theclassicistblog - The Classicist
The Classicist

This is the main tumblog of Silvie Kilgallon. I'm a conceptual artist and my work is largely influenced by my academic interests in classics, ancient history, translation, and philosophy of language. This blog details conceptual, casual and personal projects on which I am currently working. To see the Stitched Iliad project, please check out the Stitched Iliad blog below.

154 posts

Good Luck With The Firings, It Looks Amazing. :O

Good luck with the firings, it looks amazing. :O

Coming To Life

Coming to life

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More Posts from Theclassicistblog

9 years ago

I really like how quilts like this start to look a lot like graphic distortion on computer/TV screens. (I love that humans can find even glitches and errors to be aesthetic and wonderful and fascinating).

I Finally Finished This Quilt Top Tonight-sorry For The Poor Lighting- I Just Couldnt Wait! I Love How

I finally finished this quilt top tonight-sorry for the poor lighting- I just couldn’t wait! I love how hundreds of scraps from my other projects came together to make something so happy and vibrant. #quilt #quilting #scrapquilt #scrappyquilt #triangle #trianglequilt #wip #colorful #colors


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8 years ago
End Of Book 2.
End Of Book 2.
End Of Book 2.

End of book 2.


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9 years ago

Maaaan, I really need to get back to practicing free-motion quilting.

Quilting Circles - Ruler Work
Quilting Circles - Ruler Work
Quilting Circles - Ruler Work

Quilting Circles - Ruler Work

I am having so MUCH FUN with the Circles on Quilts templates by Westalee Design by Sew Steady.  There are so many possibilities.

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Two Circle on Quilts sets include four sizes that can quilt concentric circles from 2-inches to 12-inches at ½ inch increments.

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The templates rotate from a pivot point. A metal tack is placed underneath so the template rotates from from the same axis point to create concentric circles.  Watch short video demo below.

Using the Circles on Quilts is so EASY. With the right free-motion tools: thread, needles, supreme slider, a machine capable of free-motion quilting and gloves, all you need is Westalee’s ½-inch ruler foot and the templates to make perfect circles WITHOUT marking.

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A 10-inch and 9.5 circle made the outer 1/4inch channel and a 6-inch and 5-inch circle created the inner ½-inch channel. Both channels created space for a beautiful swirl of feather plumes. A 2-inch circle in the center and the 5-inch circle encase the swirl design.

So, what do you think? Are you ready to try the templates?


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8 years ago
Die Nase. I've Been Writing Fragmentary Bits Of Pattern For A Crochet Face For Years Now, And Finally
Die Nase. I've Been Writing Fragmentary Bits Of Pattern For A Crochet Face For Years Now, And Finally
Die Nase. I've Been Writing Fragmentary Bits Of Pattern For A Crochet Face For Years Now, And Finally
Die Nase. I've Been Writing Fragmentary Bits Of Pattern For A Crochet Face For Years Now, And Finally
Die Nase. I've Been Writing Fragmentary Bits Of Pattern For A Crochet Face For Years Now, And Finally

Die Nase. I've been writing fragmentary bits of pattern for a crochet face for years now, and finally put hook to yarn and made a prototype nose today. Here are my "pattern" notes, which also function well to show why I don't write patterns: Dec, Dec, inc, inc, Dec Dec Inc inc Plain x 3 Inc inc Plain x3 Sl, ch2, dc2tog, ch2, sl Dc flt Sc3tog The next challenges are figuring out eyes and lips, and then, of course, integrating them into one pattern. (Eye holes are easy enough, but sculpting the curves of eyelids a little harder).


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9 years ago

Writing a poem which you can’t read to anyone Is just like dancing in the dark.

Ovid, Epistulae ex Ponto IV.II.33-34 (via thoodleoo)

I wonder how important he thought it was that it actually be "read" in the literal sense. Would Ovid think that the stitched Iliad is like dancing in the dark? Or would he say "okay, poems that can't be seen or heard."

But I understand his pain: some people write poems or books or create art for themselves, or to express themselves and having expressed themselves, they don't care if they actually expressed themselves *to another* person or not. (Indeed, they might prefer it if they knew they hadn't). Other people do it to communicate: they do it to express themselves and they need or greatly desire that *someone* see/hear/feel what they did.

Some people see art as self-expression and as having value intrinsically as self-expression, some people see it as having value only insofar as it allows or succeeds as communication with another person: do you create art for yourself, or for others? (Of course one might argue that even if creating art to be understood by others, it's still ultimately being created *for* the artist, to satisfy their desire to communicate...)


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