  for the sender to pluck a foreign object ( twig / leaf / etc. ) out of the receiver muses’ hair. [ play ]  –  for the sender’s muse to run their hand up the receiver’s shoulder and play with the hair at the base of their neck as a means of comfort. [ rub ]  –  for the sender muse to rub up and down the receiver’s back / shoulder as a means of comfort. [ shoulder ]  –  for the sender’s muse to place a hand on the receiver’s shoulder to comfort them, or stop them. [ hug ]  –  for the sender’s muse to drag the receiver’s muse into a tight hug by the back of the neck, and play with their hair at the base of their neck in order to comfort them. [ shock ]  –  for the sender to recoil a bit in shock at how quick the receiver latches onto them in a moment of high emotion, before returning the affections. [ cup ]  –  for the sender’s muse to cup the receiver’s face, and brush their thumb along the receiver’s cheek. [ hair ]  –  for the sender to brush a strand of hair out of the receiver’s face. [ hair & lean ]  –  for the sender to brush a strand of hair out of the face, and lean in slowly for a kiss. [ cup & kiss ]  –  for the sender’s muse to cup the receiver muses’ face during an incredibly passionate and long overdue kiss. [ what a rush ]  –  for the long long overdue kiss to end, only for the sender to rest their head on the receiver’s, and comment “do you know how long I’ve wanted to do that?” [ no tears ]  –  for the sender to cup the receiver’s face and brush away their tears with their thumbs. [ no tears & kiss ]  –  for the sender to cup the receiver’s face and brush away their tears with their thumbs & kiss the receiver’s forehead. [ stumble ]  –  for the sender’s muse to catch and help the receiver’s muse keep balance. [ shudder ]  –  for the sender to shudder a little at some gentle touch from the receiver. [ nononono! ]  –  for the sender to hold the receiver’s head / face while they’re injured, brush their thumb along their cheeks & refuse to accept that the receiver is dying. [ acceptance ]  –  for the sender & receiver to sit / lay somewhere in acceptance of their ends together. in a final act of closeness, the sender places their hand in the receiver’s own.

[ prompt ] + reverse  –  to reverse any of the prompts !

HADESTOWN. ( 1 / ? ) roleplay starters of anaïs mitchell's hadestown. feel free to edit according to scenario / pronouns.

ROAD TO HELL.

once upon a time there was a railroad line.

don't ask where, brother, don't ask when.

it was a world of gods and men.

it's an old song.

it's an old tale from way back when.

there were three old women all dressed the same.

ride that train to the end of the line.

see, someone's got to tell the tale.

it's a sad tale.

it's a tragedy.

don't forget that times are hard.

let me introduce you to a few of them.

his mama was a friend of mine.

it's a love song.

he was touched by the gods themselves.

ANY WAY THE WIND BLOWS.

she was no stranger to the world.

the weather ain't the way it was before.

ain't no spring or fall at all anymore.

it's either blazing hot or freezing cold any way the wind blows.

there ain't a thing that you can do.

do you hear that sound?

ain't nobody gonna stick around when the dark clouds roll.

anybody got a match?

gimme that.

people turn on you just like the wind.

everybody is a fair weather friend.

in the end, you're better off alone.

ain't no length to which a girl won't go.

sometimes you think just to fill your belly full of food.

you know how those muses are.

this poor boy, he wore his heart out on his sleeve.

you might say he was naïve to the ways of the world.

he had a way with words.

and it ain't because i'm kind.

i took him underneath my wing and that is where he stayed until one day…

COME HOME WITH ME.

you wanna talk to her?

[ name ]? don't come on too strong.​

come home with me.

who are you?

is he always like this?

your name is like a melody.

oh, a liar, and a player too!

i've met too many men like you.​

he's not like any man you've met.​

tell her what you're workin' on.​

i'm workin' on a song.

i haven't seen a spring or fall since… i can't recall.​

oh, he's crazy.​..

why would i become his wife?

what else ya got?

WEDDING SONG.

who's gonna buy the wedding bands?

times being what they are - hard and getting harder all the time.

lover, when i sing my song all the rivers'll sing along.

the river's gonna give us the wedding bands.

who's gonna lay the wedding table?

so when you sing your song the one you're working on spring will come again?

why don't you sing it then?

it isn't finished.

you wanna take me home?

how'd you do that?

even so, it can do this?

EPIC I.

where'd you get that melody?

i don’t know. it came to me as if i'd known it all along.

you’ve heard that melody before?

remember the tale i told you once about the gods?

i remember now, but that was long ago.

tell it again though.

without her above, not one flower would grow.

the gods sang his song of love.

that was long ago, before we were on this road.

everyday i think about Him : tadius’ crazy moves during trappings of starlight

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