the-kawaii-and-stupid-camera - My Art Uploading Struggles with No Scanner
My Art Uploading Struggles with No Scanner

The art dump of all my traditional sketchs (that I'm willing to share). WIPs and linarts mostly.

206 posts

The-kawaii-and-stupid-camera - My Art Uploading Struggles With No Scanner - Tumblr Blog

Sigmund-Thun Klamm, Austria
Sigmund-Thun Klamm, Austria
Sigmund-Thun Klamm, Austria

Sigmund-Thun Klamm, Austria

@giuliogroebert

Coconino Forest, Arizona

Coconino Forest, Arizona

chileno_hikertron

Fall In New England

Fall in New England 🍁

Luis Xertu (Mexican, 1985) - Overgrown (2020)

Luis Xertu (Mexican, 1985) - Overgrown (2020)

We Have Just Digitized Our Copy Of The First Six Books Of Euclid By Oliver Byrne (1847) Which Uses Diagrams
We Have Just Digitized Our Copy Of The First Six Books Of Euclid By Oliver Byrne (1847) Which Uses Diagrams
We Have Just Digitized Our Copy Of The First Six Books Of Euclid By Oliver Byrne (1847) Which Uses Diagrams
We Have Just Digitized Our Copy Of The First Six Books Of Euclid By Oliver Byrne (1847) Which Uses Diagrams

We have just digitized our copy of The First Six Books of Euclid by Oliver Byrne (1847) which uses diagrams of intense color as an aid to learning geometry. Although it sold poorly at the time of publication, it's recognized today as a masterpiece of design and printing.

Typ 805.47.3730

Houghton Library, Harvard University

Spooktober/Halloween Prompt Lists

Halloween Throwbacks

Things to do on Halloween

Spooktober 2020 Prompts

Spooktober 2021 Prompts

Spooktober 2023 Prompts

Inconvenient things a ghost could do

Human x Ghost Prompts

Human/Ghost Dialogue Prompts

Haunted Prompts

Horror Prompts

Fantasy Prompts (Werewolves, Vampires, ...)

Ships with height differences. Reblog if you agree

How I Animate

two animations, one of a woman baring her teeth and brushing her hair back (animation A), and the other of an elven woman turning into an anthropomorphic fox (animation B). "How I Animate" is superimposed on top.

The Technique:

I draw the frames and then I use the liquify tool to push the lines into the next frame and redraw them where I need to. This allows me to keep the lines consistent, but gives me the control of frame by frame animation bc I am still making each frame manually! I also use 3d models as reference to help me with the angles! Super important to use reference while you animate (and with art in general), if youre no good handling 3d models then act it out and record yourself!

progressive gif showing animation A starting from a rough 3d reference to a completed 2d animated piece

The Theory:

i think most people are at least loosely familiar with the 12 principles of animation (if youre not, heres a 2.5 minute video showcasing them!), but may not necessarily know how to employ them. the main 3 i tend to focus on when I animate is rhythm, telegraphing, and inertia so ill cover those there 👍

1. Timing & Rhythm

Timing is how you space out your frames both in how long an individual frame is held for, and also when you drawn an inbetween of two frames you can favour one frame slightly more than the other instead of drawing the exact average of the cels, giving the favoured cel more timing weight.

two animated lines showcasing the difference timing makes.

Left line has the cels evenly spaced out on the timeline, right holds the first cel for longer and the second cel slightly favours the last frame. It creates a more interesting rhythm to the animation! Rhythm is how I think of animation timing. Theres a beat like a song to every animation I make, and creating an interesting beat is what makes an animation fun to watch (for me, anyway):

Animation A with a small pink dot pulsing to the animation's beat.
Animation B with a small pink dot pulsing to the animation's beat.

2. Anticipation / Telegraphing

Two animated lines. The first is the same from the previous line gif, but the second now has anticipation applied on top of the different timing.

Before I animate a big change in movement, I like to telegraph that its coming. Usually this is doing a little counter movement in the opposite direction, but thats not the only way to telegraph a motion, e.g. eye movement can telegraph a head turn!

Animation A. A pink arrow flashes above her head as her eyes move to look at the viewer, then her head turns.
Animation A. A small arrow points down for a split second then points upwards as her head tilts in the same directions.
Animation B. An arrow points up and back, then forwards, then sideways and then finally forwards again. She glares and then tilts her head while baring her teeth before transforming into a fox along to these arrows.

3. Follow-through / Overshoot / Inertia

two lines again. The second line now bounces exaggeratedly as it reaches the end of the animation, as if a wooden stick hit something.
The same lines again, the second line stops with a tiny bit of very subtle inertia.

Unless the movement is mechanical, it wont come to a hard stop and will have some level of bounce or easing out to it. How much "bounce" you add will have a big impact on how the animation feels, but a very subtle bounce will add a natural feeling to the end of a motion.

The hair brushing back and head tilt part of animation A.

Secondary animations will use a lot of this, note that the head and the hand have a small amount of continuous motion (primary animation), and then the hair has a lot of bounce and inertia (secondary animation which reacts to the primary animation). Note the different amounts applied to the braid vs the sideburn vs the bangs

anyway! I hope this was insightful ❤️ if you like my art you can commission me by the by :)

the-kawaii-and-stupid-camera - My Art Uploading Struggles with No Scanner

 ONE HOUR LEFT! We're coming BACK to KICKSTARTER JUST ONCE in EARLY 2025 with my SOLD-OUT tutorials books - the ONLY WAY to get them is to join the mialing list, open for just the NEXT  HOUR THIS MONTH! Join by sending "Add Me, Lorenzo!" to DrawKickstarter@yahoo.com in the NEXT HOUR!

Joined any of our mailing lists before? You're already on it!

These books are NOT available ANYWHERE in shops or online outside of Kickstarter!

Lorenzo! 

Made More Brushes!! Loved How These Turned Out
Made More Brushes!! Loved How These Turned Out

Made more brushes!! Loved how these turned out

Kira Kira Brush Set (PROCREATE) - Ceni 🍚's Ko-fi Shop
Ko-fi
5 brushes/patterns to make your art sparkle ✨

I’ve never been great at drawing super realistic art, and I think it’s because it never really held my interest. I just love stylized characters which is why I’ve been drawing them obsessively for over 20 years! Because of that, I’ve got a lot of ideas about how you can approach stylized anatomy - here’s a snippet of a longer video I made on this topic ✨

You can watch the full video here!

Here are 543 images (1.5GB) of items at the Philadelphia Museum of Art arms and armor exhibit You're free to use them for anything, even commercially. I tried to focus on details not usually represented in available reference material

Here's a small sampling:

Here Are 543 Images (1.5GB) Of Items At The Philadelphia Museum Of Art Arms And Armor Exhibit You're
Here Are 543 Images (1.5GB) Of Items At The Philadelphia Museum Of Art Arms And Armor Exhibit You're
Here Are 543 Images (1.5GB) Of Items At The Philadelphia Museum Of Art Arms And Armor Exhibit You're
Here Are 543 Images (1.5GB) Of Items At The Philadelphia Museum Of Art Arms And Armor Exhibit You're

burning text gif maker

heart locket gif maker

minecraft advancement maker

minecraft logo font text generator w/assorted textures and pride flags

windows error message maker (win1.0-win11)

FromSoftware image macro generator (elden ring Noun Verbed text)

image to 3d effect gif

vaporwave image generator

microsoft wordart maker (REALLY annoying to use on mobile)

you're welcome

Heart Handbag By ROTHBARTH
Heart Handbag By ROTHBARTH
Heart Handbag By ROTHBARTH
Heart Handbag By ROTHBARTH

heart handbag by ROTHBARTH

Vintage Moschino Question Mark Coats 94
Vintage Moschino Question Mark Coats 94

Vintage Moschino ‘Question Mark’ Coats ‘94